£475.00
Film
Le Mans
1971
Japan B2 / (28.75" x 20.25") / Single sided
Japan
Near Mint minus; originally rolled
Lee H Katzin
Christopher Waite, Elga Andersen, Fred Haltiner, Louise Edlind, Luc Merenda, Ronald Leigh Hunt, Siegfried Rauch, Steve McQueen
SOLD - this item is sold. Please browse our currently available stock
“This isn’t just a thousand to one shot. This is a professional bloodsport. And it can happen to you. And then it can happen to you again”
The rarest of the rare, (as predominantly printed in English) with a very low print run, that’s what this original 1971 Japan B2 film poster for “Le Mans” is. Quite frankly one of the finest Steve McQueen motor-racing images ever produced. Originally rolled this example presents near perfectly; Genuinely very very scarce and becoming hard to find due to the Film’s very limited release in it’s day. Now an iconic and much admired motor racing movie showing just why Steve McQueen was the true King of Cool ! Highly recommended and rarely offered in such high grade condition this represents a fantastic example of McQueen, motor-racing & cinematic memorabilia .
“When people risk their lives, shouldn’t it be for something very important?”
Trivia: Steve McQueen‘s blood type (Group O, Reh D neg) is shown on the back of his helmet. This was common at the time and drivers would show blood types either on the helmets or clothing.
…more detail
Vintage Movie Posters Grading Criteria... read more +
“Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world’s hardest endurance course: Le Mans in France. The race goes over 24 hours on 13.4 kilometers of cordoned country road. Every few hours the two drivers per car alternate – but it’s still a challenge for concentration and material. In the focus is the duel between the German Stahler in Ferrari 512LM and the American Delaney in Gulf Team Porsche 917. Delaney is under extraordinary pressure, because the year before he caused a severe accident, in which his friend Lisa’s husband was killed.”
The reason why most racing movies fail, is because the Hollywood people try to tie in some cheesy plot to the highly professional sports of auto racing. In real life car racing, there is no dramatic love story, no struggle between good and evil, no rebel against the authority. In real life, racing is all about speed, physical strength, and concentration, anything else is just distraction…Rather than put in a third rate plot to make a crappy story out of it like Driven or any other racing flick has done(including the Grand Prix), Steve McQueen‘s “Le Mans“ has chosen to walk the different path, to bring the true spirit of car racing on the big screen. Who cares if there is no plot, no conversation, or no love story. If you are looking for those things, you are watching the wrong movie. The sound of the 917 blast down the Mulsanne at full throttle is well worth the time to watch this movie…Sadly, this is probably the last of the true racing movies. The world today is impossible to make a movie out of real racing car(every single race car in Le Mans is real. The Porsche 917, the Ferrari 512S, The Lola T70). Driven uses mock CART car based on Indy Light, plus a whole lot of crappy CGI car, Grand Prix uses the F2 car that looks like the F1 at the time. A movie like “Le Mans” probably will never be made again.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.