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With artwork by Gary Pullin, this 2019 alternative movie poster for Wes Craven’s 1984 horror classic “A Nightmare on Elm Street” is an impressive example of horror art that also benefits from being signed by Freddy Krueger himself – ROBERT ENGLUND; a beautiful clear signature that includes his character name – FREDDY KRUEGER, written in a silver pen that contrasts incredibly strongly against the black background. It’s unusual to have a full character name with Englund most commonly signing only Freddy K. Signed at the Horrified event held in April 2025 (see photo of Robert signing the exact poster you are buying) this is an impressive item of cinematic horror movie memorabilia from one of the defining horror movie characters’ himself – ROBERT ENGLUND – FREDDY KRUEGER.
Trivia: Freddy Krueger was designed by Wes Craven to be the typical “silent” serial killer, such as Jason Voorhees or Michael Myers. However, in the sequels, Freddy developed a cheeky persona that enabled him to be the black-humored villain.
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With artwork by Rich Davies, this 2020 alternative movie poster for Wes Craven’s 1984 horror classic “A Nightmare on Elm Street” is an impressive example of horror art. Titled ‘Sleep Kills’ Davies’ imagery features Freddy’s distinctive shadow moving menacingly above a sleeping Nancy (Heather Langenkamp). Printed on to textured art paper using giclee inks the colours pop from the paper, giving a real quality finish which has been hand-numbered #181 from a print run of 250. Originally rolled (as issued) this looks stunning and displays to excellent effect. A great looking horror poster that represents a fine piece of collectable modern cinema movie memorabilia.
Trivia: Freddy Krueger was designed by Wes Craven to be the typical “silent” serial killer, such as Jason Voorhees or Michael Myers. However, in the sequels, Freddy developed a cheeky persona that enabled him to be the black-humored villain.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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After the acclaim artist Graham Humphreys’ earned after his outstanding work on the British marketing campaign for Wes Craven’s “A Nightmare on Elm Street” it came as no surprise that he was commissioned once again for the sequel “A Nightmare on Elm Street: Part 2 – Freddy’s Revenge”. With the success of the character Freddy is no longer a horror character to keep hidden on the advertising material and Humphreys certainly doesn’t hold back as Krueger’s fire scarred visage takes up nearly all of the poster with his (now familiar) battered fedora and razor bladed glove included in the imagery. Setting a high bench mark for modern horror artwork Humphreys’ imagery was only used for the UK quad design and is one of the most sought after film posters of the 80’s and the horror genre. Graham Humpreys has been dubbed England’s greatest living horror artist and it’s not hard to see why when you see this beautiful film poster from first year of release 1985. Totally original and unrestored, this rolled (as issued) example is presented in excellent condition with, unusually for a horror poster some incredibly bright colours. Extremely scarce and a must have for the serious collector it represents a fantastic item of horror movie memorabilia. The best I have ever offered for sale or seen – it really is exceptional and perfect for investment or to just enjoy.
Trivia: The original glove from A Nightmare on Elm Street (1984) was used in this movie and was also seen hanging on the wall of the work shed in Evil Dead II (1987). This was in response to the use of The Evil Dead (1981) on a television screen in A Nightmare on Elm Street (1984), and part of a continued banter between directors Wes Craven and Sam Raimi. However, when Wes Craven loaned the glove to the A Nightmare on Elm Street 3: Dream Warriors (1987) set, it was lost but eventually found by a Freddy fan, Mike Becker, at an auction in 2009.
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Graham Humphreys has once again produced a stunning piece of artwork for the fourth film in the iconic horror series “A Nightmare on Elm Street: Part 4 – The Dream Master”. The now instantly recognisable Freddy Krueger once again appears in silhouette (as the original British marketing campaign by Graham) and is a testament to how familiar the fanbase were with his character – the clawed glove, fedora and pose are now his trademark. His defining outline is offset against an amazingly colourful background with the ominous blood red tagline – Greetings From Hell. Setting a high bench mark for modern horror artwork Humphreys’ imagery was only used for the UK quad design and is one of the most sought after film posters of the 80’s and the horror genre. Graham Humpreys has been dubbed England’s greatest living horror artist and it’s not hard to see why when you see this beautiful film poster from first year of release 1988. Totally original and unrestored, this rolled (as issued) example is presented in excellent condition with only minimal handling wear with, unusually for a horror poster some incredibly bright colours. Extremely scarce and a must have for the serious collector it represents a fantastic item of horror movie memorabilia.
