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Howard the Duck

£55.00

Film

Howard the Duck

Additional information

Year

1986

Size/Type

US One Sheet / (27" x 41") / Single Sided, NSS# 860056

Country of Origin

United States (USA)

Condition

Very Fine Plus / Originally Folded (as issued)

Director

Willard Huyck

Actor/Actress

Chip Zien, Ed Gale, Jeffrey Jones, Jordan Prentice, Lea Thompson, Tim Robbins, Tim Rose

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“You will believe that a duck can talk.”

Marvel’s “Howard the Duck” is still synonymous with the phrase “expensive turkey” but since the character’s cameo appearance in the post credits sequence of their amazingly  successful blockbuster Guardians of the Galaxy (click on the title to view) interest in Steve Gerber’s talking duck super hero has soared with film posters and merchandising from the 1986 release becoming  hugely sought after. From first year of release (1986) this rare folded (as issued) Advance ‘Coming to Earth August 1st’ US one sheet displays and presents superbly with only very minimal handling wear. With beautiful artwork and strong unfaded colours this is an excellent unrestored  example of very collectable original movie memorabilia.

 …more detail

Vintage Movie Posters Grading Criteria... read more +

Film Description

Howard the Duck Movie Poster

“Trapped in a world he never made…A new breed of hero”

At a time when most of Marvel Comics’ characters were stuck in low budget TV and straight-to-video productions, Steve Gerber‘s relatively obscure Howard the Duck got the big budget treatment with none other than George Lucas as producer. The film was written by Willard Huyck and Gloria Katz, who co-wrote American Graffiti and Indiana Jones and the Temple of Doom, and directed by Huyck, with special effects by ILM. What could go wrong?

A lot, apparently. “Howard” was a critical and financial failure that deep-sixed the careers of Huyck and Katz and led to the cancellation of the duck’s magazine. If the film had a moderately priced budget, it might have been forgotten as just another lightweight, trashy 1980s comedy and even turned a profit. Instead, the budget somehow ballooned to a then staggering $37,000,000 (almost as much as the entire “Star Wars” trilogy cost to make). Although other films lost more money and got worse reviews, the name “Howard the Duck” is still synonymous with “expensive turkey”.

That said, the movie itself isn’t as bad as it’s reputation suggests. The plot revolves around the title character (voice by Chip Zien, played by various midgets in animatronic duck suits), a sarcastic talking duck from a planet a lot like Earth, except ducks evolved into the dominant life form. Howard is brought to Cleveland, Ohio when an experimental laser beam opens an interdimensional portal. There he befriends an aspiring rock singer (Lea Thompson) and a kooky lab assistant (Tim Robbins), and comes into conflict with various lowlifes, the police, and an evil demon that has possessed the body of a helpful scientist (Jeffrey Jones), all the while trying to get back home.

Gerber’s original comic book series and a subsequent adult-oriented magazine weren’t kids’ stuff. They juxtaposed a funny animal character with bizarre villains and action more typical of Marvel’s super-hero books, usually parodying comics, politics, and popular culture in the process. A sexual relationship between Howard and his human girlfriend Beverly was more than just implied. The “Howard the Duck” movie could have either toned down the more adult situations to create a family-friendly action-comedy, or gone straight for ribald satire and gotten an “R” rating. Instead, the filmmakers sought an uncomfortable middle ground that pleases no one. The script is not witty enough for adults and it is too sleazy and scary for young children. The endless duck puns become tiresome. There are, however, a few truly funny moments, such as Howard’s shock at being served eggs, or his observation that “If God intended ducks to fly, he wouldn’t have taken away our wings.”

The direction is uneven. The reaction of several characters to meeting a talking alien duck seems muted given the circumstances. The special effects are also hit and miss. The animatronic duck suit cost millions, but the actors inside it add little personality. They could have at least waddled when they walked. The demonic Dark Lords of the Universe at the end of the film are portrayed with stop motion animation that is jerky and unrealistic even for the time (perhaps this was intentional, though, to provide a B-movie feel). However, while a bad movie all around, “Howard the Duck” at least stands out for its unique premise. Amidst a sea of formulaic mediocrity, an original idea, even if it’s poorly developed, counts for something.

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.