Showing 37–48 of 49 results
A magnificent country of origin UK quad film poster for Lewis Gilbert’s 1977 James Bond extravaganza…“The Spy Who Loved Me”…Cubby Broccoli wanted this to be “BIGGEST Bond of All” and it certainly lived up to the billing, from the massive purpose built 007 soundstage at Pinewood (still very much in use today) to the marketing campaign which was the first time to feature the talents of movie poster legend Bob Peak. His colourful, detailed imagery followed an art-nouveau style in a futuristic setting and very much set the film’s tone. This excellent unrestored originally folded (as issued) example is the much scarcer Seiko Digital Quartz Watch style that presents and displays superbly and represents an excellent piece of very collectable James Bond movie memorabilia.
Trivia: This movie introduced to the world a spy sea scooter known as a “wetbike” (better known now as a jet ski), sparking a new water-activity industry. This gadget was commonly referred to as the “motorbike that rides on water.”
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A magnificent alternative movie poster for Lewis Gilbert’s 1977 James Bond extravaganza…“The Spy Who Loved Me”…Cubby Broccoli wanted this to be “BIGGEST Bond of All” and it certainly lived up to the billing, utilising the massive purpose built 007 soundstage at Pinewood Studios, still very much in use today. The action-packed artwork by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, 007 (Roger Moore) dressed in a tuxedo, exotic location, gadgets, psychotic villains and beautiful, glamorous women – Barbara Bach who played the Russian super spy Anya Amasova (Agent XXX) and Caroline Munro (the helicopter pilot Naomi). This thirteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #52/85. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.
Trivia: The closing credits say, “James Bond will return in For Your Eyes Only (1981)” but, because of the successes of Star Wars: Episode IV – A New Hope (1977) and Close Encounters of the Third Kind (1977), the space set Moonraker (1979) was chosen.
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Bringing together the spectacle and glamour of “The Spy Who Loved Me”, this striking original US Subway poster features the familiar Bob Peak artwork of Roger Moore as James Bond, 007 alongside Barbara Bach as Agent XXX, Anya Amasova. Submarines, underwater action and the vast interior of the supertanker surround the central figures, while photographic scenes highlight the iconic white Lotus Esprit and Richard Kiel’s formidable Jaws. The bold headline, “It’s the biggest. It’s the best. It’s Bond. And beyond”, perfectly captures the campaign’s exuberance.
Directed by Lewis Gilbert, the film sees Bond join forces with a Soviet agent to investigate the disappearance of British and Russian nuclear submarines. Curt Jurgens stars as Karl Stromberg, whose underwater ambitions threaten the world, in an adventure that became one of the defining films of Roger Moore’s tenure as 007.
Measuring 45 x 60 inches, this ultra-rare large-format US Subway poster from first year of release, 1977 includes listings for contemporary theatre showings across Manhattan, Long Island and New Jersey, adding a distinctive local release detail. Presented in its original folded condition, it offers substantial scale without being overwhelming—an impressive statement piece for collectors of James Bond, Bob Peak and vintage cinema artwork.
Trivia: This movie introduced to the world a spy sea scooter known as a “wetbike” (better known now as a jet ski), sparking a new water-activity industry. This gadget was commonly referred to as the “motorbike that rides on water.”
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Bond’s celebrated Lotus Esprit takes centre stage on this ultra-rare original US Subway poster for “The Spy Who Loved Me”. Shown beneath the waves in its submarine guise, the white sports car glides above armed divers in a dramatic underwater scene. Yellow-bordered photographs featuring Roger Moore, Barbara Bach and Richard Kiel’s Jaws complement the expansive blue imagery, creating a distinctive photographic alternative to the film’s illustrated campaign.
The Lotus provides one of the film’s defining moments when Bond drives it off a jetty into the sea during a spectacular pursuit. Beneath the surface, its wheels retract and fins deploy, transforming the sleek sports car into a fully equipped submersible. Affectionately known as “Wet Nellie”, the vehicle combines underwater weaponry with a surface-to-air missile, allowing Bond to turn the tables on the pursuing helicopter. Directed by Lewis Gilbert, the film pairs Moore’s 007 with Barbara Bach’s Soviet agent XXX, Anya Amasova against Curt Jurgens as Karl Stromberg, the villain looking to turn the world into his own personal underwater paradise.
