James Bond: Casino Royale
US / International One Sheet / Double Sided / (27" x 40")
Printed in USA for use in Europe and United Kingdom
Near mint minus; originally rolled (as issued)
Caterina Murino, Daniel Craig, Eva Green, Giancarlo Giannini, Jeffrey Wright, Judi Dench, Mads Mikkelsen
“You think of women as disposable pleasures, rather than meaningful pursuits. So as charming as you are, Mr. Bond, I will be keeping my eye on our government’s money – and off your perfectly-formed arse.”
A highly sought after (and very rare) pair of US/International One Sheet “character” posters for “Casino Royale” (2006) created by Empire Design that both feature the female leads Vesper Lynd (Eva Green) and Solange (Caterina Murino) offset against the almost silhouette image of new Bond, Daniel Craig. They are ideally suited to the portrait format and only ever made available in this style. Presented in excellent rolled (as issued) original condition . A perfect example of the effectiveness on how to use an advance poster campaign and an impressive piece of highly collectable James Bond 007 movie memorabilia.
Trivia: The “Vesper” that James Bond orders at Casino Royale is taken from the novel. It consists of three parts gin (Gordon’s was Bond’s choice), one part vodka [Bond preferred a grain vodka be used (Absolut)] and half part of Kina Lillet. The ingredients are shaken over ice until cold, served in a cocktail glass with a slice of lemon peel for garnish.
NOTE: BOTH POSTERS – VESPER & SOLANGE ARE INCLUDED IN THE PRICE…more detail
Vintage Movie Posters Grading Criteria... read more +
“James Bond goes on his first ever mission as a 00. Le Chiffre is a banker to the world’s terrorists. He is participating in a poker game at Montenegro, where he must win back his money, in order to stay safe among the terrorist market. The boss of MI6, known simply as M sends Bond, along with Vesper Lynd to attend this game and prevent Le Chiffre from winning. Bond, using help from Felix Leiter, Mathis and having Vesper pose as his partner, enters the most important poker game in his already dangerous career. But if Bond defeats Le Chiffre, will he and Vesper Lynd remain safe ?”
I’m not a huge James Bond fan, but I do enjoy them on a purely popcorn level and this was definitely one of the best in recent memory. The tone is much edgier and nastier than the Pierce Brosnan movies, harking back more to “Dr. No“ or “For Your Eyes Only“. The action sequences are brilliantly shot and edited for maximum impact and are some of the best out of any Bond movie. Martin Campbell, who also made “Goldeneye“, was an excellent choice and, for me, is one of the best Bond directors. What gives this the lead over recent Bonds is the more realistic feel: the exotic locales, fast cars, spectacular action, beautiful women and many other Bond hallmarks are all here. In this context, Daniel Craig gives an excellent performance as Bond. I’ll be the first to admit that I raised an eyebrow when I heard he was cast but he really makes it his own. It’s hard to say whether he’s better than any of the other Bonds: Sean Connery and Pierce Brosnan felt right for the style of Bond movies they were in. Here, as suits the overall tone of the film, Bond is much more of a sadist, a cold-hearted killer with very little sense of empathy and Craig, with his piercing eyes, suits the role very well. He’s charming and funny when required and totally convincing in the action sequences. The violence is less cartoon-like and flippant, too, with every punch, kick and shooting looking like they really hurt. Also, the story is just much more engaging than many a Bond film; the script’s not going to win awards but it’s consistently inventive and intriguing. Whilst the film has enough of it’s fair share of action, the emphasis is equally on character and storyline and less on gadgets and sheer implausibility. When there isn’t a huge action sequence happening, you don’t miss it: the film’s longest set-piece, the poker game at the Casino Royale, is as (or not more) gripping and entertaining than any of the chases and shoot-outs. The only minor gripes that I have are a slightly too long running time: the film drags a wee bit towards the end and, although it helps the tone of the film, we don’t hear enough of the Bond theme tune! However, great directing and performances from everyone involved, along with Phil Meheux‘s excellent cinematography, Peter Lamont‘s as ever superb production design and all the other top-notch craft and technical departments make “Casino Royale“ a classy and very enjoyable night out at the movies.
NOTE: BOTH POSTERS – VESPER & SOLANGE ARE INCLUDED IN THE PRICE
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
27 X 40″, printed on paper. Very rarely used size.
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.