Film
Radiohead X Nosferatu: A Symphony of Horror
2025
UK Quad (30" x 40") Single Sided
UK / British
Near mint minus; originally rolled (as issued)
Josh Frank
Alexander Granach, Gustav von Wangenheim, Max Shreck
Silents Synced have stylishly and cleverly paired, a classic silent horror movie with epic rock music to bring audiences a unique big screen experience with “Radiohead X Nosferatu: A Symphony of Horror”. Directed and remixed by Josh Frank this reimagining of the iconic Nosferatu (1922) features Radiohead’s Kid A (2000) and Amnesiac (2001) albums. An unauthorized adaptation of Bram Stoker’s Dracula, Nosferatu (1922) is the quintessential silent vampire film, crafted by legendary German director F. W. Murnau. Rather than depicting Dracula as a shape-shifting monster or debonair gentleman, Murnau’s Graf Orlok (as portrayed by Max Shreck) is a nightmarish, spidery creature of bulbous head and taloned claws – perhaps the most genuinely disturbing incarnation of vampirism yet envisioned. This imaginative new take on an iconic horror classic is accompanied by an equally striking poster. Designed by EMEK it resembles a vintage black and white engraving with colour (it had to be RED) used sparingly for maximum effect. With a very limited release & showing in only a handful of independent art-house cinemas and drive-ins the advertising posters for the screenings are truly scarce. Originally rolled (as issued) this eye-catching example displays and presents to excellent effect and represents a fine piece of horror movie cinematic memorabilia with a slice of Radiohead thrown in for the music fan.
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An interesting watch “Radiohead X Nosferatu: A Symphony of Horror”, brings a new take to one of the most influential horror films of all-time. The music is stunning and I need to listen to ‘Kid A’ and ‘Amnesiac’ again, I feel as if I have heard these albums in over 29 years. Mixed in with the film it is a bit gimmicky, film obviously dated (over 100 years old) well worth a watch, but the colourisation at various points does look excessive. Having said that, I have seen the original movie and when you take into account the number of iconic images and appreciate that the film-makers are trying to create something new and innovative, it’s a great attempt at updating a classic – Max Shreck is truly frightening.
Wisburg, Germany-based estate agent Knock dispatches his associate, Hutter, to Count Orlok’s castle in Transylvania as the Count wants to purchase an isolated house in Wisburg. They plan on selling him the one across the way from Hutter’s own home. Hutter leaves his innocent wife, Ellen, with some friends while he is away. Hutter’s trek is an unusual one, with many locals not wanting to take him near the castle where strange events have been occurring. Once at the castle, Hutter sells the house to Orlok, but he also notices and feels unusual occurrences, primarily feeling like there is a dark shadow hanging over him, even in daytime when Orlok is usually asleep. Hutter eventually sees the Count’s sleeping chamber in a crypt, and based on a book he has recently read, believes the Count is really a vampire or Nosferatu. While Hutter is trapped in the castle, the Count, hiding in a shipment of coffins, makes his way to Wisborg, causing death along his way, which most attribute to the plague. Hutter himself tries to rush home to save his town and most importantly save Ellen from Nosferatu’s imminent arrival. In Wisborg, Ellen can feel the impending darkness as Nosferatu gets closer. But she learns that a sinless woman can sacrifice herself to kill the vampire. Will Hutter be able to save Ellen, either from Nosferatu and/or her self-sacrifice?
Trade Address:
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© 2025 Vintage Movie Posters
Registered Office Address: Vintage Movie Posters (UK) Limited, Aston House, Cornwall Avenue, London N3 1LF GB
Registered Company No: 07664517
Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
