£145.00
Film
Oh! What a Lovely War
1969
UK Quad / (30″ x 40″) / Single Sided / Printed in England by Lonsdale & Bartholomew Ltd
UK (Great Britain)
Very Fine Plus / Originally Folded (as issued)
Richard Attenborough
Colin Farrell, Dirk Bogarde, Jack Hawkins, Jean Pierre Cassel, John Clements, John Gielgud, Kenneth more, Laurence Olivier, Maggie Smith, Michael Redgrave, Phyllis Calvert, Ralph Richardson, Sir John Mills, Susannah York, Vanessa Redgrave, Wendy Allnutt
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“Oh! What a Lovely War” was Richard Attenborough’ Directorial debut in 1969 and also resulted in a highly patriotic film poster with a Union Jack design and as Sim Branagan states in his 2006 book “British Film Posters” – “A clever and appealing spoof of the classic Kitchener call-up poster”. With initial design by John Billingham and finished artwork by Brian Sanders each section of the Union Jack flag feature a scene from the movie and include General Haig (John Mills) playing leap frog and Brighton Pier with the colours red, white and blue are enhanced with Khaki, lilac and different shades of blue, red & green. An exceptional and eye-catching looking film poster with superbly detailed imagery, this really is a beautifully designed stand out poster and is becoming increasingly hard to find. Originally folded (as issued) this 1969 UK quad film poster displays superbly with vibrant unfaded colour tones. This excellent unrestored example presents to very good effect and represents an fine piece of collectable original British film memorabilia.
…more detailVintage Movie Posters Grading Criteria... read more +
A clever piece of work, this film – Richard Attenborough‘s first as director and an adaptation of the production by Joan Littlewood’s Theatre Workshop – considers the pure futility and waste of World War One by presenting it as a ‘war game’ based in and around Brighton; on the West Pier, atop a Helter Skelter, etc.
The central characters are the Smith family – several sons and nephews, a grandad, mother, wives and younger children. All have tickets for the game, welcomed in at Douglas Haig‘s booth (Haig puts his own words to ‘I do like to be beside the seaside’…’I do love to see a man in khaki’). They are the routes by which we follow the various battles and conflicts through the war, punctuated by a soundtrack of popular songs of the period (‘It’s a Long Way to Tipperary’, ‘Keep The Home Fires Burning’, ‘and so on).
“Oh What a Lovely War” manages to be daring, funny, and moving, and boasts a starry set of cameos including Olivier, Gielgud, Richardson, and Maggie Smith. It covers all of the conflict, from the assassination of the Archduke of Austria, through to the Christmas truce in the trenches, to the war’s conclusion. Poppies play their part, as well they might, to indicate the scale of loss of life; and a final tracking shot on the Sussex Downs attempts to give some indication of the wanton destruction of ‘cannon fodder’ by the powers-that-be.
As a pure war film, this would never work. As a satirical musical, it stands up extremely well, and has many memorable moments to reward the viewer when they see the film again and again. An excellent debut from Attenborough, sure of itself and without getting bogged down in cloying sentimentality.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.