Spider-Man: Across the Spider-Verse
US / International One Sheet / Double Sided / (27" x 40")
Printed in USA for use in Europe and United Kingdom
Near Mint minus / Originally Rolled (as issued)
Joaquim Dos Santos, Justin K. Thompson, Kemp Powers
Hailee Steinfeld, Jake Johnson, Kathryn Hahn, Mahershala Ali, Oscar Isaac, Shameik Moore, Zoë Kravitz, Chris Pine, Liev Schreiber, Nicolas Cage, Stan Lee
“Miles, being Spider-Man is a sacrifice. That’s the job. That’s what you signed up for.”
This British one-sheet film poster for the Marvel Studios release “Spider-Man: Across the Spider-Verse” features a stunning design by BLT Communications, featuring a suspended, upside down Miles Morales ‘Spider-Man’, off set against a virtual sea of multi-verse spider-incarnations. This original 2023 poster is offered in excellent rolled (as issued) condition. Miles Morales’ Spider-Man etc and the the continued use of alternate realities and multi-verses are very much key in upcoming Marvel projects, making this a must have collectable item. The movie acts as a benchmark for modern animation techniques and that is perfectly demonstrated in this poster design. A superb example of ‘modern’ super-hero movie memorabilia that’s also pretty COOL !
Trivia: At a runtime of 2 hours and 20 minutes (140 min), this is the longest American animated film to date, surpassing the previous record holder, Consuming Spirits (2012) by 4 minutes.…more detail
Vintage Movie Posters Grading Criteria... read more +
“Miles Morales returns for the next chapter of the Oscar®-winning Spider-Verse saga, an epic adventure that will transport Brooklyn’s full-time, friendly neighborhood Spider-Man across the Multiverse to join forces with Gwen Stacy and a new team of Spider-People to face off with a villain more powerful than anything they have ever encountered.”
“Spider-Man: Across The Spider-Verse“ is overwhelmingly fantastic. I’m still buzzing just thinking about it. If the first flick put the bar for stylised animation in the stratosphere, this just catapulted it into another dimension. It’s hard to put into words just how viscerally vibrant and visually stunning it is. Its set-pieces simply hit different. The animation, the energy, the aesthetics, the choreography, the music, the sound design, everything just comes together in its unique brand of finely-tuned controlled chaos that keeps each and every exhilarating moment crystal clear even when there’s a million different things happening all at once. It’s phenomenal. It isn’t afraid to pump the breaks every once in a while, too. It slows down considerably to develop its characters and explore their relationships with one another. It’s actually quite an emotional experience at times. It has an unconventional structure and, as a result, it takes some pretty big swings with its story. There are some sequences that could have been tightened up and I really wish the picture had retained its original Part One title just to temper people’s expectations, but the fact that this film’s biggest flaw is simply that it ends is almost unbelievable. I can’t say it’s better than “Spider-Man: Into The Spider-Verse” because it’s essentially only half of what it’s eventually going to be, but it’s a miracle that it’s at least as good as that masterpiece and even outperforms it in terms of sheer spectacle.
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
27 X 40″, printed on paper. Very rarely used size.
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.