Showing 13–24 of 45 results
After the ‘Star Wars’ style excesses of the previous movie “Moonraker” this is more of a return to a realistic spy thriller in John Glen’s “For Your Eyes Only” and it is director John Glen who has personally signed this poster – a lovely clear signature in black pen on the red background above the title. This original US one sheet is from first year of release 1981 featuring iconic artwork that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s finished artwork. There is no doubting that this originally folded (as issued) example displays very well and is probably the most recognisable of all the Roger Moore, Bond posters and represents an impressive example of original collectable James Bond movie memorabilia.
Trivia; after much debate the infamous “legs” belong to New York model Joyce Bartle.
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“Mr Bond. I’m so glad I caught you. Your office called. They’re sending a helicopter to pick you up. Some sort of emergency…It usually is. Thank you”
After the excesses of the previous movie “Moonraker” this is more of return to a realistic spy thriller in John Glen’s “For Your Eyes Only”. This Australian daybill film poster from first year of release 1981 features the memorable worldwide artwork campaign that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s beautifully detailed finished all-action artwork. The original movie poster offered here is presented in exceptional unrestored, folded (as issued) condition and is perfectly suited to the thinner portrait style of the daybill. Colours are bright, vibrant and unfaded. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: after much debate the infamous “legs” belong to New York model Joyce Bartle.
…more detail
After the ‘Star Wars’ style excesses of the previous movie “Moonraker” this is more of a return to a realistic spy thriller in John Glen’s “For Your Eyes Only”. This original, country of origin British one sheet is from first year of release 1981 featuring iconic artwork that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s marvellous detailed, all-action artwork which incorporates the Lotus Esprit protruding out of the border. This originally folded (as issued) example displays very well with lovely strong colours. Probably the most recognisable of all the Roger Moore, Bond posters and this example represents an impressive piece of original collectable James Bond cinematic movie memorabilia.
Trivia; after much debate the infamous “legs” belong to New York model Joyce Bartle.
…more detail
“Mr. Bond. I’m so glad I caught you. Your office called. They’re sending a helicopter to pick you up. Some sort of emergency.”
A rare find in investment grade flat and unfolded condition for Roger Moore’s fifth outing as Agent 007. After the excesses of the previous movie “Moonraker” this is more of return to a realistic spy thriller in John Glen’s “For Your Eyes Only”. Featuring the same landscape format as a country of origin British quad this 1981 US Half Sheet also uses the stunning artwork (only with a slightly different colour palette) that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s beautifully detailed all-action artwork. The original poster offered here is presented in exceptional unrestored, flat/unfolded (as issued) condition with . bright, vibrant colours. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia #1: after much debate the infamous “legs” belong to New York model Joyce Bartle.
Trivia #2: singer Sheena Easton here is the only performer of a James Bond theme song who also appears in the iconographic opening credits.
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“To those unlucky few who missed “DR. NO”…You are unprepared for the sophisticated mayhem and the polished lovemaking. The James Bond bug has not bitten you. But take heart! There is still time to jump on the Bond bandwagon with the second James Bond adventure…FROM RUSSIA WITH LOVE. See it and we guarantee – you will be hooked for good !”
One for the true Bond collectors and my personal favourite Connery Bond movie. An original Swiss one-sheet for 007’s second screen outing “From Russia With Love”. This photo montage style features striking mixture of key scenes and characters. I particularly like the large 007 logo with Connery silhouette which runs across the bottom. The design is exclusive to the 1970s Swiss re-release and not found anywhere else. Presented in excellent unrestored folded (as issued) condition this presents superbly with minimal handling wear and represents a fantastic piece of collectable James Bond cinematic memorabilia from the Sean Connery era.
Trivia: Although he had his reservations about the choice of Sir Sean Connery for the part of James Bond, after seeing him in this movie, Ian Fleming was completely won over by the actor. In fact, as a result, Fleming added a Scottish ancestry to Bond’s character in later novels.
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“To those unlucky few who missed “DR. NO”…You are unprepared for the sophisticated mayhem and the polished lovemaking. The James Bond bug has not bitten you. But take heart! There is still time to jump on the Bond bandwagon with the second James Bond adventure…FROM RUSSIA WITH LOVE. See it and we guarantee – you will be hooked for good !”