Trivia: The name of the diner where Alice works is called the “Crave Inn”, a reference to franchise creator Wes Craven.
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Graham Humphreys has once again produced a stunning piece of artwork for the fifth film in the iconic horror series “A Nightmare on Elm Street: Part 5 – The Dream Child”. The now instantly recognisable Freddy Krueger is depicted with his razor bladed glove clawing his way out of the poster, his red, fire-scarred visage contrasted against the mid-blue background of the poster’s background. Each instalment has its own unique tagline with this one a perfectly in tune to the movie’s storyline – Freddie’s Giving Birth to a Brand New Nightmare. Setting a high bench mark for modern horror artwork Humphreys’ imagery was only used for the UK quad design and is one of the most sought after film posters of the 80’s and the horror genre. Graham Humpreys has been dubbed England’s greatest living horror artist and it’s not hard to see why when you see this beautiful film poster from first year of release 1989. Totally original and unrestored, this rolled (as issued) example is presented in excellent condition. Extremely scarce and a must have for the serious collector it represents a fantastic item of horror movie memorabilia.
Trivia: Before the script was written, author Stephen King was approached to write the screenplay for this film but declined. This film is heavily referenced in IT (2017), an adaptation based off of one of King’s well known novels.
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“On Friday The 13th, They Began To Die Horribly, One……By One”
Distinctive Alex Ebel artwork makes this original 1980 country of original US one sheet movie poster for Sean S. Cunningham’s slasher masterpiece “Friday the 13th” extremely sought after by collector’s of the horror genre. Introducing Jason Voorhees as one of the triumvirate of 80’s slasher horror icons that includes Wes Craven’s Freddy Kruger & John Carpenter’s Michael Myers. A multitude of sequels, match ups and remakes have been released since this premiered but none match this genre defining classic. Originally folded (as issued) this unrestored example displays and presents to excellent effect with only minimal age and handling wear with bright & unfaded colours. It represents a fine piece of sought after cinema memorabilia from one of the defining ‘slasher’ flick Film’s.
Trivia: The filmmakers never intended to make this the launching pad for the franchise that followed. According to Victor Miller, Jason Voorhees was only meant as a plot device, and not intended to continue on his mother’s grisly work.
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“The Trick Was To Stay Alive”
John Carpenter’s masterpiece of modern horror “Halloween” was the first and by far the best of this enduring film franchise which acted as the definitive slasher flick. The artwork for any of the film poster produced are all extremely collectable and strikingly individual in design; from the ‘Jack O’Lantern’ US one sheet to the UK quad film poster featuring a screaming Jamie Lee Curtis as Michael Myers’ hand appears at the car window; all seen through an icy blue haze. Offered here is one of the best of the more modern alternative movie poster designs by the artist Tyler Stout. Stout’s unique linear style and use of autumnal colour tones makes for a truly distinctive piece. Released in 2021 as a timed limited edition of only 2,170 (this is hand-numbered #1073) it immediately became a huge fan favourite. Originally rolled, flat-unfolded (as issued) the example offered displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia.
Trivia: John Carpenter considered the hiring of Jamie Lee Curtis as the ultimate tribute to Sir Alfred Hitchcock who had given her mother, Janet Leigh, legendary status in Psycho (1960) (for the same reason, Dr. Sam Loomis was named after Sam Loomis from Psycho). During the same period, Universal studio producers and director Richard Franklin were trying to enroll Jamie Lee in the new production of Psycho II (1983).
