Showing 13–18 of 18 results
My personal favourite Indiana Jones movie with this modern, alternative movie poster re-imagining by Alistair Little, arguably superior to some of the official movie posters that accompanied the 1984 release of “Indiana Jones and the Temple of Doom”. This hand-numbered artist proof, #7 from a very limited print run of only 10 has also been signed by the artist. Printed on 300 gsm art paper this giclee art print gives the impression of being original painted artwork. The colour palette and print quality is superb; it needs to be seen to fully appreciate just how stunning it really is. Taking centre stage is Harrison Ford as the titular Indiana Jones offset by the menacing Thuggee god Kali. Originally rolled (as issued) this superb example displays to excellent effect. Genuinely scarce it represents a fantastic example of modern cinematic movie memorabilia for an incredibly popular and well loved character.
Trivia: George Lucas, Steven Spielberg, Gloria Katz and Willard Huyck were concerned how to keep the audience interested during the exposition on the Thugee cult. Huyck and Katz proposed a tiger hunt, but Spielberg said “There’s no way I’m going to stay in India long enough to shoot a tiger hunt.” They eventually decided on a dinner scene involving eating bugs, monkey brains, and the like. “Steve and George both still react like children, so their idea was to make it as gross as possible,” says Katz.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Don’t be afraid of the dark. Be afraid of what’s in the dark”
An original 2000 US one-sheet movie poster for Vin Diesel’s breakthrough movie “Pitch Black” and the first film to feature Vin’s character Richard B. Riddick which to date (there is talk of a fourth in the works) has spawned three sequels, The Chronicles of Riddick: Dark Fury (2004) (animated), The Chronicles of Riddick (2004), and Riddick (2013).Diesel is brilliant as Riddick, truly menacing but forced to help people who otherwise would only see him as a threat. There is also an underlying humour in his performance as well, which adds another dimension to the character. This is the sort of role that Vin excels in, the anti-hero, whos character is not as one-dimensional as first appears. The poster, designed by New Wave Creative is super stylish with a black and silver colour palette, with the example offered here presented in excellent rolled (as issued) condition. It represents an impressive item of movie memorabilia that looks fantastic and also represents the first movie for one of cinemas most recognisable and successful actors.
Trivia: The film developed from David Twohy‘s unused idea for Alien³ (1992) involving a space prison.
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“VENGEANCE HAS A NAME”
Taken on its own terms, “Punisher: War Zone” is everything it is supposed to be: excessively violent, larger than life, fast paced, and almost always loads of fun. War Zone doesn’t take itself seriously and it doesn’t ask the audience to do so. Firmly established as Marvels darkest and most controversial ‘hero’ it would be fair to say that The Punisher is probably best known and enjoyed by American, European and Far East fanboys than those in Britain and although heavily promoted in said areas the British release was fairly limited, with the movie being shown in only a handful of cinemas. Meaning that the accompanying film poster is genuinely scarce, which is a real shame as both LA & Ignition creative design agencies have collaborated to produce a real stand out poster for the UK quad design. This original 2008 UK quad film poster is very dark & very moody and printed on a heavy stock paper with a matt finish that only enhances the dark shadowy tones further. A real ‘peach’ of a Punisher poster. Originally rolled (as issued) this looks and displays to excellent effect with impressive gritty artwork that represents a fine piece of collectible ‘comic book’ cinema movie memorabilia.
Trivia: After this film, the live action film rights to the Punisher reverted back to Marvel Studios. Ray Stevenson would later appear in another Marvel production, produced by Marvel Studios this time, as Volstagg in the Thor film series.
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Steven Shainberg’s multi award winning and controversial film “Secretary” certainly caused a few eyebrows to be raised when released in 2002 dealing with a master/slave relationship of an unlikely couple played by James Spader and Maggie Gyllenhaal. Both of the said stars feature prominently on the original UK quad film poster offered here. Presented in excellent rolled (as issued) condition it appears almost faultless and represents an investment grade example of a very rare, desirable and collectable film movie memorabilia for a much talked talked about film…“Assume the position”
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“Judge, Jury, and Executioner is what The Punisher is.”
“The Punisher” may be one of the darkest comic book characters ever created. This film and especially Thomas Jane, get that which makes this film is one of the better in the genre, because it sticks to the source better than most. By 2004 the cinema had already seen an influx of ‘big-budget’ super hero movies; X-Men, Spiderman, Hulk as well as a re-imagined Batman so a ‘new’ Punisher was a safe bet as the character of Frank Castle still one of the most popular creations and a corner stone of the ‘Marvel Universe’. Designed by creative arts agency Intralink Film Graphic Design this original 2004 UK quad film poster is typical of the character, dark & moody. Originally rolled (as issued) this looks and displays to excellent effect with impressive artwork highlighting both The Punisher (Thomas Jane) & his protagonist Howard Saint (John Travolta). It represents a fine piece of collectible ‘comic book’ cinema movie memorabilia.
Trivia: Seeing as he had only one involvement with the creation of the original Punisher character; (changing the character from ‘The Assassin’ to ‘The Punisher’) this is one of the few movies based on a Marvel Comic in which Stan Lee does not appear.
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“A reclusive, morbidly obese English teacher attempts to reconnect with his estranged teenage daughter.”
The poster marketing campaign for any Darren Aronofsky movie is always special, with Aronofsky himself always personally involved with the design. For his Academy Award winning “The Whale” in 2022, a signed and numbered limited edition giclée print by James Jean was commissioned for the film. The print features a custom embossment and gold foil embellishments, each signed by both the artistJames Jean and Darren Aronofsky. There are very few in existence, with the example offered here, an even scarcer Artist Proof, hand-numbered #22/50 HC. One of the best looking movie related posters of recent years presented in high grade investment condition.
James Jean had this to say on the commission – “After Darren screened The Whale for me last year and asked me to create its poster, I immediately thought of Lucien Freud’s paintings of Leigh Bowery, and Kiki Smith’s self portrait, My Blue Lake. In the latter, Smith used a special camera to capture the periphery of her torso, resulting in an image that reads like a topographical map of her skin. While drawing Charlie (Brendan Fraser), I tried to channel Freud’s intimate yet unforgiving observations of Bowery. The depth of Charlie’s grief in the film is manifest in the expansive landscape of his body, barely able to contain all the feeling within. The skin is but a thin boundary between the external and internal worlds. In my drawing, his pain is full bleed and stretches beyond the margins, but his humanity and optimism breach the surface in the peaks and valleys of his face. A subtle texture of crumpled paper is embedded in the portrait, referencing the essay Charlie clutches in his hands throughout the film, an artifact from his daughter’s childhood that he cherishes for years and keeps him anchored away from the brink”
Trivia: Following its debut screening at the Venice Film Festival, both the movie and lead actor, Brendan Fraser, were given a six-minute standing ovation. The moment, caught on camera, brought Fraser to tears.
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