Measuring 45 x 60 inches, this impressive large-format poster retains its New York-area theatre listings and prominent “Starts Wednesday July 27th” announcement, firmly connecting it to its original cinema engagement. Presented in original folded condition, its generous proportions offer real presence while remaining a practical size for display—a striking statement piece for James Bond enthusiasts and admirers of the iconic Lotus Esprit.
Trivia: By the time this movie was made, the James Bond films were the most lucrative in the world, and many manufacturers wanted their products featured. There was great competition for the company that would supply Bond’s car. Don McLaughlin, Public Relations Manager of Lotus, realized that the best way to win this coveted position was to make the producers chase after him, rather than going begging to them. One day he turned up at Pinewood driving a brand new unreleased Lotus Esprit, with all identifying names covered up. He parked it outside the Bond set, knowing that the producers would see it when they broke for lunch. Once the car had attracted a crowd, all clamoring to know what the car was, McLaughlin nonchalantly got in the car and drove away without answering any questions. As he had expected, the producers were desperate to discover what the car was, and producer Albert R. Broccoli later chose it for this movie.
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The spectacular scale of Ken Adam’s production design dominates this ultra-rare original US Subway poster for “The Spy Who Loved Me”. Featuring the cavernous submarine bay inside Stromberg’s supertanker, the composition captures the film’s explosive action amid towering steelwork, elevated walkways and fire reflected across the water. A bright yellow title panel and inset photographs of Roger Moore and Barbara Bach complete a design that conveys the spectacle of Bond on an ambitious scale.
One of the film’s most remarkable achievements, the submarine bay set was created within the purpose-built 007 Stage at Pinewood Studios. Its vast interior provided the setting for the battle aboard the Liparus, as Bond and the captured submariners fight to thwart Stromberg’s plans. Directed by Lewis Gilbert, the film combines these elaborate surroundings with Moore’s assured performance as 007, opposite Barbara Bach as Soviet agent XXX, Anya Amasova and Curt Jurgens as Karl Stromberg.
Measuring 45 x 60 inches, this scarce US Subway style includes New York-area theatre listings and the announcement “Starts Wednesday July 27th”, adding a tangible connection to its original release. Presented in original folded condition, it has the scale to make an impressive statement without overwhelming a room. A distinctive piece for collectors of James Bond, Ken Adam’s celebrated set designs and vintage cinema memorabilia.
Trivia: $1 million of the $13.5 million budget was spent by production designer Sir Ken Adam on building the largest soundstage in the world: 336’x139’x44′. The set was used for the interior submarine bay shots of “Stromberg’s” supertanker. The tank had a capacity of 1.2 million gallons. In honour of this the stage was named the’ 007 Stage’.
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“As the countdown begins for the new millienium there is still one number you can always count on..007″….Pierce Brosnan’s third and highly succesful Bond film “The World Is Not Enough”. This original 1999 US One Sheet Final Style B. is quite exceptional featuring the photographic talents of Nigel Parry, Keith Hamshere and Jay Maidment with design by art directors Mark Belin & Damon Kidwell. Much rarer design than the Style A. & becoming increasingly hard to find in such outstanding condition.
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“As the countdown begins for the new millienum there is still one number you can always count on..007″….Pierce Brosnan’s third and highly succesful Bond film “The World Is Not Enough”. This original 1999 country of origin UK Quad is quite excetional featuring the photographic talents of Nigel Parry, Keith Hamshere and Jay Maidment with design by art director Brian Bysouth…The gloss finish only compliments what is already a really great poster.
