Showing 61–72 of 245 results
“She’s hot. She’s sexy. And she’s sutured to please.”
An incredible country of origin, US one-sheet poster for one of the greatest cult horror movies ever made…Frank Henenlotter‘s “Frankenhooker”. Featuring country unique artwork, this really is eye-catching imagery created for this cult horror-comedy title. Any paper for this title is extremely sought after and also ultra scarce, with this being the first time we have ever offered a one-sheet for sale – and we are delighted that it is a country of origin example, which has always been a personal favourite of mine. Originally folded (as issued) this displays very well and represents scarce cinematic movie memorabilia for a film that has become one of the most desirable titles of the genre…“A Terrifying Tale Of Sluts And Bolts.”
Trivia: Elizabeth has the last name of Shelley. This is an homage to Mary Shelley, the author of the original “Frankenstein”.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Matthew Peak is no stranger to horror icons as it was his Freddy Krueger artwork that adorned the first Nightmare on Elm Street (1984) US One-Sheet and has now has created an award-winning “Frankenstein Monster” print for the 2018 exhibition Mondo Presents “Universal Studio Monsters”. This limited-edition example has been hand-numbered #6 from a print run of 325. In 2018, the leading and most respected alternative movie poster forum expressobeans.com made this print their “Cinema Poster of the Year”. Incredibly rare and highly collectible, an excellent example of modern cinematic movie memorabilia.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Issued by Nakatomi Inc in 2013 as a series of high-quality silk-screen prints scanned directly from Berni Wrightson’s original pen and ink drawings used in the 25th-anniversary edition of his ‘Frankenstein’ book. This amazingly detailed and intricate illustration, titled ‘A Filthy Process’ shows Frankenstein working to bring his ‘creature’ to life in his laboratory. Printed onto 130lb Cougar Natural Cover paper, this print has been signed with a full ‘Bernie Wrightson’ signature and hand-numbered #45/100. Presented in excellent condition with minimal handling wear this incredibly rare and highly collectible screen print, is an excellent example of modern cinematic movie memorabilia. Note: A page of Wrightson’s original Frankenstein art for the comics adaptation (same series as this) sold at auction in 2019 for a world record price of $1.2 million.
About Bernie Wrightson: Bernard Albert Wrightson was an American artist, among his career high points were co-creating the Swamp Thing character for DC Comics, his unique illustrated interpretation of the novel Frankenstein and adapting classic horror tales for Warren Publications, which feature his trademark intricate pen and brushwork.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Tyler Stout is no stranger to horror icons and has now has created an award-winning “Frankenstein Monster” print for the 2025 Universal Monsters Art Show, held simultaneously at the Canopy Gallery, in Austin, Texas and Universal CityWalk in Los Angeles during October in 2025. Stout’s giant-sized tribute to Frankenstein is as bold and electrifying as the creature himself. It certainly isn’t your average print, and instead of sticking to standard alternative movie poster dimensions (24″ x 36″ – 61 x 91.5 cm), Stout went huge, and this piece stretches to an impressive 24″ x 72″ (61 x 193 cm) and is printed in two sections, echoing the towering presence of the Monster. Beautifully printed by DL Screenprinting on exclusive copper paper with copper-coloured title treatment and accents. This is a limited edition poster print set signed and dated by Stout from his personal AP (Artists Proof) edition of #125 with this being #82. Highly collectible, and an excellent example of movie art memorabilia.
Commissioned by Rob Jones, he had this to say about the project and Tyler Stout – “The work of Tyler Stout undoubtedly popularized the notion of alternate film posters more than other artists in the field. His work spoke to people with active relationships to cinema. Tyler hoped to evoke a pop culture icon that beckoned from the back pages of his childhood comic books: the Jack Davis ‘Life Size Frankenstein’ poster. To make that happen feasibly as a screenprint, he divided the image across two 24 x 36-inch sheets. Results are unlike any other AMP made for Frankenstein. I adore the result and perhaps overly identify with Henry Frankenstein, so consumed with personal pursuit that Tyler shows him living within the confines of his own work, i.e., the monster.”
