Showing 1–12 of 18 results
With artwork by Gary Pullin, this 2019 alternative movie poster for Wes Craven’s 1984 horror classic “A Nightmare on Elm Street” is an impressive example of horror art that also benefits from being signed by Freddy Krueger himself – ROBERT ENGLUND; a beautiful clear signature that includes his character name – FREDDY KRUEGER, written in a silver pen that contrasts incredibly strongly against the black background. It’s unusual to have a full character name with Englund most commonly signing only Freddy K. Signed at the Horrified event held in April 2025 (see photo of Robert signing the exact poster you are buying) this is an impressive item of cinematic horror movie memorabilia from one of the defining horror movie characters’ himself – ROBERT ENGLUND – FREDDY KRUEGER.
Trivia: Freddy Krueger was designed by Wes Craven to be the typical “silent” serial killer, such as Jason Voorhees or Michael Myers. However, in the sequels, Freddy developed a cheeky persona that enabled him to be the black-humored villain.
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With artwork by Rich Davies, this 2020 alternative movie poster for Wes Craven’s 1984 horror classic “A Nightmare on Elm Street” is an impressive example of horror art. Titled ‘Sleep Kills’ Davies’ imagery features Freddy’s distinctive shadow moving menacingly above a sleeping Nancy (Heather Langenkamp). Printed on to textured art paper using giclee inks the colours pop from the paper, giving a real quality finish which has been hand-numbered #181 from a print run of 250. Originally rolled (as issued) this looks stunning and displays to excellent effect. A great looking horror poster that represents a fine piece of collectable modern cinema movie memorabilia.
Trivia: Freddy Krueger was designed by Wes Craven to be the typical “silent” serial killer, such as Jason Voorhees or Michael Myers. However, in the sequels, Freddy developed a cheeky persona that enabled him to be the black-humored villain.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“He’s been chased, thrown through a window, and arrested. Eddie Murphy is a Detroit cop on vacation in Beverly Hills”
Original country of origin 1984 US One-Sheet Movie Poster for the Eddie Murphy blockbuster “Beverly Hills Cop”. Great imagery of Murphy lounging on a bright red Mercedes SL convertible (the top car of the early 80’s) parked on Rodeo Drive. Originally rolled (as issued) this fine example looks and displays to excellent effect with minimal handling wear with artwork perfectly suited to the portrait style format. Without a doubt this film sums up the 80’s perfectly with a ‘feel-good’ vibe that makes for a very collectable piece movie memorabilia that looks very very cool !
Trivia: During his tirade at the Beverly Palms Hotel, Axel pretends to be writing an article called “Michael Jackson: Sitting on Top of the World” for “Rolling Stone” magazine. In real life, “Playboy” ran an article called “Eddie Murphy: Sitting on Top of the World.”
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Much like Ridley Scott’s “Blade Runner” released two years earlier, David Lynch’s “Dune” (1984) received lack-lustre reviews and a poor box-office return on its initial release. Jump forward to today and “Dune” is now regarded as a genre defining masterpiece with a loyal and devoted fanbase. The poor box-office resulted in any associated cinema advertising material being junked and disposed of, making any paper highly desirable and collectable appealing not only to film fans but fans of the bestselling Frank Herbert novels. This original British UK quad film poster from 1984 features the beautiful and distinctive ‘two moons’ artwork. Originally rolled, as issued to the cinema this superb example displays to excellent effect being presented in totally unrestored high grade condition that represents a fantastic piece of scarce original sci-fi movie memorabilia for an incredible looking movie.
An excellent example for one of the best comedy horror films ever made…“Gremlins”. Written by Chris Columbus (Harry Potter, The Goonies) and directed by Joe Dante it was a huge box office hit. Re-released by Warner Bros. in 2019, recognising the fact that the movie has now become a classic ‘Christmas’ movie with Gizmo dressed in a Santa hat set against a Snow White background with the landscape format of the British UK quad perfectly suited to his design. Originally rolled (as issued) this 2019 film poster presents and displays very well. Totally original and unrestored this hard to find modern re-release of an important 80’s movie is becoming more and more sought after and represents a great collectable piece of original film movie memorabilia.
Trivia: Zach Galligan recounted in an interview that when the movie was made, there was no CGI, so all of the Gremlins were animatronics, each costing between $30,000-40,000 ($60,000-$90,500 adjusted for 2024 inflation). When everyone left the lot for the day, security would have everyone open the trunks of their cars to make sure they weren’t stolen.
