Showing 145–156 of 175 results
“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
Featuring a country uniques design, this combination of photographic images and artwork (Tom Jung) for Richard Donner’s 1976 horror classic “The Omen” is a stunning example of horror art. The film is famous for its grisly deaths, and many of those are highlighted here – Father Brennan (Patrick Troughton) speared through in the churchyard and the journalist Jennings (David Warner) decapitated by a sheet of plate glass. If you didn’t want to know too much about the plot then you would have been well advised to avoid this particular poster in 1976. This originally folded (as issued) Japanese B2 presents very well. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
With a design by Tom Jung this Australian waybill for Richard Donner’s 1976 horror classic “The Omen” is an impressive example of horror art that also benefits from being signed by the Anti-Christ himself – HARVEY STEPHENS; a beautiful clear signature that includes his character name – DAMIEN where he has cleverly incorporated the number of the Beast 666 into the capital letter D of his name. All written in a silver pen that contrasts incredibly strongly against the black background. The ominous wording and the film’s title are written in the distinctive style synonymous with this now classic horror. It’s such a simple text based design but so, so clever and perfectly suited to the portrait format offered here. From first year of release, 1976 this tri-folded (as issued) example presents to very good effect. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre that carries the mark of the Devil’s son himself.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
With artwork by Timothy Pittides this limited edition alternative movie poster for Richard Donner’s 1976 horror classic “The Omen” is an impressive example of horror art that truly evokes the mystique and symbolism surrounding the movie with the artist having this to say about the commission – “When Rob Jones first approached me about THE OMEN, my brain went in a million different directions. Any time I consider a licensed property, my first thought is ‘How do I do this in a way that is unique in concept, and to me? The film is littered with memorable visuals, many of which propel it beyond its genre, and into the realm of pop culture consciousness. Ultimately, rather than recreating a literal scene, I wanted to portray something that occurs outside the frames of the film. Something sinister in nature with a hint of macabre beauty: Damien’s entrance into our world. This idea felt as natural as it did disturbing. Inking this beast of an image took close to 175 hours, and includes 55 colour layers done by hand. The artwork was rendered larger than I normally do to make sure all the dotwork stayed within correct proportions when elevated to poster size. It was tedious, but well worth it in the end”. From 2020 this hand-numbered example is #2 from a print run of only 100 and is presented rolled, flat and unfolded (as issued) and displays to excellent effect. A horror classic and a personal favourite movie with this art print an impressive item of cinematic movie memorabilia from one of the defining movie’s of the genre.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“Mysterious deaths surround an American ambassador. Could the child that he is raising actually be the Antichrist? The Devil’s own son?”
With an iconic design by Tom Jung this advance UK quad for Richard Donner’s 1976 horror classic “The Omen” is an impressive example of horror art that also benefits from being signed by the Anti-Christ himself – HARVEY STEPHENS; a beautiful clear signature that includes his character name – DAMIEN where he has cleverly incorporated the number of the Beast 666 into the capital letter D of his name. All written in a silver pen that contrasts incredibly strongly against the black background. The ominous wording YOU HAVE BEEN WARNED and the film’s title (blood red lettering) are written in the distinctive style synonymous with this now classic horror. It’s such a simple text based design but so, so clever and perfectly suited to the landscape format of the British quad offered here. From first year of release, 1976 this folded (as issued) example presents to very good effect. A personal favourite and an impressive item of original cinematic movie memorabilia from one of the defining horror movie’s of the genre that carries the mark of the Devil’s son himself.
Trivia: Harvey Stephens, as Damien, was largely chosen for this role from the way he attacked Richard Donner during auditions. Donner asked all the little boys to “come at him” as if they were attacking Katherine Thorn during the church wedding scene. Stephens screamed and clawed at Donner’s face, and kicked him in the groin during his act. Donner whipped the kid off him, ordered the kid’s blond hair dyed black and cast him as Damien.
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“It’s coming for YOU from Space to wipe all living things from the face of the Earth! CAN IT BE STOPPED?”
