Showing 1–12 of 21 results
Exploitation of the James Bond phenomenon took many forms. Commercial tie-ins became popular, and films were often re-packaged as double bills for subsequent re-releases. Here, however, we have a British cinema UK quad promoting a “A Season of James Bond 007” films. Believed to date from 1972, participating cinemas would have used this poster to advertise special screenings of earlier Sean Connery Bond films, choosing from “Dr. No, From Russia With Love, Goldfinger, Thunderball, You Only Live Twice” and “Diamonds Are Forever”. A simple yet striking design, the “trademark” gun barrell opening credits imagery was considered so recognisable, that it would be sufficient to draw paying audiences. These don’t turn up that often especially in this excellent unrestored, originally folded (as issued) condition; the black background is rich and unfaded. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond vintage movie memorabilia.
Trivia: Maurice Binder designed the gun barrel opening at the last minute, by pointing a pinhole camera through a real gun barrel. The actor in the sequence is not Sir Sean Connery, but stuntman Bob Simmons. Connery didn’t film the sequence until Thunderball (1965).
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“From Roger Moore With Love” is a 2024 documentary charting the life and screen success of Roger Moore using a lot of unseen footage taken by Moore himself, at home and on set and cleverly uses the accomplished actor and comedian, Steve Coogan – doing a near perfect impression of Moore narrating the story with additional input from a number of close friends and Bond co-stars – Joan Collins, Jane Seymour, Michael Caine, Pierce Brosnan and Frank Sinatra. An approach that works really well. Receiving a very limited number of cinematic screenings in a marketing campaign that coincided with the Blu Ray release, these country of origin UK quad posters are incredibly rare and don’t turn up very often especially in this excellent unrestored, originally rolled (as issued) high grade condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond related movie memorabilia.
Trivia: In his review for The Guardian, Peter Bradshaw gave the documentary four stars out of five, but criticized the failure to mention Sir Roger Moore‘s performance in The Man Who Haunted Himself (1970) (which was also Moore’s favorite movie role).
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Roger Moore’s final outing as 007 sees Bond artistic maestro Daniel Goozee produce a truly stunning series of posters for John Glen’s “A View To A Kill”. And it is his advance teaser design featuring Roger Moore as 007 and Grace Jones as Zorin’s henchwoman May Day that has been adapted for this Japanese video release B1 poster – the likenesses of both Moore and Jones are incredible. Very rare in this larger Japanese format with a design unique to Japan as key scenes have been added the left and right borders. These don’t turn up very often especially in this excellent unrestored, originally rolled (as issued) high grade condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond vintage movie memorabilia.
Trivia: Maud Adams: As a woman in the crowd at Fisherman’s Wharf. Adams happened to be visiting San Francisco when the film was in production there. Sir Roger Moore got her to appear as an uncredited extra in a crowd scene, making her the only actress to appear in three Bond movies (excluding actresses in recurring roles), after The Man with the Golden Gun (1974) and Octopussy (1983).
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Roger Moore’s final outing as 007 sees Bond artistic maestro Daniel Goozee produce a truly stunning series of posters for John Glen’s “A View To A Kill”. This original Country of Origin (UK quad) film poster from 1985 is the final release style combining elements of both Goozee’s advance teaser featuring Moore and adversary Mayday (Grace Jones) and his Style A “Golden Gate” design, so pivotal to the film’s climax. These don’t turn up that often especially in this excellent unrestored, originally rolled (as issued) condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond vintage movie memorabilia.
Trivia: Maud Adams: As a woman in the crowd at Fisherman’s Wharf. Adams happened to be visiting San Francisco when the film was in production there. Sir Roger Moore got her to appear as an uncredited extra in a crowd scene, making her the only actress to appear in three Bond movies (excluding actresses in recurring roles), after The Man with the Golden Gun (1974) and Octopussy (1983).
