Showing 133–144 of 164 results
An original country of origin British UK quad film poster from the original year of release 1973 for Fred Zinnemann’s terrorist thriller “The Day of the Jackal”. The movie is based on the best-selling novel by Frederick Forsyth which sees a lone sniper tasked with the assassination of French President Charles De Gaulle and it it this the image of Charles De Gaulle reflected in the assassins eye (Edward Fox as the titular Jackal) that provides some remarkable pencil drawn imagery in Michael Leonard’s impressive artwork featured on the UK quad movie poster; a very cleverly designed piece. Originally folded (as issued) it displays and presents to very good effect. A marvellous looking poster that certainly impresses and is scarce in this unrestored condition. A hugely collectable and sought after film poster that represents a fine example of original British movie memorabilia.
Trivia: A so-called “explosive bullet” does not contain any explosive material. It is drilled through the center, a drop of mercury is put inside, and the tip of the bullet sealed. When the bullet hits an object the mercury maintains its velocity, flying through the drilled channel and impacting the tip of the bullet from the inside. This causes the bullet to fragment.
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“Bolt Your Doors. Lock Your Windows. There’s something in The Fog !”
After the huge success of Halloween John Carpenter quickly followed up with the equally creepy horror The Fog. Taking creepy imagery from the movie the US one-sheet features silhouetted zombie pirates in a ‘fog’ filed room. The original movie poster offered here is from first year of release, 1980 and displays to excellent effect. Originally folded (as issued) it is presented in unrestored condition with only minimal handling wear. Great horror imagery on a genuinely rare cult classic from the Carpenter archives that represents extremely desirable and collectable movie memorabilia.
Trivia: Although this was essentially a low budget independent movie, John Carpenter chose to shoot the movie in anamorphic widescreen Panavision. This decision gave the movie a grander feel for the viewer so this didn’t seem like a low budget horror movie.
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“Bolt Your Doors. Lock Your Windows. There’s something in The Fog !”
After the huge success of “Halloween” John Carpenter quickly followed up with the equally memorable horror “The Fog” – a guilty pleasure film of mine as I love how well Carpenter develops the tension and tells the story with great cinematography, sound, and use of locations. Carpenter always a well regarded and popular film maker has enjoyed a huge renaissance in more recent years so it was no surprise that this title was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “They Live”, “Escape From New York” and “Prince of Darkness”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 224. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: Although this was essentially a low budget independent movie, John Carpenter chose to shoot the movie in anamorphic widescreen Panavision. This decision gave the movie a grander feel for the viewer so this didn’t seem like a low budget horror movie.
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An original 1972 Style A. release UK quad film poster for Sam Peckinpah’s “The Getaway” that delivers the three “S’s” – Style, Substance & Steve McQueen highlighting McQueen & McGraw in ‘full-on’ action, Peckinpah style…guns blazing as they attempt their titular getaway …stunning and hard to find, rare British poster featuring country unique graphics and striking, memorable imagery. Totally original and unrestored this folded (as issued) example displays and presents to excellent effect and represents a scarce & sought item of authentic movie memorabilia from a popular Steve McQueen title that is often over looked.
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An impressive image of ‘King of Cool’ Steve McQueen and exclusive to the Japanese release for “The Getaway”. This original 1972 first release Japanese B2 film poster for Sam Peckinpah’s gritty thriller delivers the three “S’s” – Style, Substance & Steve McQueen and highlights a shotgun wielding McQueen. Printed on a heavier stock paper with a gloss finish this really is a striking and hard to find, Japanese poster. Totally original and unrestored this rolled (as issued) flat and unfolded example displays and presents to excellent effect and represents a scarce & sought item of authentic movie memorabilia from a popular Steve McQueen title that is often over looked from his impressive catalogue of roles.
Trivia: Included among the American Film Institute’s 2001 list of 400 movies nominated for the top 100 Most Heart-Pounding American Movies.
