Showing 61–72 of 152 results
Darker and more serious in tone and content than its predecessor. Bruce Wolfe’s beautifully rendered artwork certainly reinforces that trait for Steven Spielberg’s 1984 prequel / sequel “Indiana Jones and the Temple of Doom”. This original country of origin US one-sheet movie poster highlights the titular archaeologist hero as a beacon of light surrounded by darkness. Originally flat and unfolded as issued to the cinema this superb example displays to excellent effect being presented totally unrestored high grade condition. Often seen as the “weakest” of the franchise (not so in my book) this is considerably rarer than posters from the other films in the series and represents a fantastic piece of scarce original movie memorabilia for an incredibly popular and well love film franchise.
Trivia: While filming the whipping scene, the crew played a practical joke on Harrison Ford. While he was chained to a large stone, Barbra Streisand appeared, dressed in a leather dominatrix outfit. She proceeded to whip him, saying “That’s for Hanover Street (1979), the worst movie I ever saw.” She continued whipping him for Star Wars: Episode IV – A New Hope (1977), and making all of that money. Carrie Fisher then threw herself in front of Ford to protect him, and Irvin Kershner chided director Steven Spielberg. “Is this how you run your movies ?” This entire sequence was filmed.
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Arguably the most sought after design for “Indiana Jones and the Temple of Doom”. This Style B, US one-sheet one-sheet displays the unmistakable painted artwork of Drew Struzan which features a montage of just about all the best elements from this film; from the heart wrenching evil villain Mola Ram, the comic relief character Short Round and the episode’s love interest – Willie Scott. And of course taking centre stage is Harrison Ford as the titular Indiana Jones – all beautifully illustrated by Struzan. It’s hardly a wonder why this poster is so desirable; it represents the best parts of this all-action series. Originally rolled, as issued to the cinema this superb example displays to excellent effect being presented in totally unrestored high grade condition with only light handling wear. Often seen as the ‘weakest’ of the franchise (not so in my book) this is considerably rarer than posters from the other films and is genuinely very scarce and represents a fantastic piece of scarce country of origin original movie memorabilia for an incredibly popular and well loved series of films.
Trivia: While filming the whipping scene, the crew played a practical joke on Harrison Ford. While he was chained to a large stone, Barbra Streisand appeared, dressed in a leather dominatrix outfit. She proceeded to whip him, saying “That’s for Hanover Street (1979), the worst movie I ever saw.” She continued whipping him for Star Wars: Episode IV – A New Hope (1977), and making all of that money. Carrie Fisher then threw herself in front of Ford to protect him, and Irvin Kershner chided director Steven Spielberg. “Is this how you run your movies ?” This entire sequence was filmed.
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“Events don’t get any bigger than…BOND…JAMES BOND”…A very nice Diane Reynolds-Nash designed US / International One Sheet movie poster for Pierce Brosnan’s final outing as 007. Lee Tamahori’s take on Bond grossed over $432 million at the worldwide box office where every Bond cliche was done to excess & then some, “invisible” Aston Martin ??
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Much like Daniel Craig, the role of re-invigorating the Bond movie franchise fell on to the shoulders of Pierce Brosnan in 1995 and after a six year break James Bond was back in “Goldeneye”. Re-imagined & re-invented (again by Martin Campbell) in the form of Pierce Brosnan…Brosnan, ably succeeded in what was a critical & commercial success & went on to play Ian Fleming’s ‘Licensed to Kill’ secret agent another four times. The original 1995 US One Sheet movie poster offered here was designed by Randi Braun & featured the photographic talents of Terry O’Neil, Keith Hamshere & George Whitear. This is the much rarer “gold” style and presents in excellent rolled (as issued) unrestored condition. Hugely collectable it represents a fantastic piece of original 007 cinematic movie memorabilia.
Trivia: First completely original James Bond movie, without reference to any Ian Fleming novel or short story.
