Showing 1–12 of 24 results
“The girl behind the name”
When released in July “AMY” went on to break UK box office records for a documentary in its opening weekend and has since gone on to become the highest grossing British documentary film of all time. An incredible feat for a film with a very limited release & showing in only a handful of cinemas. Made by the award winning team responsible for the excellent “Senna”, “AMY” tells the heartbreaking story of the late jazz/ blues singer Amy Winehouse. The original UK quad film poster to accompany the release was designed by the creative arts agency Territory Studio, who have produced an eye catching piece. The advertising campaign was very low key and the UK film posters that accompanied the extremely limited cinema release are truly scarce. Originally rolled this incredibly rare example displays to excellent effect and represents a fantastic collectable item of music/ film / cultural memorabilia for a true music icon.
Trivia: Amy Winehouse‘s immediate family were initially willing to work with the film’s producers and director, having heard about the success of their earlier documentary, Senna (2010). They granted the filmmakers access to hours of archive footage of Amy and her family, as well as giving the filmmakers’ their blessing to interview Amy’s family and friends. However, they – in particular, Amy’s father, Mitch Winehouse – soon began to feel they were being misrepresented in the documentary, that the negative aspects of Amy’s life were receiving much more attention than the positive, and that footage had been edited in order to produce an inaccurate narrative of Amy’s story, especially the last three years of her life. Mitch Winehouse has said that Amy’s fans should consider seeing the film for the rare, previously unseen, archive footage of his daughter, but should pay no attention to the film’s general portrayal of her, which he has labeled “preposterous”.
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A truly influential genre classic…John Landis’ tongue in cheek werewolf horror romp “An American Werewolf in London”. This original 1982 (first year of release in Japan) Japan B2 film poster is stunning; great horror imagery and often referred to as the “monster montage style” featuring all of creatures from the Film and even a bit of saucy Jenny Agutter nudity . Full on and very in your face and not at all understated and restrained as is the US one sheet version. With unique Japan design this is an extremely desirable, very rare poster from a “golden age” of physical movie special effects. In near faultless original, unrestored condition this rolled example presents in investment grade condition and represents an exciting piece of original horror film movie memorabilia…“Be rational, sure. I’m a fucking werewolf, for Christ’s sake!”
Trivia: John Landis wrote the screenplay for this film following an incident while shooting Kelly’s Heroes (1970) (while he was a go-fer) in the countryside of Yugoslavia. While driving along a country road with a colleague, Landis encountered a gypsy funeral. The body was being buried in a massively deep grave, feet first, while wrapped in garlic, so he would not rise from the dead.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
A truly influential genre great…John Landis’ tongue in cheek werewolf horror romp “An American Werewolf in London”. This original 1981 UK quad film poster is stunning; great imagery as we see David before (very nude) and after (the best cinematic werewolf transformation ?) in incredible snarling wolf man mode. Very in your face and not at all as understated and restrained as the US one sheet version. With unique British design this is an extremely desirable, very rare poster from a “golden age” of physical movie special effects with Rick Baker winning the Oscar for Best Makeup. Presented in original, unrestored condition this folded (as issued) example displays very with only minor handling wear and represents a fantastic item of original horror movie memorabilia from a classic of the genre.…“I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This ‘International’ style one-sheet, features totally different art than the ‘regular’ version, with imagery of a blood-red wolf against a black background – it is far more scarce and distinctive than the regular poster, and is far more desired by collectors. Presented in excellent condition this folded (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable piece of cinematic movie memorabilia.