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“Bond drives an Aston…naturally”
In 1965, Aston Martin released this tie-in advertisement poster featuring Bond’s DB5 in their dealer showrooms to promote their association with the James Bond franchise and the latest release “Thunderball”, at the time the highest grossing film series on record. Original, 1965 are extremely scarce and in some cases prohibitively expensive, but in 1999 Bond Producer’s EON authorised a limited edition licenced print run of only 400 posters. They were printed to approximately the same size as the originals (British double crown size – 20″ x 30″) and are identifiable by the unique limited edition hand written number on each one – in this case 384/400. Presented rolled in excellent condition this is hugely desirable and very collectable and would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: On October 27, 2010, the Aston Martin DB5 used in this movie and Goldfinger (1964) was sold, fully “loaded”, to American classic car collector Harry Yeaggy for a reported $4 million by London’s RM Auctions. The car had only one previous private owner, an American radio station owner named Jerry Lee, who purchased the car directly from the Aston Martin factory in 1969 for $12,000. Lee had kept the car at his Pennsylvania house for over forty years.
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“Bond drives an Aston…naturally”
“Thunderball” sees 007’s fourth screen outing as the action moves to the exotic Bahamas as the agent with a licence to kill tackles S.P.E.C.T.R.E’s Emilio Largo who is holding the world to ransom with two stolen nuclear warheads. This photo montage style Swiss one-sheet features striking mixture of key scenes and characters. I particularly like the large 007 logo with Connery silhouette which runs across the bottom. The design is exclusive to the 1970s Swiss re-release and not found anywhere else. Presented in excellent unrestored folded (as issued) condition this presents superbly with minimal handling wear and represents a fantastic piece of collectable James Bond cinematic memorabilia from the Sean Connery era.
Trivia: On October 27, 2010, the Aston Martin DB5 used in this movie and Goldfinger (1964) was sold, fully “loaded”, to American classic car collector Harry Yeaggy for a reported $4 million by London’s RM Auctions. The car had only one previous private owner, an American radio station owner named Jerry Lee, who purchased the car directly from the Aston Martin factory in 1969 for $12,000. Lee had kept the car at his Pennsylvania house for over forty years.
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“Tha Man. The Number. The License…are all back.”
Pierce Brosnan’s second and highly succesful Bond film “Tomorrow Never Dies”. This original 1997 country of origin UK Quad is quite excetional featuring the photographic talents of Keith Hamshere and George Whitear with design by art director Randi Braun…This is the very rare recalled version, although you would be hard pushed to see the difference between this version & the final release. Give up ? It’s Pierce’s stubble. The Producer’s felt that this semi unshaven look was not for their new re-inventing of the Bond franchise & ‘TOMMORROW’ is misspelt along the bottom border credits. Originally rolled (as issued) this scarce poster displays and presents to to very good effect and represents a fine example of collectible James Bond movie memorabilia.
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“You Only Live Twice…and “TWICE” is the only way to live!”
A series of three main general release poster designs were commissioned to promote Sean Connery’s fifth outing as 007 “You Only Live Twice” (1967) with artwork by both Robert McGinnis and Frank McCarthy used. Of the three different styles produced for the film, the “Style-C”– ‘Bath-Tub’ is the most difficult poster to find. Whereas “action” is the key selling point of the two Frank McCarthy designs, McGinnis focuses on Bond’s sex appeal with his poster design with risqué artwork featuring a Japanese ‘geisha’ girl with her hand washing below the waterline near to Bond’s groin area. The original 1967 Style C British UK quad movie poster offered here is presented in amazing unrestored, folded (as issued) condition and perfectly suited to the landscape style for which it McGinnis designed it for. Colours are strong and vibrant with the white background totally unfaded and bright. A true first release stating ‘Sean Connery IS James Bond’ – Connery was by now increasingly concerned of being typecast and insisted on this tagline to be changed to read AS instead of IS, with the later printings either having a glued snipe or reprinted AS. Measuring 30″ x 40″, NOT one of the slightly over-sized 31″ x 41″ posters that were printed a little bit later and used largely for provincial cinemas. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia: This marks the fifth and final on-screen appearance together of Sir Sean Connery and Lois Maxwell. In Diamonds Are Forever (1971), the scene where the disguised Moneypenny gives Bond his travel documents at the port of Dover, Maxwell and Connery filmed their lines separately, and were not present together for the short scene.
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