Showing 25–36 of 85 results
“Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.”
Without doubt the most controversial film of its day, and that’s saying something when you consider it was released alongside “The Exorcist” and “Last Tango in Paris”. Often the subject matter for many up and coming artists looking to make a name for themselves in the up and coming Alternative Movie Poster market, this offering by Greg Ruth really is a cut above the rest. This 2019 release for Stanley Kubrick’s ultra-violent masterpiece “Clockwork Orange” is quite simply a stunning piece of artwork, with a strictly limited print run of only 150 this is numbered #11. This orange (naturally) coloured variant edition is a less is more style featuring Malcolm McDowell character Alex with the title cleverly incorporated into his signature bowler hat. The film still remains Kubrick’s most controversial work; quite a feat when one considers the range of topics the filmmaker explored across his remarkable career. This superb unrestored example is presented rolled (as issued) and displays to excellent effect. A superb addition to any collection and an incredibly scarce piece of modern film art and cultural memorabilia.
Trivia: The film was unavailable for public viewing in the UK from 1973 until 2000, the year after Stanley Kubrick‘s death. British video stores were so inundated with requests for the movie that some took to putting up signs that read: ‘No, we do not have A Clockwork Orange (1971).’
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“Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.”
Without doubt the most controversial film of its day, and that’s saying something when you consider it was released alongside “The Exorcist” and “Last Tango in Paris”. This original 1972 publicity still from the American release of Stanley Kubrick’s ultra-violent masterpiece “Clockwork Orange” is quite simply an incredible visual image – original stills are notoriously hard to come by with the majority on offer modern reprints. Showing a close up of the Director-Producer the snipe on the reverse carries the correct reference number (SKB-130) and the following – STANLEY KUBRICK, producer-director of “A Clockwork Orange”, a Warner Bros. release. Based on the novel by Anthony Burgess, the film was adapted to the screen by Kubrick.” It still remains his most controversial work; quite a feat when one considers the range of topics the filmmaker explored across his remarkable career. This superb example is presented flat/unfolded (as issued) and displays to excellent effect with only very minimal handling wear. A superb addition to any collection (for display or investment) and an incredibly scarce piece of film and cultural memorabilia.
Trivia: The film was unavailable for public viewing in the UK from 1973 until 2000, the year after Stanley Kubrick‘s death. British video stores were so inundated with requests for the movie that some took to putting up signs that read: ‘No, we do not have A Clockwork Orange (1971).’
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“Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.”
Without doubt the most controversial film of it’s day, and that’s saying something when you consider it was released alongside “The Exorcist” and “Last Tango in Paris”. Often the subject matter for many up and coming artists looking to make a name for themselves in the up and coming Alternative Movie Poster market, this offering by Stella Ygris really is a cut above the rest. This 2022 release for Stanley Kubrick’s ultra-violent masterpiece “Clockwork Orange” is quite simply a stunning piece of artwork, with a strictly limited print run of only 50 this is numbered #25. Malcolm McDowell’s character Alex provides the focal point. Visual impact and artistic design are key aspects of any Kibrick production and this beautiful example perfectly illustrates that. Absolutely stunning, the photograph really doesn’t do this example justice – being a giclee print (see below) the vibrant colours pop from the paper. The film still remains Kubrick’s most controversial work; quite a feat when one considers the range of topics the filmmaker explored across his remarkable career. This superb unrestored example is presented rolled (as issued) and displays to excellent effect. A superb addition to any collection and an incredible piece of modern film art and cultural memorabilia.
Trivia: The film was unavailable for public viewing in the UK from 1973 until 2000, the year after Stanley Kubrick‘s death. British video stores were so inundated with requests for the movie that some took to putting up signs that read: ‘No, we do not have A Clockwork Orange (1971).’
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“They destroyed everything he had, everything he was. Now, crime has a new enemy and justice has a new face.”
An original 1990 US one-sheet movie poster for Sam Raimi’s comic book inspired ant-hero “Darkman”. Raimi’s cult classic creation is one of those movies that has aged better with time than on its first release with a loyal and devoted fanbase. Lead actor, Liam Neeson (in his first starring role) plays the titular hero with real style and features prominently (albeit swathed in bandages) on the John Alvin designed US one-sheet offered here as he’s seen almost as a silhouette set against an explosive city backdrop. Totally unrestored, this rolled (as issued) example displays & presents to very good effect. A great looking piece of horror, comic book style artwork that represents a scarce piece of cinematic movie memorabilia.
