Showing all 12 results
“Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”
A absolutely beautiful complete set of all eight (8) US front of house lobby cards for one of the best vampire films ever made…Joel Schumacher’s “The Lost Boys”. Featuring a series of eight fantastic full colour images with our highlight card – Kiefer Sutherland and his vampiric family being my personal favourite. Originally flat and unfolded (as issued) all eight (8) appear unused and present to excellent effect. This is THE teenage angst vampire movie with this investment grade set showcasing the teen vampires in all their undead glory…“Something I never could stomach about Santa Carla, all the damn vampires!”
Trivia: In the cave of the Lost Boys, you can see a poster of Jim Morrison, who recorded the original version of “People are Strange” with The Doors. Also, when Star and Laddie are being carried into Sam’s room, you can see a poster of Echo & The Bunnymen, who recorded the version used in the movie.
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“Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”
A absolutely stunning Japanese B2 film poster for one of the best vampire films ever made…Joel Schumacher’s “The Lost Boys”. Featuring country unique artwork by the Japanese artist Akira Yokoyama, this really is one of the best examples created for this cult horror-comedy title. Originally rolled (as issued) this presents to excellent effect. This is THE teenage angst vampire movie with this high grade poster showcasing the teen vampires in all their undead glory…“Something I never could stomach about Santa Carla, all the damn vampires!”
Trivia: In the cave of the Lost Boys, you can see a poster of Jim Morrison, who recorded the original version of “People are Strange” with The Doors. Also, when Star and Laddie are being carried into Sam’s room, you can see a poster of Echo & The Bunnymen, who recorded the version used in the movie.
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“Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”
A country of origin US One Sheet from original year of release, 1987 for Joel Schumacher’s classic 1980s vampire flick – “The Lost Boys”. Designed by Intralink Film Graphic Design and with artwork by John Alvin this is a very striking original movie poster featuring the teen vampires in all their undead glory presented in muted grey stones against a bright, blood red background. Originally rolled (as issued) this example presents to excellent effect and represents a fantastic piece of original cinematic memorabilia for this super popular movie…“Something I never could stomach about Santa Carla, all the damn vampires!”
Trivia: In the cave of the Lost Boys, you can see a poster of Jim Morrison, who recorded the original version of “People are Strange” with The Doors. Also, when Star and Laddie are being carried into Sam’s room, you can see a poster of Echo & The Bunnymen, who recorded the version used in the movie.
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“Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”
A beautiful alternative movie poster by Hero Complex Gallery SIGNED BY SIX OF THE CAST and featuring the incredible horror artwork of Vance Kelly for one of the best vampire films ever made…Joel Schumacher’s “The Lost Boys”. This 2018 hand-numbered (#61/325) limited edition release is a proper horror poster as leader of The Lost Boys – David (Kiefer Sutherland) is the main focus with his vampire family and would be vampire hunters blended into the background and printed using an incredible colour palette of blood reds inks. For a nice finishing flourish, Kelly has cleverly framed his subjects in a V (for vampire) design. Presented in excellent condition this rolled (as issued) example displays superbly and has been signed by six of the cast, who in addition to their name have added their character or a quote; Kiefer Sutherland – David, Jason Patric – Michael, Alex Winter – Marko, Billy Wirth – Dwayne, Tim Cappello (saxophone player) – I still believe is and G Tom Mac – Cry Little Sister. An impressive piece of horror poster artwork and is a hugely desirable alternative movie poster that with the addition of the signatures makes for an incredible piece of memorabilia. This is THE teenage angst vampire movie with this high grade poster showcasing the teen vampires in all their undead glory…“Something I never could stomach about Santa Carla, all the damn vampires!”
Kiefer Sutherland, Jason Patric, Alex Winter, Billy Wirth and G Tom Mac were signed at For the Love of Horror event 11th and 12th November 2023 and Tim Cappello at For the Love of Horror in October 2024
Trivia: In the cave of the Lost Boys, you can see a poster of Jim Morrison, who recorded the original version of “People are Strange” with The Doors. Also, when Star and Laddie are being carried into Sam’s room, you can see a poster of Echo & The Bunnymen, who recorded the version used in the movie.