Blending horror and science fiction in the way that only Hammer can, “The Quatermass Xperiment” delivers a haunting vision of the terrifying consequences of unchecked exploration. In this tense, suspenseful tale of scientific ambition gone awry, a space expedition takes a nightmarish turn when an astronaut crash-lands on Earth—only to begin mutating into something horrifyingly inhuman. As his transformation accelerates, his struggle to contain violent urges proves increasingly futile. Scientists and authorities race to understand the catastrophe unfolding before them, in a desperate attempt to prevent a monstrous disaster. Created by the legendary Nigel Kneale and directed by the great Val Guest, “The Quatermass Xperiment” is available for the first time ever in 4K UHD and the poster offered here is from the 4K release in 2024. Released by Hammer for a very limited cinematic run that coincided with the newly remastered Blu Ray, this extremely rare UK quad is from the cinema release and not one of the 10 offered as an incentive on Hammer’s website. It really is an incredible poster with some outstanding horror artwork by Graham Humphreys. It presents to excellent effect and is a must have Hammer Horror collectable.
Trivia: The decision to drop the “e” from the title The Quatermass Xperiment was a deliberate and strategic choice by Hammer Films. When the film was released in 1955, the British Board of Film Censors had recently introduced the ‘X’ certificate, restricting admission to those aged 16 and over. Hammer sought to highlight the film’s mature themes and unsettling content by integrating the letter ‘X’ directly into the title. This subtle yet effective alteration served not only as a marketing tool but also as a signal to audiences that this was a bold and provocative work—one that pushed the boundaries of what was typically shown in British science fiction cinema at the time.
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“Give yourself over to absolute pleasure. Swim the warm waters of sins of the flesh – erotic nightmares beyond any measure, and sensual daydreams to treasure forever. Can’t you just see it? Don’t dream it, be it.”
“Lets do the Time warp again”..the signature song and dance for the most successful audience participation movie of all time. The ultimate Midnight movie – A true horror, sci-fi, musical cult classic (& you don’t get to say that too often). This country of origin UK quad film poster is from 40th Anniversary digitally remastered release in 2015 featuring reworked artwork (a huge pair of BLOOD RED LIPS) from the ‘Different Set of Jaws’ US poster campaign. Immediately recognisable as ‘Rocky Horror’ and hugely sought after by the film’s hardcore and loyal worldwide fan base. Originally rolled (as issued) this superb example presents and displays to excellent effect & represents a really fine and affordable item of original film movie memorabilia.
Trivia: Oakley Court, Dr. Frank N. Furter’s “Castle”, was used in numerous Hammer horror films made at adjacent Bray Studios (where the lab and ballroom scenes were shot), including The House in Nightmare Park (1973), The Reptile (1966) and The Brides of Dracula (1960)
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“Give yourself over to absolute pleasure. Swim the warm waters of sins of the flesh – erotic nightmares beyond any measure, and sensual daydreams to treasure forever. Can’t you just see it? Don’t dream it, be it.”
“Lets do the Time warp again”..the signature song and dance for the most successful audience participation movie of all time. A true horror, sci-fi, musical cult classic (& you don’t get to say that to often). Reimagined artwork by Julian Totino Tedesco this alternative poster is a 2021 release featuring Tim Curry in his signature role as Dr. Frank-N-Furter. Immediately recognisable imagery and hugely sought after by the film’s hardcore and loyal worldwide fan base. Originally rolled (as issued) this superb limited edition six-colour screenprint is printed on Domtar Lynx Opaque 100# cover paper and hand-numbered #8/170. It presents and displays to excellent effect & represents a really fine item of film movie art from a defining, true cult classic movie.
Trivia: Oakley Court, Dr. Frank N. Furter’s “castle”, was used in numerous Hammer horror films made at adjacent Bray Studios (where the lab and ballroom scenes were shot), including The House in Nightmare Park (1973), The Reptile (1966) and The Brides of Dracula (1960)
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A beautiful, complete set of all nine US front of house lobby cards from first year of release, 1980 including the impressive Saul Bass designed title card for Stanley Kubrick’s masterpiece of modern horror “The Shining”. These full-colour, full bleed (the imagery runs right to the edge with no border) cards comprise a series of incredible character and key scene imagery, that includes two from the iconic ‘Here’s Johnny’ moment with six in total to feature ‘mad’ Jack Nicholson. A rare find as a complete set as most were broken up and the cards sold individually. Totally original and unrestored, the cards are presented in high grade excellent flat, unfolded (as issued) condition that display and present to excellent effect. A genuinely scarce and hard to find example of horror film cinema memorabilia for one of the most important and influential horror films ever made.“All work and no play makes Jack a dull boy…”
Trivia #1: According to Shelley Duvall, the famous “Here’s Johnny !” scene took three days to film and the use of sixty doors.