Click HERE to view the trailer
Trivia: Although his status as a star of the genre would solidify much later in his career, this was Liam Neeson‘s first starring role in an action film.
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In 1998 a British film was released that launched the modern ‘Brit Gangster’ genre….that film was “Lock Stock and Two Smoking Barrels” and the relaunched genre is still going strong and showing no sign of flagging. “Dead Man Running” stars two actors who have very much cornered the market in Cockney ‘loveable’ rogues…Danny Dyer & Tamer Hassan. Designed by the advertising agency Creative Partnership the 2009 UK quad that accompanies the cinema release of “Dead Man Running” is typical of the genre. The originally rolled (as issued) film poster offered here displays beautifully and is presented in excellent condition with just very minor handling wear and represents an extremely desirable piece of original British movie memorabilia.
Trivia: This movie has a big football movie connection and was funded by non other than Ashley Cole & Rio Ferdinand
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The original UK quad film poster for “Dirty Harry” offered here is an extremely rare example from later 1971 with ‘red-style’ artwork that was only seen in the smaller independently owned cinemas in the UK provinces. This stunning original UK quad movie poster is based upon Bill Gold’s initial designs from the first release in early 1971 which had a bright white background; I personally think the RED is more appropriate and striking. Originally folded (as issued) this unrestored, totally original piece presents to excellent effect; the deep red background is truly vibrant with the other bold colours, deep & unfaded. Certainly the best example of this key poster I have ever seen, let alone have the pleasure to sell. Almost flawless in every way with only the very minimal handling and age wear…Clint Eastwood carved out a violent niche in the cinema with his portrayal of ‘Dirty Harry Callahan’ in this, the first in the popular series about a San Francisco detective who makes his own rules and this extremely scarce UK quad movie poster represents a fine piece of very collectable and desirable cinematic film memorabilia.
Trivia: (At around ten minutes) In the bank robbery scene (At around ten minutes into the movie), Harry enters a burger joint across the street from the bank. Around the corner from the burger joint, the viewer can see a movie theatre marquee that lists Play Misty for Me (1971). Clint Eastwood starred in and directed that movie, which was the first theatrical movie directed by Eastwood.
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“It’s like looking in a mirror – only not.”
Designed by BLT & Associates this original Advance (June 27) US One Sheet movie poster from 1997 featuring John Travolta and Nicolas Cage for John Woo’s ultra-cool, stylish, gun fu, actioner “Face/Off”. The third (and to date, most successful) American feature from Hong Kong action director John Woo, is everything a fan of Woo’s Asian work could possibly hope for It’s a loud, fast-paced, spectacularly violent epic helmed by a master craftsman, even with this ambitious third American feature, it is vastly on par with the director’s Hong Kong work, is very easily one of the best films of his career. This rolled (as issued) example features the split images of both Cage and Travolta and is presented in excellent condition and represents a desirable item of cinematic memorabilia.
Trivia: Originally Arnold Schwarzenegger and Sylvester Stallone were in mind to play the lead roles. When John Woo was brought in to direct, he decided that John Travolta and Nicolas Cage would be more suited to the roles. Other pairs that the studio wanted was Michael Douglas (who was the executive producer for this movie) and Harrison Ford, Bruce Willis and Alec Baldwin, Jean-Claude Van Damme and Steven Seagal, Denzel Washington and Wesley Snipes, and Robert De Niro and Al Pacino.
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“To foil a terrorist plot, an FBI agent assumes the identity of the criminal who murdered his son via facial transplant surgery, but the crook wakes up prematurely and vows revenge.”
Price is for ALL THREE STYLES – Advance, Cage and Travolta character posters.
A marvellous and eye-catching triptych of film posters from first release in 1997, designed by InSync Plus with includes the final release style US One Sheet and character posters for both Nicolas Cage and John Travolta for John Woo’s ultra-cool, stylish, gun fu, actioner “Face/Off”. Black and white blurred facial photography makes for some striking imagery with bright red detailing. The hi-gloss finish only adds to what is a fantastic looking series of three posters. The third (and to date, most successful) American feature from Hong Kong action director John Woo, is everything a fan of Woo’s Asian work could possibly hope for It’s a loud, fast-paced, spectacularly violent epic helmed by a master craftsman, even with this ambitious third American feature, it is vastly on par with the director’s Hong Kong work, is very easily one of the best films of his career. These rolled (as issued) example are all presented in excellent condition and represents a very desirable set of three original movie posters.