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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“On Friday The 13th, They Began To Die Horribly, One……By One”
Distinctive Alex Ebel artwork makes this original 1980 country of original US one sheet movie poster for Sean S. Cunningham’s slasher masterpiece “Friday the 13th” extremely sought after by collector’s of the horror genre. Introducing Jason Voorhees as one of the triumvirate of 80’s slasher horror icons that includes Wes Craven’s Freddy Kruger & John Carpenter’s Michael Myers. A multitude of sequels, match ups and remakes have been released since this premiered but none match this genre defining classic. Originally folded (as issued) this unrestored example displays and presents to excellent effect with only minimal age and handling wear with bright & unfaded colours. It represents a fine piece of sought after cinema memorabilia from one of the defining ‘slasher’ flick Film’s.
Trivia: The filmmakers never intended to make this the launching pad for the franchise that followed. According to Victor Miller, Jason Voorhees was only meant as a plot device, and not intended to continue on his mother’s grisly work.
Trivia:
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“Legend has it that Jason came back to get even, vowing to kill every teenager in the area. And every now and then, the murders just start up.”
One of the most memorable and controversial designs created for the “Friday the 13th” franchise, this striking advance poster depicts Jason Voorhees tearing through the celebrated “I ♥ NY” emblem. The bloodied hockey mask, brilliant white background and minimal composition create a wonderfully bold image that perfectly captures the film’s move from Crystal Lake to Manhattan.
It is said that New York tourism officials objected to the unauthorised use of the trademarked “I ♥ NY” logo. Paramount subsequently recalled the imagery and introduced replacement artwork, leaving comparatively few examples of this distinctive design in circulation.
Released in 1989, “Friday the 13th Part VIII: Jason Takes Manhattan” follows a group of graduating students whose voyage to New York is interrupted by the seemingly indestructible killer. Kane Hodder returned as Jason, bringing a particularly physical and imposing presence to the eighth instalment of the long-running horror franchise.
A superb example, presented rolled in excellent condition. With its dramatic composition, fascinating production history and recalled status, this poster has tremendous visual impact and is a superb display piece for collectors of cult horror and rare cinematic movie memorabilia.
Trivia: In the diner the man Jason throws into the mirror is Ken Kirzinger who would go on to play Jason in Freddy vs. Jason (2003). Kirzinger also doubles as Jason in a few brief shots in this film.
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“We got a bunch of fucking vampires out there, trying to get in here and suck our fucking blood. And that’s it. Plain and simple. I don’t want to hear anything about “I don’t believe in vampires,” because I don’t fucking believe in vampires, but I believe in my own two eyes, and what I saw, is fucking vampires. Now, do we all agree that what we are dealing with is vampires?”
Robert Rodriguez’ “From Dusk till Dawn” combines vicious violence, Cheech Marin vampires, and some funny dark humour from the cast into one big collective film. More than a basic horror movie, it shows Rodriquez as a fine director and Quentin Tarantino as a tight screenwriter who bring to the screen shoot em up vampire fun for the Pulp Fiction/Evil Dead devotees. Pulse Advertising produced a cool looking poster (a mean looking, gun-toting George Clooney) for this grindhouse, horror-heist collaboration. Visual impact and design are key aspects of any Tarantino/Rodriguez production and this beautiful example perfectly illustrates that fact. This original, rolled (as issued) US One Sheet movie poster from 1996 displays and presents to excellent effect and represents a fine piece of cult movie memorabilia from one of the best collaborative duos working today.
Watch the Trailer HERE
Trivia: The band playing in the “Titty Twister” is Tito & Tarantula, featuring Robert Rodriguez. The line-up also featured Oingo Boingo drummer Johnny ‘Vatos’ Hernandez.
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“One night is all that stands between them and freedom. But it’s going to be a hell of a night.”
A personal favourite movie and alternative movie poster - Robert Rodriguez' "From Dusk till Dawn" combines vicious violence, Cheech Marin, vampires, and some funny dark humour from the cast into one big collective film. More than a basic horror movie, it shows Rodriquez as a fine director and Quentin Tarantino as a tight screenwriter who bring to the screen shoot em up vampire fun for the Pulp Fiction/Evil Dead devotees. A fantastic interpretation by Frank Frazetta for this grindhouse, horror-heist collaboration that perfectly captures the feel, look and attitude of the movie. Visual impact and artistic design are key aspects of any Tarantino/Rodriguez production and this beautiful example perfectly illustrates that fact, as a super-sexy Santanico Pandemonium (Salma Hayek) dominates the imagery. Legendary artist Frank Frazetta originally painted this art as a poster concept in 1996 after being personally (Rodriguez is a huge Frazetta fan) commissioned by Robert Rodriguez himself. Absolutely stunning, the photograph really doesn't do this example justice - being a giclee print (see below) with colour separations by Jason Edmiston the vibrant colours pop from the paper as this 2022 hand-numbered (#16/70) art print displays and presents to excellent effect and represents an amazing piece of cult cinematic movie memorabilia.