Trivia #2: For the “Here’s Johnny” scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
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“Johnny’s a Dull Boy” – Laurent Durieux’s “The Shining” art print is hand-signed and numbered #126/325 and comes from the Mondo Presents Exhibition “The Art of Laurent Durieux Part Two” in 2018, and in the same year it won the prestigious Cinema Poster of the Year Award. One of the biggest names in modern Alternative Movie Posters, Belgian illustrator Laurent Durieux shows his love and knowledge of popular cinema with his truly beautiful screen print designs full of colour and intricate (sometimes subtly hidden) detailing – REDRUM (MURDER) keys depressed on the typewriter keyboard, key fob for the infamous Room 237, an axe-head incorporated into the typewriter design. Presented in high grade excellent flat, unfolded (as issued) condition this stunning example displays and presents to excellent effect. A genuinely scarce and hard to find alternative movie poster and an impressive item of horror film cinema memorabilia for one of the most important and influential horror films ever made.“All work and no play makes Jack a dull boy…”
Trivia #1: According to Shelley Duvall, the famous “Here’s Johnny !” scene took three days to film and the use of sixty doors.
Trivia #2: For the “Here’s Johnny” scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
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A beautiful, US one-sheet (Studio style) from first year of release, 1980 for Stanley Kubrick’s masterpiece of modern horror “The Shining”. Designed by one of the greatest poster artist’s ever – Saul Bass. His imagery has become as iconic as the movie itself with the use of just a yellow and black colour palette and a simple image, incorporated into the title logo. Totally original and unrestored, this example is presented in high grade excellent folded (as issued) condition that displays superbly. A genuinely scarce and hard to find example of horror film cinema memorabilia for one of the most important and influential horror films ever made. “All work and no play makes Jack a dull boy…”
Trivia #1: According to Shelley Duvall, the famous “Here’s Johnny !” scene took three days to film and the use of sixty doors.
Trivia #2: For the “Here’s Johnny” scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
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“Johnny’s a Dull Boy” – An early example of alternative movie poster (AMP) design and a perfect example of why this area has grown so quickly in the collectables market – it’s a an incredible image, which reminds me very much of the surrealistic poster designs that originated in Eastern Europe. David O’Daniel’s interpretation for “The Shining” art print is hand-signed and numbered #74/100 and comes from 2010 where it was used to advertise a limited screening of “The Shining” at the Castro Theatre, San Francisco. The Castro was one of the earliest exponents for showcasing AMPs, commissioning a number of ‘new’ artists to promote their upcoming screenings. Presented in rolled, unfolded (as issued) condition this stunning example displays and presents to excellent effect. A genuinely scarce and hard to find alternative movie poster and an impressive item of horror film cinema memorabilia for one of the most important and influential horror films ever made.“All work and no play makes Jack a dull boy…”
Trivia #1: According to Shelley Duvall, the famous “Here’s Johnny !” scene took three days to film and the use of sixty doors.
Trivia #2: For the “Here’s Johnny” scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
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Marketing and multiple examples of promotional items are a trademark of Kubrick’s films and just when you think you have seen it all, something new shows up. A beautiful, complete set of all eight US over-sized (15″ x 20″ – 38 x 51 cm), full colour stills from first year of release, 1980 for Stanley Kubrick’s masterpiece of modern horror “The Shining”. These full-colour, full bleed (the imagery runs right to the edge with no border) cards comprise a series of incredible character and key scene imagery, that includes two from the iconic ‘Here’s Johnny’ moment with six in total to feature ‘mad’ Jack Nicholson. A rare find as a complete set as most were broken up and the cards sold individually. Totally original and unrestored, the cards are presented in high grade flat, unfolded (as issued) condition that display and present to excellent effect and even more impressive because of their larger size and hi-gloss finish. A genuinely scarce and hard to find example of horror film cinema memorabilia for one of the most important and influential horror films ever made.“All work and no play makes Jack a dull boy…”
Trivia #1: According to Shelley Duvall, the famous “Here’s Johnny !” scene took three days to film and the use of sixty doors.
Trivia #2: For the “Here’s Johnny” scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
…more detail
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