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Designed by creative arts agency GHAH Studios the 2020 US one-sheet film poster for Francis Ford Coppola’s “The Godfather (Part III) Coda – The Death of Michael Corleone” is a dramatic, atmospheric poster image featuring the remaining members of the Corleone dynasty – the aged Don Michael Corleone (Al Pacino), Vincent (Adam Garcia) the illegitimate son of Michael’s brother Sonny, Connie (Talia Shire) and Michael’s daughter Mary (Sofia Coppola). With dark, rich colour tones it is a perfect choice of design for Coppola’s final instalment of his hugely influential & Oscar winning trilogy. The double sided US one sheet offered here is presented in excellent unrestored, rolled (as issued) condition). It displays superbly and represents a fine piece of collectable original movie memorabilia for a much admired and hugely respected film franchise.
Trivia: Because of the popularity of the two earlier Godfather movies, Frank Sinatra reversed his anti-Godfather stance and expressed interest in playing Don Altobello. He lost interest because of the size of the paycheck for the role, and it went to Eli Wallach. Coincidentally, Sinatra got his role in From Here to Eternity (1953) when Wallach backed out due to scheduling conflicts with a Broadway play. Legend has it that Sinatra used mob ties to get Wallach’s part, which inspired the Johnny Fontane subplot in The Godfather (1972).
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“From a barbed-wire camp to a barbed-wire country, they made…THE GREAT ESCAPE !”
A very rare find, these two-panel Japanese posters just don’t turn up and are incredibly scarce. One of the biggest films of all times certainly deserves a striking poster and this original 1970 STB/Tatekan movie poster for John Sturges’ wartime adventure “The Great Escape” certainly impresses. Frank McCarthy’s ‘countdown’ artwork looks superb featuring Bartlett “Big X” (Richard Attenbrough), Hendley-“The Scrounger” (James Garner) and of course heading the group Hilts-“Cooler King” (Steve McQueen) and has been updated to include a photo montage of the cast and more importantly – McQueen attempting his motorbike jump escape. Although the most memorable scene from the film it doesn’t feature on any of the original 1963 paper and only on a handful or later release posters. The format makes for a truly stunning piece that presents very well and represents a superb example of very rare collectable film memorabilia from one of the greatest film’s ever made and featuring a character and final scene that has become synonymous with screen legend Steve McQueen and is regarded as a much loved classic and one of McQueen’s signature roles.
Trivia: During the climactic motorcycle chase, director John Sturges allowed Steve McQueen to ride (in disguise) as one of the pursuing German soldiers, so that in the final sequence, through the magic of editing, he’s actually chasing himself. McQueen played the German motorcyclist who hits the wire.
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“From a barbed-wire camp to a barbed-wire country, they made…THE GREAT ESCAPE !”
A very rare find, an original 2022 alternative movie poster by Steve Chorney for John Sturges’ wartime adventure “The Great Escape”. One of the biggest films of all times certainly deserves a striking poster and Chorney’s limited edition offering certainly impresses. As a homage to posters of the 60s and 70s the great ensemble cast have their headshots in a row towards the bottom of the design, Hendley -“The Scrounger” (James Garner), Danny – “The Tunnel King” (Charles Bronson), Danny – “The Tunnel King” (Charles Bronson), Ashley-Pitt “Dispersal” (David McCallum), Blythe – The Forger” (Donald Pleasence), Bartlett “Big X” (Richard Attenbrough), Sedgwick “Manufacturer” (James Coburn) and of course dominating the imagery Hilts-“Cooler King” (Steve McQueen), not just an incredible headshot, but McQueen in action (from the finale of the movie) attempting his legendary motorbike jump escape. Although the most memorable scene from the film it doesn’t feature on any of the original 1963 paper and only on a handful or later release posters, making this artwork, super desirable. A nice touch is the inclusion of Hannes Messemer who played the Kamp Kommandant Von Luger. Released as a limited edition, hand-numbered (#88/90) fine art print, the giclee finish gives a freshly painted effect. The portrait format makes for a truly stunning piece that presents to excellent effect and represents a superb example of very rare collectable film memorabilia from one of the greatest film’s ever made and featuring a character and final scene that has become synonymous with screen legend Steve McQueen and is regarded as a much loved classic and one of McQueen’s signature roles.