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A magnificent example for one of the best feelgood films ever made…Richard Donner’s “The Goonies”. Add to the mix Steven Spielberg & Chris Columbus it was a guaranteed box office hit, but just to make sure they commissioned movie poster maestro Noriyoshi Ohrai to create an alternative style poster for the Japanese marketing campaign that complemented and could be displayed next to Drew Struzan’s familiar ‘hanging’ design . Ohrai in turn produced some of the best work of his career as featured here on this original 1985 Style A Japanese B2 film poster. The portrait format is perfectly suited to his design which is fondly referred to as the ‘One-Eyed Willie’ style. Originally rolled (as issued) this unrestored example looks incredible with amazing vibrant colour tones. A fantastic and eye-catching item for a hugely loved and popular movie that represents scarce original movie memorabilia for a film poster that has become one of the most desirable titles of the 1980’s…“Goonies never say die !”
Trivia: One Eyed Willie’s ship, The Inferno, was 105 feet long and took 2-1/2 months to construct. It was modeled after Errol Flynn‘s ship in The Sea Hawk (1940). The sails required more than 7,000 square feet of material, the largest measured 30ft by 60ft. Some of the ship’s rigging was recycled for the Pirates of the Caribbean ship at Disneyland, which was being renovated at the time.
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A magnificent example for one of the best feelgood films ever made…Richard Donner’s “The Goonies”. Add to the mix Steven Spielberg & Chris Columbus it was a guaranteed box office hit, but just to make sure they commissioned movie poster maestro Drew Struzan to create the campaign poster. He in turn produced some of the best work of his career as featured here on this original Japanese B2 movie poster. The portrait format is perfectly suited to his design which is fondly referred to as the ‘hanging’ style as the seven Goonies are left hanging from a stalactite . Originally rolled (as issued) this unrestored example looks incredible and presents and displays superbly. An amazing item for a hugely loved and popular movie and a fantastic piece of scarce original movie memorabilia for a film poster that has become one of the most desirable titles of the 1980’s…“Goonies never say die !”
Trivia: One Eyed Willie’s ship, The Inferno, was 105 feet long and took 2-1/2 months to construct. It was modeled after Errol Flynn‘s ship in The Sea Hawk (1940). The sails required more than 7,000 square feet of material, the largest measured 30ft by 60ft. Some of the ship’s rigging was recycled for the Pirates of the Caribbean ship at Disneyland, which was being renovated at the time.
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A magnificent example for one of the best feelgood films ever made…Richard Donner’s “The Goonies”. Add to the mix Steven Spielberg & Chris Columbus it was a guaranteed box office hit, but just to make sure they commissioned movie poster maestro Drew Struzan to create the campaign poster. He in turn produced some of the best work of his career as featured here on this Japanese B2 movie poster. The portrait format is perfectly suited to his design which is fondly referred to as the ‘hanging’ style as the seven Goonies are left hanging from a stalactite and it’s only on this design the characters have their own photographs displayed along the bottom edge. While this poster was available to the public, it was sold only at Japanese cinemas during the first release of the film and NOT by any third party sellers or after the end of the first release period. It is considered to be much rarer than the Japanese theatrical posters from this same title and has a tiny silver Stik metallic square licensing snipe attached to the bottom corner. Originally rolled (as issued) this unrestored example looks incredible and presents and displays superbly. An amazing item for a hugely loved and popular movie and a fantastic piece of scarce original movie memorabilia for a film poster that has become one of the most desirable titles of the 1980’s…“Goonies never say die !”