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Darker and more serious in tone and content than its predecessor. Spiros Angelikas’ cleverly designed ‘Trust Him’ taglined poster certainly reinforces that aspect for Steven Spielberg’s 1984 prequel / sequel “Indiana Jones and the Temple of Doom”. This original country of origin Advance teaser US one-sheet movie poster highlights the titular archaeologist hero bathed in a red (blood red ?) light surrounded by a dark black embossed patterned border. Originally rolled, as issued to the cinema this superb example displays to excellent effect being presented in totally unrestored high grade condition. Often seen as the ‘weakest’ of the franchise (not so in my book) this is considerably rarer than posters from the other films and is genuinely hard to find in this format and represents a fantastic piece of scarce original movie memorabilia for an incredibly popular and well loved series of films.
Trivia: While filming the whipping scene, the crew played a practical joke on Harrison Ford. While he was chained to a large stone, Barbra Streisand appeared, dressed in a leather dominatrix outfit. She proceeded to whip him, saying “That’s for Hanover Street (1979), the worst movie I ever saw.” She continued whipping him for Star Wars: Episode IV – A New Hope (1977), and making all of that money. Carrie Fisher then threw herself in front of Ford to protect him, and Irvin Kershner chided director Steven Spielberg. “Is this how you run your movies ?” This entire sequence was filmed.
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Darker and more serious in tone and content than its predecessor. Bruce Wolfe’s beautifully rendered artwork certainly reinforces that trait for Steven Spielberg’s 1984 prequel / sequel “Indiana Jones and the Temple of Doom”. This original country of origin US one-sheet movie poster highlights the titular archaeologist hero as a beacon of light surrounded by darkness. Originally flat and unfolded as issued to the cinema this superb example displays to excellent effect being presented totally unrestored high grade condition. Often seen as the “weakest” of the franchise (not so in my book) this is considerably rarer than posters from the other films in the series and represents a fantastic piece of scarce original movie memorabilia for an incredibly popular and well love film franchise.
Trivia: While filming the whipping scene, the crew played a practical joke on Harrison Ford. While he was chained to a large stone, Barbra Streisand appeared, dressed in a leather dominatrix outfit. She proceeded to whip him, saying “That’s for Hanover Street (1979), the worst movie I ever saw.” She continued whipping him for Star Wars: Episode IV – A New Hope (1977), and making all of that money. Carrie Fisher then threw herself in front of Ford to protect him, and Irvin Kershner chided director Steven Spielberg. “Is this how you run your movies ?” This entire sequence was filmed.
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Arguably the most sought after design for “Indiana Jones and the Temple of Doom”. This Style B, US one-sheet one-sheet displays the unmistakable painted artwork of Drew Struzan which features a montage of just about all the best elements from this film; from the heart wrenching evil villain Mola Ram, the comic relief character Short Round and the episode’s love interest – Willie Scott. And of course taking centre stage is Harrison Ford as the titular Indiana Jones – all beautifully illustrated by Struzan. It’s hardly a wonder why this poster is so desirable; it represents the best parts of this all-action series. Originally rolled, as issued to the cinema this superb example displays to excellent effect being presented in totally unrestored high grade condition with only light handling wear. Often seen as the ‘weakest’ of the franchise (not so in my book) this is considerably rarer than posters from the other films and is genuinely very scarce and represents a fantastic piece of scarce country of origin original movie memorabilia for an incredibly popular and well loved series of films.
Trivia: While filming the whipping scene, the crew played a practical joke on Harrison Ford. While he was chained to a large stone, Barbra Streisand appeared, dressed in a leather dominatrix outfit. She proceeded to whip him, saying “That’s for Hanover Street (1979), the worst movie I ever saw.” She continued whipping him for Star Wars: Episode IV – A New Hope (1977), and making all of that money. Carrie Fisher then threw herself in front of Ford to protect him, and Irvin Kershner chided director Steven Spielberg. “Is this how you run your movies ?” This entire sequence was filmed.
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“Wax on, right hand. Wax off, left hand. Wax on, wax off. Breathe in through nose, out the mouth. Wax on, wax off. Don’t forget to breathe, very important”
“The Karate Kid” was a huge box-office hit for John G. Avildsen when released in 1984, going on to launch a number of sequels, remakes (including a change of gender) and an incredibly popular and long running TV series “Cobra Kai”, which picks up the story in present day using nearly all the original cast. Any paper from the series is hugely collectable with the first release, 1984 country of origin, US one-sheet (as offered here) the most sought after. Like many film posters from the period it’s an early example of photo-shopping, which in this case really works well, with a silhouetted Daniel LaRusso (Ralph Macchio) the main focus as he is about the perform the iconic ‘crane kick’. Presented in excellent rolled (as issued) condition, it truly is superb and a marvellous item of collectable cinematic memorabilia from an extremely popular franchise.
Trivia: The yellow classic automobile that Daniel polishes in the famous “wax-on/wax-off” training scene, then later offered by Mr. Miyagi as Daniel’s birthday gift, was actually given to Ralph Macchio by the producer, and he still owns it. The car is a 1948 Ford Super De Luxe.
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