Film
Led Zeppelin: Celebration Day
2012
Italy 2 Folio / single sided / (39" x 55")
Italy
Near mint minus ; originally folded (as issued)
Dick Carruthers
Jason Bonham, Jimmy Page, John Paul Jones, Robert Plant
“Led Zeppelin: Celebration Day – Experience it 17 October” The biggest rock group in the World needed a big poster for their 2012 documentary in tribute to Atlantic Records’ Ahmet Ertegun; this original Italian 2 folio film poster is BIG measuring 39″ x 55″ (99 cm x 140 cm). Not just a big poster but stunning artwork and design by one of the hippest and most highly regarded contemporary artist’s working at the moment: Shepard Fairey. This original advance “Solo per un giorno al cinema Mercoledi 17 Ottobre” was produced in Italy as part of the global one night only showing of the Film. Incredibly rare poster in any format but the sheer size makes this something special; quite honestly one of the finest and most stunning poster’s I have seen. Originally folded (as issued) this magnificent example displays superbly with only minor handling wear…Investment grade quality for an extremely rare piece of rock music / film memorabilia.
…more detailVintage Movie Posters Grading Criteria... read more +
Artist Shepard Fairey in 2012 on the Celebration Day commission…”This year I’ve been ridiculously fortunate to work with some of my favorite bands the Black Keys, Bad Brains, and the mighty Led Zeppelin! After I did the Mothership package for Zeppelin they were happy enough with the art to ask me to give it another go for the package of their concert album Celebration Day. I have loved Zeppelin most of my life, so I figured I could pencil them in. At one point in high school I think Physical Graffiti was in my car tape deck for 3 months straight. Anyway, the band liked what I came up with, so BAM!, I have now done TWO album packages for one of the greatest rock groups of all time which is surreal beyond explanation”…Plenty of highlights, and like most of their output, has a way of growing on you to an almost uncomfortable degree taking you on a miniature journey. As a rock audience, we’ve practically seen it all: multiple camera angles, audience noise, high-speed editing, close-ups, cameras in clear plastic balls, helicopter shots from above, giant video screens, wide angle shots, 3-D effects, and even fan-held cameras on the loose. After so many years of technological leaps and bounds finding their way to the big screen, it’s downright hard to bring anything new or innovative to this medium…In this concert film we see what we need to see“ the concert. And probably all the things that I wanted to see were up close and personal. This includes close-ups of Jimmy Page playing his classic sunburst Les Paul at just the right times, John Paul Jones’ fretless bass and Page’s skillful slide guitar playing during “In My Time of Dying,” Jones’ use of the rare 12-string bass during “Trampled Under Foot” and Page’s use of the Transperformance guitar during “Whole Lotta Love.” Awesome percussion by Jason Bonham throughout and Robert Plant’s vocals hold up well. And those were just the technical/musical close-ups of real value. Add in the human emotion of Jones, Page and drummer Jason Bonham looking at each other, nodding and smiling when they were locked in to a tight groove. Not a dull moment, completely engrossing all the way through.
Further Artist Information: Frank Shepard Fairey (born February 15, 1970) is an American contemporary graphic designer and illustrator who emerged from the skateboarding[1] scene. He first became known for his “Andre the Giant Has a Posse” (OBEY) sticker campaign, in which he appropriated images from the comedic supermarket tabloid Weekly World News. His work became more widely known in the 2008 U.S. presidential election, specifically his Barack Obama “Hope” poster. The Institute of Contemporary Art, Boston calls him one of today’s best known and most influential street artists. His work is included in the collections at The Smithsonian, the Los Angeles County Museum of Art, the Museum of Modern Art in New York, the Museum of Contemporary Art San Diego, the National Portrait Gallery in Washington, the Virginia Museum of Fine Arts in Richmond, and the Victoria and Albert Museum in London.
Trade Address:
Vintage Movie Posters (UK) Limited
The Malthouse
The Broadway
Old Amersham
HP7 0HL
© 2024 Vintage Movie Posters
Registered Office Address: Vintage Movie Posters (UK) Limited, Aston House, Cornwall Avenue, London N3 1LF GB
Registered Company No: 07664517
Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
