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Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. This poster was produced for a 1986 London James Bond exhibition to announce that filming had begun on the latest Bond adventure, “The Living Daylights”, which was to be released the following year. The poster shows a close-up of the front grill from an Aston Martin DB4, which was the model used by the Goldfinger production team during preliminary testing shoots prior to getting the DB5. The original 1986 Advance teaser movie poster offered here is presented in excellent unrestored, rolled (as issued) unfolded condition with content perfectly suited to this landscape style with beautiful black and white photographic tones with a hint of metallic silver. Hugely desirable and very collectible, it would be a worthy addition to any collection of James Bond movie memorabilia.
For price comparison, in a recent London Auction Sale an example of this exact same poster sold for in excess of £2,000
Trivia: The casting of Frederick Warder and Glyn Baker as 004 and 002 was intentional, due to their resemblance to George Lazenby and Sir Roger Moore, respectively. For the movie’s opening scene, the writers wanted to toy with the audience’s expectations of which of the 00 agents was Bond.
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last artist drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. Bysouth has used the classic image of Bond viewed through the end of a gun barrel to fine effect and further embellished the finished design with great action scenes and marvellous renditions of the latest Bond-girl, Maryam d’Abo and of course the classic Aston Martin (in this case a V8 Vantage Volante). The original 1987 UK (country of origin) quad movie poster offered here is presented in high grade unrestored, rolled (as issued) condition and perfectly suited to the landscape style for which it was designed for. Colours are bright and unfaded, the black background a deep black and the white areas truly bright. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond cinematic movie memorabilia.
Trivia: This was the last James Bond film to use an original Ian Fleming title until Casino Royale (2006), a gap of almost twenty years.
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last artist drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. It’s a hard act to follow but artist Mark Murphy certainly comes very, very close with this stunning alternative movie poster from 2023. The action-packed artwork features all the classic imagery you’d expect to see in a Bond film, 007 dressed in a tuxedo, exotic location, gadgets, a beautiful, glamorous woman – Maryam D’Arbo and a life threatening scenario. The colours are truly amazing, super strong and vibrant. This limited edition fine art print represents an impressive piece of very collectable James Bond movie memorabilia that would be a worthy addition to any collection of cinematic movie memorabilia.
Trivia: This was the last James Bond film to use an original Ian Fleming title until Casino Royale (2006), a gap of almost twenty years.
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A magnificent alternative movie poster for Lewis Gilbert’s 1977 James Bond extravaganza…“The Spy Who Loved Me”…Cubby Broccoli wanted this to be “BIGGEST Bond of All” and it certainly lived up to the billing, utilising the massive purpose built 007 soundstage at Pinewood Studios, still very much in use today. The action-packed artwork by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, 007 (Roger Moore) dressed in a tuxedo, exotic location, gadgets, psychotic villains and beautiful, glamorous women – Barbara Bach who played the Russian super spy Anya Amasova (Agent XXX) and Caroline Munro (the helicopter pilot Naomi). This thirteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #52/85. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.
Trivia: The closing credits say, “James Bond will return in For Your Eyes Only (1981)” but, because of the successes of Star Wars: Episode IV – A New Hope (1977) and Close Encounters of the Third Kind (1977), the space set Moonraker (1979) was chosen.
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“Bond drives an Aston…naturally”
In 1965, Aston Martin released this tie-in advertisement poster featuring Bond’s DB5 in their dealer showrooms to promote their association with the James Bond franchise and the latest release “Thunderball”, at the time the highest grossing film series on record. Original, 1965 are extremely scarce and in some cases prohibitively expensive, but in 1999 Bond Producer’s EON authorised a limited edition licenced print run of only 400 posters. They were printed to approximately the same size as the originals (British double crown size – 20″ x 30″) and are identifiable by the unique limited edition hand written number on each one – in this case 384/400. Presented rolled in excellent condition this is hugely desirable and very collectable and would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: On October 27, 2010, the Aston Martin DB5 used in this movie and Goldfinger (1964) was sold, fully “loaded”, to American classic car collector Harry Yeaggy for a reported $4 million by London’s RM Auctions. The car had only one previous private owner, an American radio station owner named Jerry Lee, who purchased the car directly from the Aston Martin factory in 1969 for $12,000. Lee had kept the car at his Pennsylvania house for over forty years.