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“The Trick Was To Stay Alive”
John Carpenter’s masterpiece of modern horror “Halloween” was the first and by far the best of this enduring film franchise which acted as the definitive slasher flick. The artwork for any of the film poster produced are all extremely collectable and strikingly individual in design; from the ‘Jack O’Lantern’ US one sheet to the UK quad film poster featuring a screaming Jamie Lee Curtis as Michael Myers’ hand appears at the car window; all seen through an icy blue haze. Offered here is one of the best of the more modern alternative movie poster designs by the artist Rich Davies that has been signed by Michael Myers himself – NICK CASTLE with character name of The Shape (as he was credited at the time of release) in a blue pen to match the colours in the imagery. Davies’ stunning imagery and use of dark blue colour tones makes for a truly eye-catching piece. Released in 2018 for the 40th anniversary as a limited edition giclee print of 250, this originally rolled, flat-unfolded (as issued) example displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia signed by The Shape – Nick castle.
Trivia: John Carpenter considered the hiring of Jamie Lee Curtis as the ultimate tribute to Sir Alfred Hitchcock who had given her mother, Janet Leigh, legendary status in Psycho (1960) (for the same reason, Dr. Sam Loomis was named after Sam Loomis from Psycho). During the same period, Universal studio producers and director Richard Franklin were trying to enroll Jamie Lee in the new production of Psycho II (1983).
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Witchcraft enters the computer age, and a different terror begins.”
John Carpenter’s masterpiece of modern horror “Halloween” spawned a multitude of sequels which included this 1982 offering “Halloween III: Season of the Witch”. A sequel in name only as it didn’t feature Michael Myers but took a new take on the mythos as ancient witchcraft meets modern technology in the form of Silver Shamrock masks. Who better then to take on the artistic duties than the modern maestro of horror artwork – Graham Humphreys. The content and characterisations are super realistic, layout and colours perfectly balanced and a near perfect example of a re-imagined poster. Released in 2024 as an exclusive Private Commission, this strictly limited Artist Proof edition is hand-numbered AP 11/15 and signed by the artist. Immediately selling out when launched, this originally rolled, flat-unfolded (as issued) example displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable movie memorabilia with a ‘modern’ twist. Originally rolled, flat-unfolded (as issued) the example offered displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia.
Trivia: The tagline “The night no one comes home” is a play on the original Halloween movie’s tagline “The night HE came home.”
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An incredibly rare find, a 2023 Park Circus UK quad film poster for Michael Powell’s disturbing 1960 voyeuristic thriller “Peeping Tom”. One of the most distinctive and best redesigned of any posters from the genre and rightly regarded as a British classic and highly sought after by collectors. “Peeping Tom” was not a great commercial success at the time of its release, and was largely over shadowed by Hitchcock’s “Psycho” and often treated as a film ‘way ahead of its time’ with filmgoers reluctant to see it due to Powell’s controversial content. The originally rolled (as issued), unrestored example offered here has minimal handling and displays & presents to excellent effect with beautiful colour tones and dramatic imagery. Incredibly scarce, as it received a very limited release and was only shown in a handful of ‘Park Circus’ affiliated cinemas. A must have title for the serious collector or fan it represents a fantastic item of good looking collectible movie memorabilia.
Trivia: The critical mauling and public outcry about the film resulted in it being pulled from British cinemas after just five days.
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“You’ll Die Laughing !”
A striking movie poster that’s a well fitting design for this dark comedic horror “Stitches”. Designed by creative arts agency OC this British UK quad from 2012 is a great looking poster focuses on Ross Noble in full clown make-up as the dis-figured titular serial killer ‘Stitches’. A very creepy and eye-catching image. Although designed to look like a battered and distressed, it is printed on a heavier stock paper (which enhances and gives the muted colours a real depth) it actually presents near perfectly being originally rolled (as issued) and is genuinely scarce with very limited showings in a small number of ‘art-house’ & ‘specialist’ cinemas. A memorable piece of ‘modern’ horror film memorabilia that is hugely collectable encompassing not just movie fans but also the horror art marketplace and fans of the comedian Ross Noble.
Trivia: The medication that Tommy takes to relieve anxiety is called “Hypnocil”, the same name as the medication used to suppress dreams in the Nightmare on Elm Street series.
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