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Fire in Babylon

Fire-in-Babylon-Movie-Poster

£75.00

“Social Revolution By Cricket”

Stevan Riley’s excellent and entertaining docu-drama based upon the all conquering West Indies cricket team of the 70’s. A very limited cinema release meant the posters for the popular film are in extremely short supply, which is a shame as the design and production quality is of a very high standard. Printed on to a high grade thicker paper (not the normal film poster paper – this is much thicker) using a silk-screen process the poster looks and feels fantastic. Strong bold colours and a stark minimalist design create a real eye-catching piece. The original UK quad film poster offered here is from first year of release 2010 and as it was originally rolled (as issued) it looks and presents flawlessly…A very rare find; especially in such exceptional condition. This original Country of Origin (UK) quad is in investment grade condition & represents very collectable & desirable sports (cricket) and movie memorabilia.

Year

2010

Size/Type

UK Quad / Double Sided (30" x 40")

Country of Origin

UK

Condition

Near Mint / Rolled (as issued)

Director

Stevan Riley

Actor/Actress

Andy Roberts, Colin Croft, David Frost, Garfield Sobers, Ian Botham, Joel Garner, Michael Holding, Richie Benaud, Sunil Gavaskar, Tony Greig, Viv Richards

In stock

Categories: All Products, Action, Sport Tags: andy roberts, australia, barbados, colin croft, cricket, cricketer, david frost, fire in babylon, garfield sobers, ian botham, joel garner, michael holding, quad, richie benaud, sport, stevan Riley, sunil gavaskar, test match, tony greig, uk, viv richards, west indies

Film Description

Fire in Babylon Movie Poster

“They brought the world to its knees, and a nation to its feet”

An excellent snapshot of an era in which the West Indies turned cricket’s traditional order on its head and gave it all a soundtrack too through reggae music. It is told almost entirely through the viewpoint of the team members with the occasional burst of pride from musicians and poets, mainly through song and notably Bunny Wailer provides some excellent insight into the pride the islands took in their united team.

There was plenty said about the team by the (foreign to them) press and commentators as they raced to the top of test cricket but not so much credit so I think the film’s solely West Indies angle is justified. The film also explores the legacy of prejudice that the West Indies team did much to expose. Corporal Jones always maintained that “they don’t like it up them” and Michael Holding, Joel Garner, Andy Roberts and Colin Croft proved that it was true of us too. Croft’s decision to tour Apartheid South Africa is given to the viewer to judge. Respect was earned and cricket changed with it. It may be a one sided view but you leave with no doubt that the helmet-less and pad-scant men that stood up to such bowling were brave souls too.

Great music, audience maturity respected, wince-inducing footage, some laughs and Sir Vivian Richards. An hour and a half well spent for me.

Trivia: The West Indies domination of cricket through the use of aggressive fast bowling lasted for 15 years and resulted in 40 batsmen ending up in hospital.

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Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14" printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22" printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970's.

HALF SHEET
22 x 28" printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36" printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60" printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41" printed on paper. This is the most common size of poster, intended to be displayed in a glass "marquee" case. It is the most sought after size by collectors. Since the 1980's most posters are sent to the theatre rolled and maybe slightly smaller measuring 27" by 40" and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81" printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970's on, three-sheets were sometimes printed in one piece and issued as "international" versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40" Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40", printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28" six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26" Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55" This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79" Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63" (GRANDE) or 24 x 33" (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian's some of the artwork is extrememly beautiful.