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“Bond drives an Aston…naturally”
“Thunderball” sees 007’s fourth screen outing as the action moves to the exotic Bahamas as the agent with a licence to kill tackles S.P.E.C.T.R.E’s Emilio Largo who is holding the world to ransom with two stolen nuclear warheads. This photo montage style Swiss one-sheet features striking mixture of key scenes and characters. I particularly like the large 007 logo with Connery silhouette which runs across the bottom. The design is exclusive to the 1970s Swiss re-release and not found anywhere else. Presented in excellent unrestored folded (as issued) condition this presents superbly with minimal handling wear and represents a fantastic piece of collectable James Bond cinematic memorabilia from the Sean Connery era.
Trivia: On October 27, 2010, the Aston Martin DB5 used in this movie and Goldfinger (1964) was sold, fully “loaded”, to American classic car collector Harry Yeaggy for a reported $4 million by London’s RM Auctions. The car had only one previous private owner, an American radio station owner named Jerry Lee, who purchased the car directly from the Aston Martin factory in 1969 for $12,000. Lee had kept the car at his Pennsylvania house for over forty years.
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“You Only Live Twice…and “TWICE” is the only way to live!”
A series of three main general release poster designs were commissioned to promote Sean Connery’s fifth outing as 007 “You Only Live Twice” (1967) with artwork by both Robert McGinnis and Frank McCarthy used. Of the three different styles produced for the film, the “Style-C”– ‘Bath-Tub’ is the most difficult poster to find. Whereas “action” is the key selling point of the two Frank McCarthy designs, McGinnis focuses on Bond’s sex appeal with his poster design with risqué artwork featuring a Japanese ‘geisha’ girl with her hand washing below the waterline near to Bond’s groin area. The original 1967 Style C British UK quad movie poster offered here is presented in amazing unrestored, folded (as issued) condition and perfectly suited to the landscape style for which it McGinnis designed it for. Colours are strong and vibrant with the white background totally unfaded and bright. A true first release stating ‘Sean Connery IS James Bond’ – Connery was by now increasingly concerned of being typecast and insisted on this tagline to be changed to read AS instead of IS, with the later printings either having a glued snipe or reprinted AS. Measuring 30″ x 40″, NOT one of the slightly over-sized 31″ x 41″ posters that were printed a little bit later and used largely for provincial cinemas. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: This marks the fifth and final on-screen appearance together of Sir Sean Connery and Lois Maxwell. In Diamonds Are Forever (1971), the scene where the disguised Moneypenny gives Bond his travel documents at the port of Dover, Maxwell and Connery filmed their lines separately, and were not present together for the short scene.
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An outstanding alternative movie poster by the maestro of British horror art, Graham Humphreys for John Carpenter’s horror, sci-fi classic “The Thing”. This superb limited edition example is incredibly rare in any edition and to offer an Artist Proof example (this is hand-numbered #10/10) is indeed a bonus. Antarctic Alien terror never looked better than this, thanks to Humphreys’ stunning imagery, MacReady (Kurt Russell) and the Thing illustrations are perfectly realised, with beautiful colour tones. Released in 2023 as an exclusive Private Commission, this immediately sold out when launched. Originally rolled, flat-unfolded (as issued) the example offered displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable movie memorabilia with a ‘modern’ twist…“Did you notice anything strange about the dog that arrived yesterday? Anything at all?”
Trivia: Unused music composed for this film was later used by Ennio Morricone in Quentin Tarantino‘s The Hateful Eight (2015). Ironically, Morricone’s Thing score was nominated for a Razzie for worst score, while his score for Hateful Eight won him an Oscar.
