£595.00
Film
GOAL: The Complete Story of the World Cup 1966
1966
UK Quad / Single Sided / (30″ x 40″) / Printed in England. Stafford & Co Ltd. Nottingham and London
UK / British
Near mint minus – Very fine plus / originally folded (as issued)
Bobby Moore, Franz Beckenbauer, Pele
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Long before social media, yes there was a time before Facebook, Twitter, Instagram etc or immediate online news updates then the cinema was the go to place for up to date visual news. Unless you were one of the lucky 96,924 people who had a ticket to the England and West Germany final on 30 July 1966 or had a television (it was being shown live in black & white) then “GOAL: The Complete Story of the World Cup 1966” was the only place to see England’s historic victory over West Germany. Released in cinemas shortly after the event it was shown in vibrant glorious colour and not only featured the historic final but also match highlights and player and fan interviews from the whole tournament. If you are British and love your history then this is the greatest sports documentary ever made and you will not find a better example than this. Presented in excellent condition this originally folded (as issued) unrestored 1966 country of origin British UK quad film poster displays and presents to superb effect and represents a truly scarce, patriotic and inspiring piece of cinematic sports memorabilia.
Trivia: This film, as was common with similar newsreel-style documentaries of the period, contains no live sound whatsoever. Everything you hear consists of sound effects added in post-production, from crowd noise and traffic to every kick of the ball. Occasionally when someone on screen can be seen to shout something, gibberish approximating the mouth movements has been dubbed over.
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Ah those innocent days when the groundsman opened up Wembley stadium a few hours before the World Cup Final 1966. Brilliantly observed scenes from a long – dead culture when football was not dominated by the egos of the players and the cynicism of the media. When reporters in trilbies and suits phoned their copy in and fans didn’t stab, kick or mutilate each other as a matter of course. Beautifully photographed with tantalising snippets from some of the best games played in the 1966 tournament and a nicely world – weary commentary spoken by Nigel Patrick without any of the hyperbole of the usual football reportage and written by novelist and sports writer supreme Brian Glanville. A wonderful soundtrack that enables you to hear the ball being kicked and the players shouting at one another is enhanced by music by Johnny Hawksworth, former star bass player in the great Ted Heath orchestra. England itself appears as tottering on the verge of the Swinging Sixties whilst clinging determinedly to its back – to – back houses and industrial heritage. It is the way we were – not the way we have been portrayed in retrospect. A brilliant, moving, exciting experience recording an unparallelled sporting success. Undoubtedly one of the movies to see before you die.
“GOAL: The Complete Story of the World Cup 1966“ is presented in the style of British Pathe News but with more glamour and the match action mixed with player profiles & back room business. It also showed the fans and personalities even that old chap who always attended the England games dressed in a Union Flag suit. A magical moment of cinema for a football mad 1960’s teenager.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.