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Timothy Dalton’s second outing as 007 was a truly gritty tale of revenge and action with a great white shark being an unusual instrument of torture for one scene. Keith Hamshere (who made Dalton the ‘perfect’ Bond in The Living Daylights campaign ) was again retained as the Bond photographer on this 1989 country of origin British UK quad for “Licence to Kill” featuring a moody Timothy Dalton in close up. Genuinely scarce this rolled (as issued) example looks superb and is presented totally unrestored in high grade condition and represents a worthy addition for any poster collector or any collection of James Bond cinematic movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last fully drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. The advance teaser poster preceding this was a mixture of photograph and artwork created by Brian, the advertising agency Feref, Jeffrey Bacon & David Generic and is distinctive for the see-through negligee. However it is not Bond babe Maryam d’Abo in the shot but American model Kathy Stangel in this famous pose & beautifully photographed by Jim McCrary. The original 1987 UK (country of origin) movie poster offered here is presented in exceptional unrestored, rolled (as issued) unfolded condition with bright and unfaded colour tones and white areas that are truly bright. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia.
Trivia: Kara Milovy (Maryam d’Abo) is the last “main” Bond girl to be blonde until Spectre (2015). All leading Bond girls in the other films since have been brunettes or redheads.
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Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. This poster was produced for a 1986 London James Bond exhibition to announce that filming had begun on the latest Bond adventure, “The Living Daylights”, which was to be released the following year. The poster shows a close-up of the front grill from an Aston Martin DB4, which was the model used by the Goldfinger production team during preliminary testing shoots prior to getting the DB5. The original 1986 Advance teaser movie poster offered here is presented in excellent unrestored, rolled (as issued) unfolded condition with content perfectly suited to this landscape style with beautiful black and white photographic tones with a hint of metallic silver. Hugely desirable and very collectible, it would be a worthy addition to any collection of James Bond movie memorabilia.
For price comparison, in a recent London Auction Sale an example of this exact same poster sold for in excess of £2,000
Trivia: The casting of Frederick Warder and Glyn Baker as 004 and 002 was intentional, due to their resemblance to George Lazenby and Sir Roger Moore, respectively. For the movie’s opening scene, the writers wanted to toy with the audience’s expectations of which of the 00 agents was Bond.
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last artist drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. Bysouth has used the classic image of Bond viewed through the end of a gun barrel to fine effect and further embellished the finished design with great action scenes and marvellous renditions of the latest Bond-girl, Maryam d’Abo and of course the classic Aston Martin (in this case a V8 Vantage Volante). The original 1987 UK (country of origin) quad movie poster offered here is presented in high grade unrestored, rolled (as issued) condition and perfectly suited to the landscape style for which it was designed for. Colours are bright and unfaded, the black background a deep black and the white areas truly bright. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond cinematic movie memorabilia.
Trivia: This was the last James Bond film to use an original Ian Fleming title until Casino Royale (2006), a gap of almost twenty years.
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last artist drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. It’s a hard act to follow but artist Mark Murphy certainly comes very, very close with this stunning alternative movie poster from 2023. The action-packed artwork features all the classic imagery you’d expect to see in a Bond film, 007 dressed in a tuxedo, exotic location, gadgets, a beautiful, glamorous woman – Maryam D’Arbo and a life threatening scenario. The colours are truly amazing, super strong and vibrant. This limited edition fine art print represents an impressive piece of very collectable James Bond movie memorabilia that would be a worthy addition to any collection of cinematic movie memorabilia.
Trivia: This was the last James Bond film to use an original Ian Fleming title until Casino Royale (2006), a gap of almost twenty years.
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“As the countdown begins for the new millienium there is still one number you can always count on..007″….Pierce Brosnan’s third and highly succesful Bond film “The World Is Not Enough”. This original 1999 US One Sheet Final Style B. is quite exceptional featuring the photographic talents of Nigel Parry, Keith Hamshere and Jay Maidment with design by art directors Mark Belin & Damon Kidwell. Much rarer design than the Style A. & becoming increasingly hard to find in such outstanding condition.
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This very rare 1975 original US One sheet movie poster features a great Jim Marshall photograph of the legendary Janis Joplin performing, perfectly capturing the electricity of a live performance.
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