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Blade Runner

Name: Blade Runner
SKU: 12959
Price: 495.00 GBP
Availability: OutOfStock

£495.00

“Man Has Made His Match… Now It’s His Problem !”

Adapted from Philip K. Dick’s novel ‘Do Androids Dream of Electric Sheep?’, Ridley Scott’s “Blade Runner” iconic dystopian classic is unquestionably one of the greatest sci-fi films ever made. Re-issued several times in various formats & ‘cuts’ this is a rare ‘Studio’ style NSS original first release 1982 US one sheet movie poster for Ridley Scott’s hugely influential science fiction blockbuster. Although critically acclaimed on initial release, commercially the film never really proved popular with the cinema going public resulting in any paper from the first 1982 release extremely scarce, making this John Alvin designed film poster a very nice find indeed. Totally original & unrestored the 1982 US one sheet movie poster offered here is in very good, original folded (as issued) condition. It displays and presents to fine effect with just minor handling wear and represents an impressive piece of movie memorabilia for one of the most influential film’s not just of the sci-fi genre but modern culture in general.

Film Description

Blade Runner Movie Poster

“In the futuristic year of 2019, Los Angeles has become a dark and depressing metropolis, filled with urban decay. Rick Deckard, an ex-cop, is a “Blade Runner”. Blade runners are people assigned to assassinate “replicants”. The replicants are androids that look like real human beings. When four replicants commit a bloody mutiny on the Off World colony, Deckard is called out of retirement to track down the androids. As he tracks the replicants, eliminating them one by one, he soon comes across another replicant, Rachel, who evokes human emotion, despite the fact that she’s a replicant herself. As Deckard closes in on the leader of the replicant group, his true hatred toward artificial intelligence makes him question his own identity in this future world, including what’s human and what’s not human.”

Ridley Scott’s hauntingly possible depiction of what might become of Los Angeles down the line is absolutely brilliant. It captures elements of Noir with its urban atmosphere of decadence, lighting, and characters neither clearly defined as good nor evil. Corruption is everywhere. The garbage-littered streets and permanence of dark and rain give us the sense that we’ve seriously screwed up the atmosphere, and the impression that all respectable human beings have fled to the off-world colonies, leaving only the scum of the earth behind…There is more to this film than just pulp. It works on so many remarkable levels. The movie itself is a detective noir quest for the meaning of life in a science fiction environment, but the story is a commentary on what it means to be human and the questions each one of us have about life, like: How long have I to live? Why do I have to die? What happens when I die? Doesn’t my maker care? Is this all merely an illusion? At the end of the film we are left to wonder if these Replicants are human, and if Deckard (Harrison Ford) himself is in fact a Replicant. Scott raises more questions here than he answers, and as a result, critics are still debating the mysteries of this film today. In a sense, the ambiguity of “Blade Runner“ is the culprit of its success.

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14" printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22" printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970's.

HALF SHEET
22 x 28" printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36" printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60" printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41" printed on paper. This is the most common size of poster, intended to be displayed in a glass "marquee" case. It is the most sought after size by collectors. Since the 1980's most posters are sent to the theatre rolled and maybe slightly smaller measuring 27" by 40" and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81" printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970's on, three-sheets were sometimes printed in one piece and issued as "international" versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40" Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40", printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28" six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26" Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55" This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79" Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63" (GRANDE) or 24 x 33" (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian's some of the artwork is extrememly beautiful.

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“Man Has Made His Match… Now It’s His Problem !”

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