One for the true Bond collectors and those who appreciate movie posters as an art form. This is one of the most visually stunning poster designs created for a Bond movie, for the French release of “From Russia With Love” (Bons Baisers de Russie) by artist Boris Grinsson. This same imagery was chosen for the front cover of the book ‘The Official 007 Collection James Bond Movie Posters’, which features an exclusive selection of 007 film posters from the collection of Eon Productions. Although a re-release the only difference in artwork to the original 1964 release is additional printer information along the bottom right edge and it is also worth noting that France was the only major country to screen “From Russia With Love” in the 1980s, with no releases in the United States or Britain. In Sean Connery’s second outing as Bond, he willingly falls into an assassination plot involving a naive Russian beauty in order to retrieve a Soviet encryption device that was stolen by SPECTRE. “From Russia With Love” remains on of the very best of the James Bond franchise. This is quintessential James Bond with Grinsson paying homage to Eric Pulford’s now famous Connery, Bond pose – used on every marketing campaign since. Connery (as Bond) is surrounded by key characters from the movie including a beautiful illustration of actress Daniela Bianchi (Tatiana Romanova) with Robert Shaw (Red Grant) as the SPECTRE hardman lurking in the background – the exotic city of Istanbul acts as the perfect backdrop. This early re-release from the 1980s is presented conservation linen backed and appears rolled, with minimal restoration it presents to excellent effect and looks magnificent, with vibrant bright unfaded colours. It doesn’t get much better than this, an eye-catching piece of James Bond memorabilia.
Trivia: Although he had his reservations about the choice of Sir Sean Connery for the part of James Bond, after seeing him in this movie, Ian Fleming was completely won over by the actor. In fact, as a result, Fleming added a Scottish ancestry to Bond’s character in later novels.
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Much like Daniel Craig, the role of re-invigorating the Bond movie franchise fell on to the shoulders of Pierce Brosnan in 1995 and after a six year break James Bond was back in “Goldeneye”. Re-imagined & re-invented (again by Martin Campbell) in the form of Pierce Brosnan…Brosnan, ably succeeded in what was a critical & commercial success & went on to play Ian Fleming’s ‘Licensed to Kill’ secret agent another four times. The original 1995 US One Sheet movie poster offered here was designed by Randi Braun & featured the photographic talents of Terry O’Neil, Keith Hamshere & George Whitear. This is the much rarer “gold” style and presents in excellent rolled (as issued) unrestored condition. Hugely collectable it represents a fantastic piece of original 007 cinematic movie memorabilia.
Trivia: First completely original James Bond movie, without reference to any Ian Fleming novel or short story.
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Much like Daniel Craig, the role of re-invigorating the Bond movie franchise fell on to the shoulders of Pierce Brosnan in 1995 and after a six year break James Bond was back in “Goldeneye”. Re-imagined & re-invented (again by Martin Campbell) in the form of Pierce Brosnan…Brosnan, ably succeeded in what was a critical & commercial success & went on to play Ian Fleming’s ‘Licensed to Kill’ secret agent another four times. The original 1995 Japanese B2 movie poster offered here was designed by Randi Braun & featured the photographic talents of Terry O’Neil, Keith Hamshere & George Whitear and was the main design used for the worldwide marketing campaign. It presents in very good, original rolled (as issued) unrestored condition with only minimal handling wear. Hugely collectable it represents a fantastic piece of original 007 cinematic movie memorabilia.
Trivia: First completely original James Bond movie, without reference to any Ian Fleming novel or short story.
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Timothy Dalton’s second outing as 007 was a truly gritty tale of revenge and action with a great white shark being an unusual instrument of torture for one scene. Keith Hamshere (who made Dalton the ‘perfect’ Bond in The Living Daylights campaign ) was again retained as the Bond photographer on this 1989 country of origin British UK quad for “Licence to Kill” featuring a moody Timothy Dalton in close up. Genuinely scarce this rolled (as issued) example looks superb and is presented totally unrestored in high grade condition and represents a worthy addition for any poster collector or any collection of James Bond cinematic movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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A magnificent private commission alternative movie poster for John Glen’s 1989 James Bond extravaganza…“Licence to Kill”. The action-packed artwork (the second in his Bond series) by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, Dalton – sans tuxedo, emphasising this Bond is independent and his own man, exotic location, action, psychotic villains – Robert Davi and Benicio Del Toro and beautiful, glamorous women – Carey Lowell and Talisa Soto. This fourteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #22/75. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, this one-sheet style (portrait) hand-numbered (#81/145) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
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An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, with a much lower print run than the portrait version, this UK quad style (landscape) hand-numbered (#52/65) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
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