Watch the Trailer HERE
Trivia: Originally, Quentin Tarantino pitched this to John Travolta the same time as he was preparing to film Pulp Fiction (1994). Travolta was not interested in working on a vampire movie, and wanted to work on Pulp Fiction instead.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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Any paper for Keanu Reeves’ John Wick franchise is extremely desirable, even when it features the newest assassin on the block – Ana de Armas is perfectly cast as the revenge seeking Eve in Len Wiseman’s “From the World of John Wick: Ballerina”. This incredibly popular film series is always complemented by an equally incredible series of movie posters and for this release, the creative arts agency BOND have produced a teaser poster that’s pretty spectacular, with a close-up dark and moody image of de Armas. Offered here is the advance US one-sheet, eye-catching and distinctive with its bold use of purples, blues with a touch of neon. Originally rolled (as issued) this displays to excellent effect with only very minimal handling wear. A fantastic item of cinematic movie memorabilia from one of the best action franchises in recent memory that looks very very cool !
Trivia: In John Wick: Ch 3 – Parabellum, the ballerina’s back tattoo text, as portrayed by Unity Phelan, “Si Vis Pacem Para Bellum” means “If you want peace, prepare for war” is seen when John returns to the Ruska Roma, but in Ballerina, Eve’s back tattoo text, portrayed by Ana de Armas, changes to “Lux In Tenebris”, meaning “Light in Darkness”.
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“Unzipped. Unwrapped. Unleashed !”
“Full Tilt Boogie” is a really good and informative feature length documentary on the making of “From Dusk Till Dawn”. It covers most aspects of the film making process. Interviews with all of the cast and crew, following them around during filming and off hours from start to finish. Having to deal with issues like unions, paparazzi, weather, long hours, and unexpected fires as the main set burns down…Hard work, yes, but there is real passion in their film-making as they all seem to love what they’re doing. Originally included as an extra on the “From Dusk Till Dawn“ Collectors Series DVD before receiving a limited theatrical release, this is a genuinely scarce film poster. Originally, rolled (as issued) US One Sheet movie poster from 1997 displays and presents to excellent effect and represents a fine piece of hard to find cinematic movie memorabilia.
Watch the Trailer HERE
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This original publicity still is priced and supplied framed
Autographed with character name Anna by Britt Ekland at HorrorCon 2024 (Sunday 12th May). This original black & white publicity still features Ekland’s Anna (in one of the most memorable scenes from the movie) having phone sex with Caine’s Carter. Flat and unfolded (as issued), in exceptional condition, and offered in a custom made black frame finished with UV plexiglass. A movie that is highly regarded as a true classic of the genre and a hugely collectable piece of horror, sci-fi film memorabilia…“Frank wasn’t like that. I’m the villain in the family, remember?”
Trivia: Sir Michael Caine made subtle changes to Mike Hodges‘ depiction of Carter in the script, cut out pleasantries and gave him a cold, hard edge, closer to Ted Lewis‘ original envisioning of the character.
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“Ghost in the Shell” sees Scarlett Johansson star as Major Mira Killian, saved from a terrible crash, who is cyber-enhanced to be a perfect soldier in the American 2017 adaption of Shirow Masamune’s cult Japanese manga creation and anime movie. A colourful and action packed cyber-punk offering from director Rupert Sanders that is very much mirrored in the design of the original US one-sheet movie poster by creative arts agency LA offered here. Originally rolled (as issued) this looks and displays to excellent effect; absolutely stunning with an almost neon colour palette. Guaranteed original this represents a scarce item of modern original collectable movie memorabilia from a truly exciting and cool film.
Trivia: The scene at the Yakuza bar where Batou drinks a beer served by a bartender with a mechanized arm is an homage to Ratz the bartender in “Neuromancer” by William Gibson who’s book is considered a heavy influence on cyberpunk.
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