Trivia: During the climactic motorcycle chase, director John Sturges allowed Steve McQueen to ride (in disguise) as one of the pursuing German soldiers, so that in the final sequence, through the magic of editing, he’s actually chasing himself. McQueen played the German motorcyclist who hits the wire.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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A critical and commercial success and perhaps the best British movie (gangster or otherwise) ever made…John MacKenzie’s “The Long Good Friday”. Receiving a very limited release in UK cinemas (it was nearly never released due to financial problems & only saved as a cinematic production by George Harrison, with his Handmade Films stepping in at the 11th hour) meant that any paper is scarce, making this original 1980 UK quad film poster a rare find especially in such high grade condition. Featuring stark black & white country unique design & artwork, this excellent unrestored example presents near perfectly. Rolled (as issued) it represents an exceptional piece of collectable original film memorabilia from a true British gangster classic…“The Mafia? I’ve shit ’em”
A critical and commercial success and perhaps the best British movie (gangster or otherwise) ever made…John MacKenzie’s “The Long Good Friday”. Receiving a very limited release in UK cinemas (it was nearly never released due to financial problems & only saved as a cinematic production by George Harrison, with his Handmade Films stepping in at the 11th hour) meant that any paper is scarce, with the British one sheet featuring Ron Fenton’s artwork, the scarcest of them all (this is the only time I have offered one for sale) making this original 1980 British, country of origin one sheet, a rare find especially in such high grade condition. Fenton’s exciting action montage for this classic British gangster film features an exploding rolls Royce, an exploding casino, mobsters being hung upside down on meathooks in an abattoir and some incredible character portraits – Bob Hoskins in arguably his best film role, alongside Helen Mirren, Eddie Constantine and P.H. Moriarty (as the psychotic hardman Razors). This excellent example is presented rolled (as issued) and represents an exceptional piece of collectable original film memorabilia from a true British gangster classic…“The Mafia? I’ve shit ’em”
Trivia: The actors being held upside-down on meathooks in the abattoir had to be supported between takes, to prevent them passing out.
A critical and commercial success and perhaps the best British movie (gangster or otherwise) ever made…John MacKenzie’s “The Long Good Friday”. Receiving a very limited release in UK cinemas (it was nearly never released due to financial problems & only saved as a cinematic production by George Harrison, with his Handmade Films stepping in at the 11th hour) meant that any paper is scarce, with black and white promotional and press stills particularly elusive. making this original 1980 British, country of origin example, a rare find especially in such high grade condition. The imagery featured is one the most memorable scenes from the film, as Harold (Bob Hoskins) in an effort to find out who is threatening him interrogates fellow mobsters by hanging them upside down on meathooks in a freezing abattoir. Presented flat (as issued) it represents an exceptional piece of collectable original film memorabilia from a true British gangster classic…“The Mafia? I’ve shit ’em”
Trivia: The actors being held upside-down on meathooks in the abattoir had to be supported between takes, to prevent them passing out.
“It seems that you’ve been living two lives. One life, you’re Thomas A. Anderson, program writer for a respectable software company. You have a social security number, pay your taxes, and you… help your landlady carry out her garbage. The other life is lived in computers, where you go by the hacker alias “Neo” and are guilty of virtually every computer crime we have a law for. One of these lives has a future, and one of them does not.”
On its release at the dawn of a new Millenia the Wachowski Brother’s ground breaking science fiction blockbuster “The Matrix” influenced everything from fashion, technology, how movies are made and introducing us to…Bullet-Time. This 2025 alternative movie poster by Pablo Olivera is an outstanding re-design that takes you to the heart of the matrix with its wealth of lore and symbology from the mega-hit, Pablo’s print is a thrilling look back at the film’s imagery and themes – “You take the blue pill – the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill – you stay in Wonderland and I show you how deep the rabbit hole goes.”. It is a fine art giclee print where the colours literally pop from the paper and one of best examples I have seen that uses this printing process – the colours, in this case neon pinks, purples and blues are incredibly rich giving a true hand painted effect. This Purple Variant edition has been Hand-Numbered #11/75 that represents a cool looking film poster from a “game-changing” movie. A true modern classic that displays superbly and is presented in excellent rolled condition.
Trivia: All scenes that take place within the Matrix have a green tint, as if watching them through a computer monitor. Scenes in the real world have a blue tint. Blue was also used at a minimum within the Matrix, since the directors thought blue was more of a real-world color (despite, ironically, blue being often the least-occurring color in nature). The fight scene between Morpheus and Neo, which is neither in the real world, nor in the Matrix, is tinted yellow.
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