1940 – (1961 RR)
UK Quad / Single Sided / (30" x 40"), Printed in England by S. & D. S. Ltd
UK / British
Near mint minus – Very fine plus / originally folded (as issued)
David Hand, Ben Sharpsteen, Bill Roberts, Ford Beebe Jr., Hamilton Luske, James Algar, Jim Handley, Norman Ferguson, Paul Satterfield, Samuel Armstrong, Wilfred Jackson
Deems Taylor, Leopold Stokowski, Walt Disney
“The ultimate in sight and sound…FANTASIA will AMAZIA !”
“FANTASIA” is without a doubt the greatest animated film in history. While highly acclaimed and well-known today, it was not terribly popular when it was first released. Disney’s idea of “FANTASIA” was to take great pieces of music and draw animated sequences that match them. In doing so, it reverses the purpose of a movie’s score; the movie serves and matches the music, not the other way around. The lack of plot really didn’t matter though as you became immersed in a sumptuous visual and audio experience, unlike anything before or since. This is a rare opportunity to obtain one of the scarce original early re-release film posters and offered here is an original UK quad movie poster from the 1961 British release. Like all Disney campaigns of the time the advertising merchandise is of the highest quality which is fully in evidence here; stunning detailed artwork (unique to the UK release) with stone-litho printing and deep rich colours that literally ‘pop’ from the paper. Truly outstanding and one that is far better appreciated in the flesh than can ever be shown in a photograph. Originally folded (as issued) this unrestored film poster presents superbly and is a fine example of rare and collectable original movie memorabilia for a much respected animated Walt Disney classic.
Trivia: This is Steven Spielberg‘s favorite animated movie of all time.…more detail
Vintage Movie Posters Grading Criteria... read more +
“Disney animators set pictures to Western classical music as Leopold Stokowski conducts the Philadelphia Orchestra. “The Sorcerer’s Apprentice” features Mickey Mouse as an aspiring magician who oversteps his limits. “The Rite of Spring” tells the story of evolution, from single-celled animals to the death of the dinosaurs. “Dance of the Hours” is a comic ballet performed by ostriches, hippos, elephants, and alligators. “Night on Bald Mountain” and “Ave Maria” set the forces of darkness and light against each other as a devilish revel is interrupted by the coming of a new day.”
This unusual and very creative classic of animation combines a very interesting idea with quite a bit of imagination, plus visual effects that still hold up well. All but a couple of the sequences are quite enjoyable, and some especially so. Even the segments that don’t work as well are usually at least interesting, since you can at least appreciate what they were trying to accomplish.
You don’t really have to be all that familiar with the specific pieces of music for it to be worthwhile, since in several cases they chose to match the music with material that is rather different in nature from any original context that it may have had. And in any case, the animated sequences are intended to provide the context, in terms of the movie.
No doubt, everyone will have his or her own favorite segments, based on the music itself and on the choice of accompanying visual material. The “Sorcerer’s Apprentice” sequence, with Mickey Mouse, is certainly one of the most memorable. The adaptation of “The Rite of Spring” is quite imaginative in using an entirely different setting for the music. “Night on Bald Mountain” has striking and sometimes bizarre visuals.
Many of the classic Disney features still hold up well as family entertainment, but “FANTASIA“ is unique for its combination of imaginative concept and visual creativity. Not every minute of it works, but that’s the price of being willing to experiment. It’s an enjoyable and satisfying feature that well deserves to be remembered.
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
27 X 40″, printed on paper. Very rarely used size.
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.