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Although a relatively recent release any paper for Keanu Reeves’ John Wick franchise is extremely desirable. This incredibly popular film series is always complemented by an equally incredible series of movie posters and again the creative arts agency LA have not disappointed. Offered here is the 2019 Advance International/Thai one-sheet for “John Wick: Chapter 3 – Parabellum” which features ultra-assasin John Wick with ‘dog’ in the lounge of The Continerntal. Dark & moody, it really is a great looking poster design and for me the best from the movie with the photo not really doming justice to what is a stunning item. Originally rolled (as issued) this looks and displays to excellent effect with minimal handling wear; the dark shades of blues, purples and blacks are deep and unfaded. A scarce item of modern original collectable movie memorabilia from one of the best new action franchises in recent memory that looks very very cool !
Trivia: The title “Parabellum” comes from the Latin phrase: “Si vis pacem, para bellum” which means “If you want peace, prepare for war.” It is also an alternate name for the ubiquitous 9mm handgun cartridge (“9mm Parabellum”). The phrase itself appears twice in the movie: it is tattooed on the back of the ballerina girl in the beginning, and Winston (Ian McShane) says it out loud later in the movie.
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There is no doubting the cinematic and cultural influence of Batman’s arch nemesis The Joker with this latest offering looking to be the best yet. Joaquin Phoenix stars as Arthur ‘Joker’ Fleck in Todd Phillips’ “Joker”. A production hugely anticipated by the fans as he presents his own unique take on the ‘Clown Prince of Crime’. Creative arts agency BOND have designed a truly stunning ‘Coming Soon’ film poster for the 2019 US / International one sheet. This is the second poster (it has been dubbed the ‘Steps Style’ by fans) released for this critically acclaimed and commercially record breaking film and destined to become as iconic as Phoenix’s portrayal of DC’s ‘anti-superhero’. Originally rolled (as issued) this totally unrestored example presents and displays to excellent effect without a blemish of note and represents a hugely collectable and totally cool piece of movie memorabilia for one of popular culture’s most recognised villains.
Trivia #1: The stairs in the movie are at 1170 Shakespeare Avenue, Bronx, New York with the footage of him dancing down them to the Gary Glitter song ‘Rock and Roll Part 2’ being used for the film, trailer and poster.
Trivia #2: The Joker’s make-up is very similar to John Wayne Gacy‘s, a serial killer who would often entertain children while dressed as Pogo the Clown. This make-up style was shunned by working clowns at the time, as they strictly prohibit “sharp” ends in their make-up, as it scares children.
Watch the Joker trailer HERE
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There is no doubting the cinematic and cultural influence of Batman’s arch nemesis The Joker with this latest offering looking to be the best yet. Joaquin Phoenix stars as Arthur ‘Joker’ Fleck in Todd Phillips’ “Joker”. A production hugely anticipated by the fans as he presents his own unique take on the ‘Clown Prince of Crime’. Creative arts agency BOND have designed a truly stunning film poster for the 2019 US one sheet featuring an scene from the explosive finale. This is the very hard to source IMAX version for this critically acclaimed and commercially record breaking film and destined to become as iconic as Phoenix’s portrayal of DC’s ‘anti-superhero’. Originally rolled (as issued) this totally unrestored example presents and displays to excellent effect without a blemish of note and represents a hugely collectable and totally cool piece of movie memorabilia for one of popular culture’s most recognised villains.
NOTE: The IMAX version is incredibly scarce and printed in much lower numbers than the ‘regular’ designs
Trivia #1: The stairs in the movie are at 1170 Shakespeare Avenue, Bronx, New York with the footage of him dancing down them to the Gary Glitter song ‘Rock and Roll Part 2’ being used for the film, trailer and poster.
Trivia #2: The Joker’s make-up is very similar to John Wayne Gacy‘s, a serial killer who would often entertain children while dressed as Pogo the Clown. This make-up style was shunned by working clowns at the time, as they strictly prohibit “sharp” ends in their make-up, as it scares children.
Watch the Joker trailer HERE
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