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“Diamonds Are Forever” Japanese STB/Tatekan film poster, presented in totally original unrestored condition. An absolutely beautiful 1971 original movie poster for Sean Connery’s final (official) outing as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Diamonds Are Forever”. Robert McGinnis was commissioned to provide the initial imagery and (in my opinion) created one of the finest Bond posters ever with the format of the Japanese tatekan my favourite way to display McGinnis’ artwork – the central figures are highlighted and the oversized 007 logo never lets you forget you are going to see a James Bond movie. McGinnis’ detailed and stylish illustrations perfectly capture the whole ‘action, adventure, glamour’ Bond theme; pretty much the ‘perfect’ 007 poster as Bond travels the globe from Amsterdam to the casinos and neon lights of Las Vegas. Incredibly hard to source in this high grade condition, whether it’s the coloured inks or the type of paper used, the colours are incredible rich with real depth and saturation. This originally unfolded, rolled (as issued) example presents and displays to excellent effect and represents a fine example of a scarce and extremely collectable James Bond vintage movie poster.
Trivia: Sir Sean Connery made the most of his time on-location in Las Vegas: “I didn’t get any sleep at all. We shot every night, I caught all the shows and played golf all day. On the weekend I collapsed, boy, did I collapse. Like a skull with legs.” He also played the slot machines, and once delayed a scene because he was collecting his winnings.
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“To those unlucky few who missed “DR. NO”…You are unprepared for the sophisticated mayhem and the polished lovemaking. The James Bond bug has not bitten you. But take heart! There is still time to jump on the Bond bandwagon with the second James Bond adventure…FROM RUSSIA WITH LOVE. See it and we guarantee – you will be hooked for good !”
One for the true Bond collectors and my personal favourite Connery Bond movie. An original Swiss one-sheet for 007’s second screen outing “From Russia With Love”. This photo montage style features striking mixture of key scenes and characters. I particularly like the large 007 logo with Connery silhouette which runs across the bottom. The design is exclusive to the 1970s Swiss re-release and not found anywhere else. Presented in excellent unrestored folded (as issued) condition this presents superbly with minimal handling wear and represents a fantastic piece of collectable James Bond cinematic memorabilia from the Sean Connery era.
Trivia: Although he had his reservations about the choice of Sir Sean Connery for the part of James Bond, after seeing him in this movie, Ian Fleming was completely won over by the actor. In fact, as a result, Fleming added a Scottish ancestry to Bond’s character in later novels.
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“To those unlucky few who missed “DR. NO”…You are unprepared for the sophisticated mayhem and the polished lovemaking. The James Bond bug has not bitten you. But take heart! There is still time to jump on the Bond bandwagon with the second James Bond adventure…FROM RUSSIA WITH LOVE. See it and we guarantee – you will be hooked for good !”
One for the true Bond collectors and those who appreciate movie posters as an art form. This is one of the most visually stunning poster designs created for a Bond movie, for the French release of “From Russia With Love” (Bons Baisers de Russie) by artist Boris Grinsson. This same imagery was chosen for the front cover of the book ‘The Official 007 Collection James Bond Movie Posters’, which features an exclusive selection of 007 film posters from the collection of Eon Productions. Although a re-release the only difference in artwork to the original 1964 release is additional printer information along the bottom right edge and it is also worth noting that France was the only major country to screen “From Russia With Love” in the 1980s, with no releases in the United States or Britain. In Sean Connery’s second outing as Bond, he willingly falls into an assassination plot involving a naive Russian beauty in order to retrieve a Soviet encryption device that was stolen by SPECTRE. “From Russia With Love” remains on of the very best of the James Bond franchise. This is quintessential James Bond with Grinsson paying homage to Eric Pulford’s now famous Connery, Bond pose – used on every marketing campaign since. Connery (as Bond) is surrounded by key characters from the movie including a beautiful illustration of actress Daniela Bianchi (Tatiana Romanova) with Robert Shaw (Red Grant) as the SPECTRE hardman lurking in the background – the exotic city of Istanbul acts as the perfect backdrop. This early re-release from the 1980s is presented conservation linen backed and appears rolled, with minimal restoration it presents to excellent effect and looks magnificent, with vibrant bright unfaded colours. It doesn’t get much better than this, an eye-catching piece of James Bond memorabilia.
Trivia: Although he had his reservations about the choice of Sir Sean Connery for the part of James Bond, after seeing him in this movie, Ian Fleming was completely won over by the actor. In fact, as a result, Fleming added a Scottish ancestry to Bond’s character in later novels.