Trivia: It was released in June 1997, the same month as Nicolas Cage’s other action hit Con Air (1997), which came out a few weeks earlier. The films were shot consecutively, from the summer of 1996 to spring 1997, with the two productions nearly overlapping at one point.
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Any paper for Keanu Reeves’ John Wick franchise is extremely desirable, even when it features the newest assassin on the block – Ana de Armas is perfectly cast as the revenge seeking Eve in Len Wiseman’s “From the World of John Wick: Ballerina”. This incredibly popular film series is always complemented by an equally incredible series of movie posters and for this release, the creative arts agency BOND have produced a teaser poster that’s pretty spectacular, with a close-up dark and moody image of de Armas. Offered here is the advance US one-sheet, eye-catching and distinctive with its bold use of purples, blues with a touch of neon. Originally rolled (as issued) this displays to excellent effect with only very minimal handling wear. A fantastic item of cinematic movie memorabilia from one of the best action franchises in recent memory that looks very very cool !
Trivia: In John Wick: Ch 3 – Parabellum, the ballerina’s back tattoo text, as portrayed by Unity Phelan, “Si Vis Pacem Para Bellum” means “If you want peace, prepare for war” is seen when John returns to the Ruska Roma, but in Ballerina, Eve’s back tattoo text, portrayed by Ana de Armas, changes to “Lux In Tenebris”, meaning “Light in Darkness”.
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2005 saw the release of the ‘British lad football culture’ movie “Green Street”. The name of the firm in the film, the Green Street Elite, refers to Green Street in the London Borough of Newham, where West Ham’s old home stadium, Upton Park was located. The UK quad used to market the movie is a classic character study with the two major stars – Elijah Wood and Charlie Hannam taking centre stage. The originally rolled (as issued) UK quad film poster offered here displays beautifully and is presented in excellent condition with minimal handling wear and represents an extremely desirable piece of original British movie memorabilia.
Trivia: West Ham were approached by the film-makers who wanted to shoot scenes at their Upton Park ground. As they were under the impression that the film was celebrating the glorious game and its fanatical supporters, they agreed. Once they realized the film’s true take on the subject (after filming had taken place), they disassociated themselves from the project.
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“The sleaze-filled saga of an exploitation double feature”
Original country of origin, American one sheet for the Quentin Tarantino/Rodriguez 2007 double bill “Grindhouse”. Featuring “Death Proof” and “Planet Terror”. With design input by Rodriguez’ own Troublemaker Studios (the antiqued look which made “Pulp Fiction” look so cool!) and finishing touches by BLT Communications LLC this really is a stunning eye-catching poster and one of the best from recent years. Originally rolled (although it looks folded) this presents superbly. Only initially released uncut as “Grindhouse” in a handful of countries these double bill posters are very rare. Visual impact and design are key aspects of any Tarantino/Rodriguez production and this beautiful example perfectly illustrates that fact…“Why not just carry a knife instead of a gun? .. You know what happens to mutha fuckers who carry knives? They get shot!”
Trivia: In the “Death Proof” segment, the tank top Kurt Russell wore in Big Trouble in Little China (1986) can be seen hanging on the wall of the Texas Chili Parlor.
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“A Story of a mystery…A mystery inside worlds within worlds…Unfolding around a woman…A woman in love and in trouble.”
Designed by graphic designer Mister S. for the advertising agency Empire Design, this original 2006 UK quad poster for David Lynch’s mystery drama thriller “Inland Empire” features striking, colourful imagery of Laura Dern with the night-time Los Angeles skyline a fitting backdrop. With its simple, distinctive, imagery this rolled (as issued) example presents to superb effect, providing a high quality and very rare film poster from one of Cinema’s most revered cult directors.
Trivia: This is the last feature film directed by David Lynch. All of his other film projects since have been short films, music videos, documentaries, or TV episodes. In 2012, Lynch stated in an interview with the Los Angeles Times that he lacked the inspiration to start a new movie project, but “If I got an idea that I fell in love with, I’d go to work tomorrow”. In 2017 while promoting Twin Peaks (2017), Lynch was reported to have retired from directing feature films. But in January 2025, Lynch died despite clarifying years prior to his death that his words were misconstrued by reiterating, “I did not say I quit cinema. Simply that nobody knows what the future holds.”
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