Showing 145–156 of 168 results
“Give yourself over to absolute pleasure. Swim the warm waters of sins of the flesh – erotic nightmares beyond any measure, and sensual daydreams to treasure forever. Can’t you just see it? Don’t dream it, be it.”
“Lets do the Time warp again”..the signature song and dance for the most successful audience participation movie of all time. A true horror, sci-fi, musical cult classic (& you don’t get to say that to often). Reimagined artwork by Julian Totino Tedesco this alternative poster is a 2021 release featuring Tim Curry in his signature role as Dr. Frank-N-Furter. Immediately recognisable imagery and hugely sought after by the film’s hardcore and loyal worldwide fan base. Originally rolled (as issued) this superb limited edition six-colour screenprint is printed on Domtar Lynx Opaque 100# cover paper and hand-numbered #8/170. It presents and displays to excellent effect & represents a really fine item of film movie art from a defining, true cult classic movie.
Trivia: Oakley Court, Dr. Frank N. Furter’s “castle”, was used in numerous Hammer horror films made at adjacent Bray Studios (where the lab and ballroom scenes were shot), including The House in Nightmare Park (1973), The Reptile (1966) and The Brides of Dracula (1960)
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A beautiful, complete set of all nine US front of house lobby cards from first year of release, 1980 including the impressive Saul Bass designed title card for Stanley Kubrick’s masterpiece of modern horror “The Shining”. These full-colour, full bleed (the imagery runs right to the edge with no border) cards comprise a series of incredible character and key scene imagery, that includes two from the iconic ‘Here’s Johnny’ moment with six in total to feature ‘mad’ Jack Nicholson. A rare find as a complete set as most were broken up and the cards sold individually. Totally original and unrestored, the cards are presented in high grade excellent flat, unfolded (as issued) condition that display and present to excellent effect. A genuinely scarce and hard to find example of horror film cinema memorabilia for one of the most important and influential horror films ever made.“All work and no play makes Jack a dull boy…”
Trivia #1: According to Shelley Duvall, the famous “Here’s Johnny !” scene took three days to film and the use of sixty doors.
Trivia #2: For the “Here’s Johnny” scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
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“Johnny’s a Dull Boy” – Laurent Durieux’s “The Shining” art print is hand-signed and numbered #126/325 and comes from the Mondo Presents Exhibition “The Art of Laurent Durieux Part Two” in 2018, and in the same year it won the prestigious Cinema Poster of the Year Award. One of the biggest names in modern Alternative Movie Posters, Belgian illustrator Laurent Durieux shows his love and knowledge of popular cinema with his truly beautiful screen print designs full of colour and intricate (sometimes subtly hidden) detailing – REDRUM (MURDER) keys depressed on the typewriter keyboard, key fob for the infamous Room 237, an axe-head incorporated into the typewriter design. Presented in high grade excellent flat, unfolded (as issued) condition this stunning example displays and presents to excellent effect. A genuinely scarce and hard to find alternative movie poster and an impressive item of horror film cinema memorabilia for one of the most important and influential horror films ever made.“All work and no play makes Jack a dull boy…”
Trivia #1: According to Shelley Duvall, the famous “Here’s Johnny !” scene took three days to film and the use of sixty doors.
Trivia #2: For the “Here’s Johnny” scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
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A beautiful, US one-sheet (Studio style) from first year of release, 1980 for Stanley Kubrick’s masterpiece of modern horror “The Shining”. Designed by one of the greatest poster artist’s ever – Saul Bass. His imagery has become as iconic as the movie itself with the use of just a yellow and black colour palette and a simple image, incorporated into the title logo. Totally original and unrestored, this example is presented in high grade excellent folded (as issued) condition that displays superbly. A genuinely scarce and hard to find example of horror film cinema memorabilia for one of the most important and influential horror films ever made. “All work and no play makes Jack a dull boy…”
Trivia #1: According to Shelley Duvall, the famous “Here’s Johnny !” scene took three days to film and the use of sixty doors.
Trivia #2: For the “Here’s Johnny” scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
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“Johnny’s a Dull Boy” – An early example of alternative movie poster (AMP) design and a perfect example of why this area has grown so quickly in the collectables market – it’s a an incredible image, which reminds me very much of the surrealistic poster designs that originated in Eastern Europe. David O’Daniel’s interpretation for “The Shining” art print is hand-signed and numbered #74/100 and comes from 2010 where it was used to advertise a limited screening of “The Shining” at the Castro Theatre, San Francisco. The Castro was one of the earliest exponents for showcasing AMPs, commissioning a number of ‘new’ artists to promote their upcoming screenings. Presented in rolled, unfolded (as issued) condition this stunning example displays and presents to excellent effect. A genuinely scarce and hard to find alternative movie poster and an impressive item of horror film cinema memorabilia for one of the most important and influential horror films ever made.“All work and no play makes Jack a dull boy…”
Trivia #1: According to Shelley Duvall, the famous “Here’s Johnny !” scene took three days to film and the use of sixty doors.
Trivia #2: For the “Here’s Johnny” scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
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Marketing and multiple examples of promotional items are a trademark of Kubrick’s films and just when you think you have seen it all, something new shows up. A beautiful, complete set of all eight US over-sized (15″ x 20″ – 38 x 51 cm), full colour stills from first year of release, 1980 for Stanley Kubrick’s masterpiece of modern horror “The Shining”. These full-colour, full bleed (the imagery runs right to the edge with no border) cards comprise a series of incredible character and key scene imagery, that includes two from the iconic ‘Here’s Johnny’ moment with six in total to feature ‘mad’ Jack Nicholson. A rare find as a complete set as most were broken up and the cards sold individually. Totally original and unrestored, the cards are presented in high grade flat, unfolded (as issued) condition that display and present to excellent effect and even more impressive because of their larger size and hi-gloss finish. A genuinely scarce and hard to find example of horror film cinema memorabilia for one of the most important and influential horror films ever made.“All work and no play makes Jack a dull boy…”
Trivia #1: According to Shelley Duvall, the famous “Here’s Johnny !” scene took three days to film and the use of sixty doors.