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2021 alternative movie poster by the American graphic artist Todd Alcott shows a very understated and restrained design for a horror poster as David (David Naughton), Jack (Griffin Dunne), Nurse Alex Price (Jenny Agutter) plus a number of London landmarks are represented as characters on what appears to be a beaten up paperback book cover. Presented in excellent condition this rolled (as issued) example displays superbly and has been printed too look distressed. Alcott’s impressive piece of poster artwork represents a great twist on traditional horror movie memorabilia and is a great example in the rapidly expanding area of alternative movie posters. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2019 hand-numbered (#102/300) alternative movie poster by Vance Kelly is a proper horror poster as David (David Naughton) and Jack (Griffin Dunne) are bathed in the blood dripping from the werewolf’s fanged mouth with a number of Rick Baker’s other monstrous creations blended into the background. Kelly has even included a pentagram (a staple symbol of werewolf folklore) in the title design. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2011 hand-numbered (#31/380) and signed by the artist – Olly Moss alternative movie poster is a very clever design as the werewolf’s head is incorporated into a silhouette map of the British Isles. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster by one of the leading artists working in the medium. “I vote we go back to the Slaughtered Lamb”
Trivia: John Landis wrote the screenplay for this film following an incident while shooting Kelly’s Heroes (1970) (while he was a go-fer) in the countryside of Yugoslavia. While driving along a country road with a colleague, Landis encountered a gypsy funeral. The body was being buried in a massively deep grave, feet first, while wrapped in garlic so he would not rise from the dead.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Academy Award and that’s perfectly illustrated here on this Australian one-sheet as the said transformation of David (David Naughton) is fully featured. It appears the Australian poster designers weren’t worried about spoilers. Presented in unrestored condition this folded (as issued) example displays to very good effect and represents a fantastic item of original horror movie memorabilia from a classic of the genre with some truly eye-catching imagery. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This signed Artist Proof (AP) alternative movie poster by Graham Humphreys is a proper horror poster. Humphreys has cleverly included all the main characters, David (Naughton) becoming the werewolf and the suitably named ‘Slaughtered Lamb’. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster.
For Graham’s thoughts and inspiration for the poster design checkout this superb interview with Dread Central.
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2022 Artist Proof has not only been signed by the artist Matt Ferguson, but also the two main actors David Naughton, who played David Kessler and his best friend Jack, played by Griffin Dunne. Both actors have signed in red ink and added their character names and annotations – Naughton has written “Lovely stroll on the Moors!” and Dunne “I vote we go back to the Slaughtered Lamb”. It’s a proper horror poster as David (David Naughton) and Jack (Griffin Dunne) are seen walking across the fog bathed moors with the title finished with a spot varnish in a bright red dripping blood style. Presented in excellent condition with only minimal wear from the signings, this rolled (as issued) example is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster autographed by the actors depicted on the poster. “I vote we go back to the Slaughtered Lamb”
Griffin Dunne signed at Horrorcon (6-7th June) 2024 and David Naughton (photo proof) at Horrorhound Weekend (20-22nd March) 2026. A full letter of authenticity accompanies this item.
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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Acclaimed film maker Alejandro G. Iñárritu not only directed, co-wrote and produced the multi award winning 2014 movie “BiRDMAN” (or The Unexpected Virtue of Ignorance) but he also took a keen interest in the overall marketing campaign and promotion of the film. Fox Searchlight partnered with highbrow blog Badass Digest to present a series of stylish minimalist posters that depict Birdman–the hero that Michael Keaton’s character is famous for portraying in the film–posed alongside world famous landmarks. with the idea that Birdman is heroically protecting everyone across the globe. Offered here is Mark W. Carroll’s artwork showing Birdman in London, England, atop the Houses of Parliament with the silhouette of Big Ben an eye-catching backdrop. Presented in excellent original rolled (as issued) condition this superb example represents a highly desirable and collectable item of original film movie memorabilia for one of Hollywood’s best regarded and talented emerging young directors; Alejandro G. Iñárritu.
Trivia: The voice of Riggan’s alter ego Birdman is a parody of Christian Bale‘s Batman voice in Christopher Nolan‘s The Dark Knight trilogy.
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Perhaps one of the most influential and talked about ‘art’ films of ‘Swinging 60’s London’, Michelangelo Antonioni’s controversial first English language film “Blow Up”. Extremely rare, complete set of all eight (8) front of house, country of origin British lobby cards from first year of release 1966. Two cards are standalone character pieces and feature Thomas (David Hemmings) and Jane (Vanessa Redgrave) with the remaining six cards exuding a real feeling of sexual tension. Presented here in original flat, unfolded (as issued to cinemas) condition this scarce set displays very well with bright vibrant colours. Paper for this title doesn’t come to market very often with these front of house lobby cards a superb example of 1960’s nostalgia and British cinema memorabilia.
Trivia: The film contains a rare performance of The Yardbirds during the period when Jimmy Page and Jeff Beck were both in the band. Jeff Beck would leave a few months later.
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