Showing 37–48 of 167 results
It’s not often that a TV show enters the Guinness Book of Records but on November 23 2013 that is exactly what happened as the 50th anniversary of “Dr Who: The Day of the Doctor” was broadcast simultaneously to 94 countries and cinemas around the world. The advertising campaign was one the most extensive ever commissioned by the BBC and the poster that accompanied the extremely limited (one night only) cinema release was truly exceptional. It really is stunning and perfectly suited to the landscape format of the UK quad film poster. Originally rolled this incredibly rare example displays almost perfectly. One of the best looking and most collectable film posters of recent years from a TV series that has become a global favourite. Never commercially available by the BBC these posters are unbelievably scarce…“That’s a time fissure! A tear in the fabric of reality! Anything could happen!”
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“Six soldiers. Full moon. No chance.”
This original 2002 UK quad film poster for Neil Marshall’s “Dog Soldiers” is impressive; clever imagery by creative arts agency Empire Design as we see a soldier standing alone in the forest – the shadow he casts from a full moon behind him is that of a wolf. Very subtle and understated with unique UK design this is an extremely desirable, poster from a fantastic and well regarded werewolf movie. In original, unrestored condition this rolled (as issued) example displays to superb effect and represents a really nice item of original horror movie memorabilia. “We are now up against live, hostile targets. So, if Little Red Riding Hood should show up with a bazooka and a bad attitude, I expect you to chin the bitch.”
Trivia: The super-glue scene is referenced in Small Favor (Dresden files) a book by Jim Butcher. A female character is disembowelled and talks about super-glue being invented in the Vietnam war in order to stick wounded soldiers back together but then says she saw it in a movie about werewolves.
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“The Time: Now. The Place: Kings Road, Chelsea. The Killer: Count Dracula !“
Some truly horrific photo montage artwork for “Dracula A.D.1972” makes this Japanese B2 film poster from 1972 (would you believe it ?) one of my personal favourite Hammer posters. It’s more than you can shake stake at with Caroline Munro and Stephanie Beacham certainly putting the glamour into Hammer ! And if that doesn’t appeal totally stealing the action is one of the coolest British cars ever made; the beautiful Triumph Stag and dominating the imagery, a particularly eerie shot of Christopher Lee as the titular Count. In very good condition with only minor handling wear this fantastic folded (as issued) example presents superbly. A lovely example of Hammer Horror memorabilia for one of my personal favourite Dracula films.
Trivia: “Alucard”, Johnny’s last name, is “Dracula” spelled backward.
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“1997…New York City is now a maximum security prison..Breaking out is impossible..Breaking in is insane”
1980’s movie posters don’t really come any better looking than Barry Jackson’s decapitated Statue of Liberty artwork for John Carpenter’s quintessential sci-fi actioner “Escape From New York”. This impressive, country of origin film poster from is stunning and presented in beautiful rolled (as issued) condition. A magnificent unrestored, original example of a truly iconic poster that represents a fine piece of cinematic movie memorabilia, from one of the modern masters of genre film making.
Trivia: The model of the city set was repainted and reused for Ridley Scott’s Blade Runner
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“The world’s greatest leader is a hostage in the most dangerous place on Earth. Now only the deadliest man alive can save him.”
You probably couldn’t find better movie from the 1980’s that introduces such an iconic cult character in Kurt Russell’s Snake Plissken (criminally only used in one more movie) or sums up the period quite like John Carpenter’s quintessential sci-fi actioner “Escape From New York”. Carpenter always a well regarded and popular film maker has enjoyed a huge renaissance in more recent years so it was no surprise that this title was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “They Live”, “Prince of Darkness” and “The Fog”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 231. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: The model of the city set was repainted and reused for Ridley Scott’s Blade Runner.
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“While the rest of us were just thinking about it…Ferris borrowed a Ferrari and did it…all in a day”
“Ferris Bueller’s Day Off” was a so so hit for John Hughes when released in 1986 launching many of it’s cast on the road to Hollywood glory; Matthew Broderick, Charlie Sheen, Jennifer Grey etc. But it’s the car that Ferris and his pals steal that has kept the movie firmly in the spotlight, especially in more recent years as movie poster art & automobilia have become very, very collectable – it’s one of the most famous and coveted cars that a certain Italian named Enzo ever produced – a Ferrari (RED of course) 250 GT California. Although it was featured on the original cinema marketing campaign it was heavily stylised by the artist Adrian Perkis. So, it’s no surprise that when it was released on video in 1986, the Ferrari figured prominently with a beautiful photograph of the car – don’t worry Ferrari fans, Ferris has been photo-shopped lounging on the car – no Ferrari was harmed in the taking of the photograph. Rolled (as issued) this excellent original 1986 British video poster presents very well and represents a scarce item of collectable cinematic and motoring memorabilia…“Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it”
Trivia: John Hughes personally selected the songs for the film. He wanted them to be somewhat obscure to the typical moviegoing audience, feeling that he wanted everything about the film to feel new. For example, the song heard when the Ferrari is revealed for the first time (and during the final scene) is “Oh Yeah” by Swiss band Yello. The song was not a hit after its first release, but its inclusion in this movie rapidly popularized it, prompting a re-release. It has since been used in dozens of other movies and series, often in scenes featuring a desirable object or person.