Trivia: One Eyed Willie’s ship, The Inferno, was 105 feet long and took 2-1/2 months to construct. It was modeled after Errol Flynn‘s ship in The Sea Hawk (1940). The sails required more than 7,000 square feet of material, the largest measured 30ft by 60ft. Some of the ship’s rigging was recycled for the Pirates of the Caribbean ship at Disneyland, which was being renovated at the time.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
Designed by Tom Jung this advance teaser for Richard Donner’s 1976 horror classic “The Omen” is a stunning example of horror art. The ominous wording YOU HAVE BEEN WARNED and the film’s title (the 666 featured in the O of OMEN is a great touch) are prominent when placed upon the deep black background with Damien illustrated in silhouette with his shadow depicted as that of a jackal. It’s such a simple design but so, so clever and perfectly suited to the portrait format offered here. From first year of release, 1976 this US one sheet presents to excellent effect, benefitting from conservation linen backing, with the original fold lines touched in to give a rolled impression. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
Featuring a country uniques design, this combination of photographic images and artwork (Tom Jung) for Richard Donner’s 1976 horror classic “The Omen” is a stunning example of horror art. The film is famous for its grisly deaths, and many of those are highlighted here – Father Brennan (Patrick Troughton) speared through in the churchyard and the journalist Jennings (David Warner) decapitated by a sheet of plate glass. If you didn’t want to know too much about the plot then you would have been well advised to avoid this particular poster in 1976. This originally folded (as issued) Japanese B2 presents very well. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
With a design by Tom Jung this Australian waybill for Richard Donner’s 1976 horror classic “The Omen” is an impressive example of horror art that also benefits from being signed by the Anti-Christ himself – HARVEY STEPHENS; a beautiful clear signature that includes his character name – DAMIEN where he has cleverly incorporated the number of the Beast 666 into the capital letter D of his name. All written in a silver pen that contrasts incredibly strongly against the black background. The ominous wording and the film’s title are written in the distinctive style synonymous with this now classic horror. It’s such a simple text based design but so, so clever and perfectly suited to the portrait format offered here. From first year of release, 1976 this tri-folded (as issued) example presents to very good effect. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre that carries the mark of the Devil’s son himself.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
With artwork by Timothy Pittides this limited edition alternative movie poster for Richard Donner’s 1976 horror classic “The Omen” is an impressive example of horror art that truly evokes the mystique and symbolism surrounding the movie with the artist having this to say about the commission – “When Rob Jones first approached me about THE OMEN, my brain went in a million different directions. Any time I consider a licensed property, my first thought is ‘How do I do this in a way that is unique in concept, and to me? The film is littered with memorable visuals, many of which propel it beyond its genre, and into the realm of pop culture consciousness. Ultimately, rather than recreating a literal scene, I wanted to portray something that occurs outside the frames of the film. Something sinister in nature with a hint of macabre beauty: Damien’s entrance into our world. This idea felt as natural as it did disturbing. Inking this beast of an image took close to 175 hours, and includes 55 colour layers done by hand. The artwork was rendered larger than I normally do to make sure all the dotwork stayed within correct proportions when elevated to poster size. It was tedious, but well worth it in the end”. From 2020 this hand-numbered example is #2 from a print run of only 100 and is presented rolled, flat and unfolded (as issued) and displays to excellent effect. A horror classic and a personal favourite movie with this art print an impressive item of cinematic movie memorabilia from one of the defining movie’s of the genre.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
With an iconic design by Tom Jung this advance UK quad for Richard Donner’s 1976 horror classic “The Omen” is an impressive example of horror art that also benefits from being signed by the Anti-Christ himself – HARVEY STEPHENS; a beautiful clear signature that includes his character name – DAMIEN where he has cleverly incorporated the number of the Beast 666 into the capital letter D of his name. All written in a silver pen that contrasts incredibly strongly against the black background. The ominous wording YOU HAVE BEEN WARNED and the film’s title (blood red lettering) are written in the distinctive style synonymous with this now classic horror. It’s such a simple text based design but so, so clever and perfectly suited to the landscape format of the British quad offered here. From first year of release, 1976 this folded (as issued) example presents to very good effect. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre that carries the mark of the Devil’s son himself.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
…more detail
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