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An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, this one-sheet style (portrait) hand-numbered (#81/145) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
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An absolutely beautiful fine art print by Paul Mann for Roger Moore’s debut as Ian Fleming’s super-spy James Bond 007 in Guy Hamilton’s “Live And Let Die”. Mann has been commissioned to create alternative movie posters for all the early Bond movies and after finishing with the Connery titles has now moved on to Moore’s tenure, resulting in this sold out private commission offering. It is a movie poster in every sense of the word, with Mann recreating an incredible Bond posters. His detailed and stylish illustrations perfectly capture the voodoo theme of the movie, with the Tarot card display just amazing. Add to that the famous boat chase / jump sequence, the alligator farm, the enigmatic Solitaire (Jane Seymour), the villainous Baron Samedi (Geoffrey Holder) and you have a ‘perfect’ 007 poster. The use of the familiar title lettering and incorporating the “007” reference is worked into Roger Moore’s name and a dagger is also cleverly inserted into the “I” of the title script “DIE” adds a nice touch to Mann’s reworked artwork. Incredibly scarce, with a much lower print run than the portrait version, this UK quad style (landscape) hand-numbered (#52/65) piece is offered as originally supplied, flat and unfolded (as issued). Printed on Fabriano Tiepolo Specialist Paper using 10 coloured inks it presents and displays to excellent effect with vibrant colours. A stunning item that represents a fine example of extremely collectable James Bond memorabilia.
Trivia: The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.
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At the time of its release in 1979 this “Star Wars” inspired Bond movie was the largest grossing 007 movie to date. Beautiful detailed Daniel Goozee artwork was the highlight of the “Moonraker” campaign and this original 1979 US Half Sheet film poster really does look spectacular. Featuring a suave Roger Moore in a shiny silver space suit, this is the only time on any official Bond poster campaign Moore was depicted wearing anything other than a black tuxedo. Presented flat and unfolded (as issued) in high grade condition this unrestored example is perfectly suited to the landscape style for which it was designed, with the light background and white border adding a crisp clean finish to the imagery and the perfect enhancement to the silver detailing in the artwork – colours are vibrant and unfaded. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is an impressive 007 film poster from the Roger Moore run in the series.
Trivia: Producer Albert R. Broccoli complained that Maurice Binder‘s title sequence cost more than the entire budget of Dr. No (1962).
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“Far Up…Far Out…Far More..”
A US window card from the first year of release 1969 for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A magnificent James Bond poster with bold vibrant colours and a combination of intricate and detailed all-action artwork from regular Bond illustrators Frank McCarthy and Robert McGinnis, make for particularly fine and memorable poster that is immediately recognisable as a Bond film. The window card format is particularly scarce with far fewer printed than the regular one-sheets and due to its smaller size is perfect for display. Presented unrestored in original unfolded (as issued) condition this rare example demonstrates some light handling and age wear and displays to impressive effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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“HOW MRS 007 MET HER MAN”
A black and white publicity still from the first year of release 1969 for George Lazenby‘s one & only appearance as Ian Fleming’s super spy James Bond in “On Her Majesty’s Secret Service”. A fantastic image featuring not only Lazenby as Bond, but also Diana Rigg as Teresa ‘Tracy’ Draco the soon to be Mrs.Bond (SPOILER: although not for very long). There was reputed to be a real lack of rapport between the two characters it was reported as a frosty relationship on set – I think that comes across very well here, either that or hats off to Ring for some first class acting. This is the first time I have seen this image, with Bond collectors stating it being particularly scarce. Presented unrestored in original flat and unfolded (as issued) condition this rare example displays very well with only some light handling and age wear. The rear of the still carries a printed snipe titled “HOW MRS 007 MET HER MAN” with a full breakdown of the scene and further information regarding the production. A fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Sold in a photographic mount, which can be removed if desired.
Trivia: George Lazenby suggested a scene where Bond skis off a cliff and opens a parachute. This was scrapped, as the filmmakers lacked the resources to pull it off. It was used as the opening for The Spy Who Loved Me (1977).
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