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“Flash Gordon” that’s who ! Perfectly imagined here on this original 1980 UK Quad film poster featuring stunning painted Renato Casaro artwork. As camp as camp can be and top of many peoples ‘guilty pleasures’ list. A colourful, visual feast for the eyes and that applies to both the movie and the UK quad film poster. This originally rolled(as issued) totally unrestored example has deep unfaded colours, beautiful detailed fantasy sci-fi artwork and looks incredible. Camp, cheesy and fantastic fun complemented by a one of the best (Queen) soundtracks ever. Original movie memorabilia at its finest; extremely collectable and sought after… “Flash…I love you! But we only have fourteen hours left to save the earth !”
Trivia: Prince Vultan says “Who wants to live forever ?” This was the first movie for which Queen did the soundtrack. The other was Highlander (1986) for which they wrote and recorded a song titled “Who wants to live forever ?”
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Sergio Leone’s “The Dollars Trilogy” is lauded (rightly so) as the greatest spaghetti westerns ever made with any paper from the films extremely sought after which makes this incredibly scarce 2014 Italian film festival release for the second in the series – “For a Few Dollars More” a real find. Not only super rare it arguably boasts a clever and stylish poster design featuring a colourful pop art style design by acclaimed Italian artist Michelangelo Papuzza. Presented rolled (as issued) this example displays to excellent effect. An extremely limited release with a very small print run these posters are a truly collectable ‘modern’ piece of Eastwood/spaghetti western movie memorabilia.
Trivia: The Man with No Name (Clint Eastwood) calls himself Monco in this movie. “Manco” is Spanish for “lame of one hand”, “one handed”, or “one armed”, which is pretty appropriate considering his habit of fighting, drinking, et cetera with his left hand only. His right hand always remains on his gun underneath his trademark poncho.
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“From Roger Moore With Love” is a 2024 documentary charting the life and screen success of Roger Moore using a lot of unseen footage taken by Moore himself, at home and on set and cleverly uses the accomplished actor and comedian, Steve Coogan – doing a near perfect impression of Moore narrating the story with additional input from a number of close friends and Bond co-stars – Joan Collins, Jane Seymour, Michael Caine, Pierce Brosnan and Frank Sinatra. An approach that works really well. Receiving a very limited number of cinematic screenings in a marketing campaign that coincided with the Blu Ray release, these country of origin UK quad posters are incredibly rare and don’t turn up very often especially in this excellent unrestored, originally rolled (as issued) high grade condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond related movie memorabilia.
Trivia: In his review for The Guardian, Peter Bradshaw gave the documentary four stars out of five, but criticized the failure to mention Sir Roger Moore‘s performance in The Man Who Haunted Himself (1970) (which was also Moore’s favorite movie role).
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“It’s a film for all His fans and for all people who love His songs.”
“George Michael: A Different Story” is a touching 2004 documentary where George’s tells his story, with anecdotes and observations from his family, closest friends and musical peers. An extremely limited release, showing for a short period in a small number of arthouse cinemas, this UK quad, featuring a great image of George Michael is an incredibly rare film poster. This originally rolled (as issued) example displays superbly and represents a fantastic and hugely collectable item of music and movie memorabilia for a performer and musician who was truly unique.
Ain’t it cool news – “The documentary covers a good deal of Michael’s personal life in between all of his albums as well as some of the close inspirations for many of his songs. It discusses the many gains, losses and the mysteries of George himself with some regrets but an effort of hanging in there long enough to pull together.”
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Re-released by the BFI in 1999 this original UK quad for Mike Hodges’ iconic British gangster film “Get Carter” is very hard poster to find; stark and hard hitting design by Eureka Design consultants(very in keeping with the film) featuring a great image of Michael Caine in probably his most recognisable role. Being originally rolled it displays very well with only light handling wear to some edges (as to expected when handled for signing). As stylish and cool a poster as they come…“Frank wasn’t like that. I’m the villain in the family, remember?”
Trivia: Sir Michael Caine made subtle changes to Mike Hodges‘ depiction of Carter in the script, cut out pleasantries and gave him a cold, hard edge, closer to Ted Lewis‘ original envisioning of the character.
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This original publicity still is priced and supplied framed
Autographed with character name Anna by Britt Ekland at HorrorCon 2024 (Sunday 12th May). This original black & white publicity still features Ekland’s Anna (in one of the most memorable scenes from the movie) having phone sex with Caine’s Carter. Flat and unfolded (as issued), in exceptional condition, and offered in a custom made black frame finished with UV plexiglass. A movie that is highly regarded as a true classic of the genre and a hugely collectable piece of horror, sci-fi film memorabilia…“Frank wasn’t like that. I’m the villain in the family, remember?”
Trivia: Sir Michael Caine made subtle changes to Mike Hodges‘ depiction of Carter in the script, cut out pleasantries and gave him a cold, hard edge, closer to Ted Lewis‘ original envisioning of the character.
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