Film
Chisum
1969
ABC Cinema version, UK Quad / (30″ x 40″) / Single Sided / Printed in England by W.E.Berry Ltd. Bradford
UK / British
Near Mint / Originally rolled (as issued)
Henry Hathaway
Glenn Campbell, Jeremy Slate, John Wayne, Kim Darby, Robert Duvall, Strother Martin
For the 1970 John Wayne western “Chisum”, Tom Chantrell as produced arguably the best depiction of the “Duke” on any movie poster. One of a handful of western genre titles that remains very collectable with its superb detailed all-action imagery. Chantrell’s artwork for the UK quad film poster campaign features some striking British country unique artwork. The beautiful original 1970 UK quad film poster offered here is from the first year of release. Folded (as issued) this original unrestored example presents to excellent effect with barely a flaw…A most desirable John Wayne poster that rarely comes up for sale and represents a great piece of original highly collectable cinema movie memorabilia from an entertaining and enjoyable John Wayne western.
…more detailVintage Movie Posters Grading Criteria... read more +
“As one of the founders of the town of Lincoln, John Chisum is increasingly worried as Lawrence Murphy moves in on the local stores, bank and land by questionable means. Chisum and fellow honest ranch owner Henry Tunstall try and use the law, but Murphy owns that too. Confrontation threatens and Tunstall’s man Billy Bonney is not slow to get involved.”
“Chisum“, Although a few notches below classic John Wayne westerns like “Stagecoach“ and “Rio Bravo“ this film proved a masterful return to form for Wayne. This was the first film Wayne did after gaining weight and donning an eye-patch for his work on “True Grit.” In this film, Wayne plays an honest, straight talking man of action, not too different from the type character on which he built his career. The supporting characters are very well drawn and the villains resourceful enough to keep the action moving. In a way, this character, though based on an actual rancher, is similar to the character of Dunson in the superior “Red River.” Both characters gambled on a long cattle drive from Texas and although “Red River” is about the drive itself, “Chisum“ is about what happens to a similar character twenty years after the drive succeeds. At the time the film was released, at least one critic commented on how improbable it was for John Wayne, at the climax of the movie, to have done that much riding, fighting and falling all within the same sequence. As far as I am concerned, that sequence helped prepare me for later action sequences of 1980’s action stars like Bruce Willis and Arnold Schwarzenegger and action directors like James Cameron and John Woo. The film is no “Red River” but it is fine western nonetheless.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
