Film
James Bond: Dr. No
1962, 2026 Release
36″ x 24″ (91 x 61 cm) Single Sided, Limited Edition, Hand-Numbered #007/20 Giclee Fine Art Print by Yvan Quinet
United States (USA)
Near Mint – Rolled (as issued) – Flat/Unfolded
Terence Young
Bernard Lee, Eunice Gayson, Jack Lord, Joseph Wiseman, Lois Maxwell, Sean Connery, Ursula Andress, Zena Marshall
“007 The double “O” means he has a license to kill when he chooses…where he chooses…whom he chooses!”
An outstanding limited edition alternative movie poster for Sean Connery’s debut as Ian Fleming’s super spy James Bond in “Dr. No”. A magnificent, James Bond poster with bold vibrant colours and a one of the best images of Connery as 007 you will see by Yvan Quinet. Immediately recognisable as a Bond film. This alternative movie poster printed in 2026 is particularly scarce with a print run of only 20 is hand-numbered #007, yes, 007. Presented unrestored in original unfolded (as issued), rolled condition this superb example has been printed in the giclee style and appears to have a painted finish. It displays to impressive effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: Sir Sean Connery‘s suits for this film were made by Saville Row tailor Anthony Sinclair. Sinclair stated that a truly great bespoke suit would be able to stand up to a good deal of abuse – such as grabbing by the lapels – and still look great afterwards. To prove his point, Connery was asked to sleep in his suit. When he woke up the next morning he was stunned to see that it looked fantastic.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
…more detail
Vintage Movie Posters Grading Criteria... read more +
”James Bond 007 is Britain’s top agent, and is on an exciting mission, to solve the mysterious murder of a fellow agent. The task sends him to Jamaica, where he joins forces with Quarrel and a loyal C.I.A. Agent, Felix Leiter. While dodging tarantulas, “fire breathing dragons”, and a trio of assassins, known as “the three blind mice”. Bond meets up with the beautiful Honey Ryder and goes face to face with the evil Dr. No.”
The year was 1962 and the world’s longest running movie franchise was kickstarted with this great James Bond movie. Terence Young’s “Dr. No” provided a formula which future Bond movies were to follow, even to this day. Beautful Women,great action and a super villain. Adapted from the famous Ian Fleming novel of the same name it tells the story of a famous spy who goes to investigate the disappearance of a fellow spy. Sean Connery was perfect as the suave spy James Bond. Ursula Andress was rather good too, in fact being a guy she provided the biggest highlight for me. That famous bikini sequence still does not disappoint. Joseph Wiseman was great as super villain “Dr. No”. After not having seen it for years, a couple of weeks I watched it again when a TV channel was showing it. After watching it I can safely say it still provides great entertainment and packs an almighty punch. Pure escapist fun.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