Trivia #2: For the “Here’s Johnny” scene in which Jack breaks down the bathroom door, the props department built a door that could be easily broken. However, Jack Nicholson had worked as a volunteer fire marshal and tore it apart far too easily. The props department were then forced to build a stronger door.
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Jonathan Demme’s “The Silence of the Lambs” is one of the best horror thriller movies ever made; excellent Award winning performances, full of dark humour and gory thrills. This 2020 alternative movie poster by the American graphic artist Todd Alcott is a truly outstanding piece as he re-imagines and pays homage to the classic 1962 one-sheet for another horror thriller “Whatever Happened to Baby Jane”. It really is a clever and visually stunning piece of artwork that appears as a beaten up old poster. Presented in excellent condition this rolled (as issued) example displays superbly and has been printed to look aged and distressed. Alcott’s artwork represents a great twist on traditional horror movie memorabilia and is a great example in the rapidly expanding area of alternative movie posters being one of the best looking alternative movie posters I have seen.
Trivia: When Sir Anthony Hopkins‘s agent called him in London, to tell him that he was sending him a script called “The Silence of the Lambs,” Hopkins immediately thought he might be going up for a children’s movie.
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“If you follow the instructions, what could go wrong?”
Coralie Fargeat’s “The Substance” received the longest standing ovation out of all films shown at the 2024 Cannes Film Festival with the accompanying UK quad an outstanding example of clever poster design. This original 2024 film poster is one of the most sought after recent titles of the horror genre – a series of photos combining reviews and scenes from the movie. Totally original and unrestored this rolled (as issued) poster displays and presents to excellent effect that due to the very limited cinematic screenings represents a super rare & sought item of authentic horror movie memorabilia.
Trivia: In several interviews, Demi Moore said that reading the script of The Substance (2024) reminded her of the script for Ghost (1990), because the chance that it could be amazing or a disaster was the same. That was crucial for her to accept the role.
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“If you follow the instructions, what could go wrong?”
Coralie Fargeat’s “The Substance” received the longest standing ovation out of all films shown at the 2024 Cannes Film Festival with the accompanying US one-sheet an outstanding example of clever poster design. This original country of origin 2024 film poster is one of the most sought after recent titles of the horror genre – a series of photos combining reviews and scenes from the movie. Totally original and unrestored this rolled (as issued) poster displays and presents to excellent effect that due to the very limited cinematic screenings represents a super rare & sought item of authentic horror movie memorabilia.
Trivia: In several interviews, Demi Moore said that reading the script of The Substance (2024) reminded her of the script for Ghost (1990), because the chance that it could be amazing or a disaster was the same. That was crucial for her to accept the role.
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This original publicity still is priced and supplied framed
An outstanding original 1982 black & white press publicity still for John Carpenter’s horror, sci-fi classic “The Thing”. This superb example features Kurt Russell’s character MacReady as he discovers the macabre frozen remains of a member of the Norwegian expedition – Alien terror never looked better than this. This original black & white publicity still is flat and unfolded (as issued), in exceptional condition, presented in a custom made black frame finished with UV plexiglass. A movie that is highly regarded as a true classic of the genre and a hugely collectable piece of horror, sci-fi film memorabilia…“Did you notice anything strange about the dog that arrived yesterday? Anything at all?”
Trivia: Unused music composed for this film was later used by Ennio Morricone in Quentin Tarantino‘s The Hateful Eight (2015). Ironically, Morricone’s Thing score was nominated for a Razzie for worst score, while his score for Hateful Eight won him an Oscar.
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“Flesh to touch…Flesh to burn! Don’t keep the Wicker Man waiting !”
An outstanding example of a true horror classic. This is an original 1974 Australian daybill for Robin Hardy’s truly influential masterpiece “The Wicker Man”. One of the rarest and most sought after titles of the horror genre with this design being unique to the Australian release. We all know how it ends, making the symbolic burning totem imagery featured even more frightening. Deep, unfaded colours made even more striking by the stone-litho printing process used for the majority of Australian film posters; striking design and artwork…truly memorable and haunting. Totally original and unrestored this tri-folded (as issued) example displays and presents to excellent effect and represents a scarce & sought item of horror movie memorabilia…“Come…It is time to keep your appointment with the Wicker Man.”
Trivia: Many years after making this movie, Edward Woodward re-visited some of the locations and claimed that he found the makeshift cross (that Howie makes out of some pieces of wood) still intact where it was left in the original scene.
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“Flesh to touch…Flesh to burn! Don’t keep the Wicker Man waiting !”
An outstanding modern example of a true British classic. An original 2023 Country of Origin British UK quad film poster for Robin Hardy’s cult horror masterpiece “The Wicker Man”. One of the most sought after titles of the horror genre. Completely new and re-imagined artwork was commissioned for the 50th Anniversary release of the movie featuring pagan dancers and only a glimpse of the sacrificial ‘wicker man’. Dubbed the ‘Final Cut’ the sound and print quality have been remastered to satiate the demands of the modern movie goer . Totally original and unrestored this rolled (as issued) poster displays and presents to excellent effect that due to the very limited cinematic screenings represents a super rare & sought item of authentic country of origin British horror movie memorabilia…“Come…It is time to keep your appointment with the Wicker Man.”
Trivia: Many years after making this movie, Edward Woodward re-visited some of the locations and claimed that he found the makeshift cross (that Howie makes out of some pieces of wood) still intact where it was left in the original scene.
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