Film
Willy Wonka and the Chocolate Factory – “Willy Wonka au Pays Enchante”
1971
France "Grande" / Single Sided / (46" x 62")
France
Near mint minus ; originally folded (as issued)
Mel Stuart
Denise Nickerson, Dodo Denney, Gene Wilder, Jack Albertson, Paris Themmem, Peter Ostrum, Roy Kinnear
“This is called a Scrumpdiddlyumptious Bar”…An incredibly rare original 1971 French Grande film poster for Roald Dahl’s “Willy Wonka and the Chocolate Factory”. Amazing Bacha artwork combining cartoonish almost psychedelic caricatures and eye-popping colours; this stunning imagery was exclusive to France and not used on any other campaigns…Insane design but in a funny kind of way how you would expect a poster from this film to look…Originally folded (as issued) this excellent example presents very well and in this large format is sure to bring as big a smile as if travelling on “…a ride to nowhere on the fizzy-fired pop-fuelled Wonkamobile”.
…more detailVintage Movie Posters Grading Criteria... read more +
“Your golden ticket to imagination and adventure!”…Surprisingly, Roald Dahl (author of Charlie & The Chocolate Factory, on which this film is based) reportedly hated this big screen version of his book. There’s no denying that the book is sheer genius, but in all honesty this film adaptation is exceptionally well made too…The Wonka Chocolate Factory is an amazing building from which some of the most scrumdiddlyumptious sweets are delivered to the world’s candy stores. Wonka-mania hits the world when five golden tickets are hidden inside packs of Wonka bars – for the winners will be granted a tour of the top-secret factory. Young Charlie Bucket, a poor boy whose family cottage lies within sight of Wonka’s factory, dreams of becoming a winner – but with barely a penny to his name, does he have a chance?…What makes Willy Wonka and the Chocolate Factory such a success is the way it skillfully blends entertainment and a serious underlying moral. Each winning child is exposed as being rotten-to-the-core, then dealt with harshly and dismissively by Wonka. Seeing these awful brats get their come-uppance is hilarious, enjoyable and – on a serious level – quite eye-opening (it’s as if parents in the audience are being told how to prevent their children from turning bad). Gene Wilder was simply born to play Wonka (every eccentric phrase, every bemused expression, and every mischievous glance is judged to perfection). The film’s set design is fabulous, with particular high-spots including the chocolate room, the egg room and the wacky corridor which gets smaller and narrower the closer you get to the end. Willy Wonka and the Chocolate Factory is simply magic – a film that everyone must see, especially parents whose kids are just becoming that bit too big for their boots! Ets St. MARTIN imp Paris Kel. 05-95 visa n4.387
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
