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A stunning country of origin UK Quad from the 2007 BFI re-release for this masterpiece of British cinema, Hammer’s “Dracula”. Making true horror stars of its two leads; Peter Cushing & Christopher Lee it is one of the most influential British films ever made irrespective of genre. This eye-catching imagery is a respected modern classic designed by the Eureka Studio featuring an incredible image of the titular Count (Christopher Lee) in full blood stained fang mode. A very rare find and even rarer in this case as it contains the the ‘Halloween Previews’ tagline & was actually shown on Halloween night, October 31st 2007. Beautiful, unrestored rolled condition this classic Hammer horror poster displays and presents to excellent effect and represents extremely desirable and collectable British horror movie memorabilia.
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Nautilus Art Prints released this Laurent Durieux variant as a limited run of 200 in 2017. In this poster, Durieux creates a bright and colourful retro summer aesthetic as he illustrates the memorable scuba-suit pool scene from Mark Nichols’ 1967 comedy-drama-romance “The Graduate”. This scene was very symbolic in displaying Ben’s (Dustin Hoffman) lack of control over his future whilst he was still trapped under hs parents control. The 12-colour screen print is signed by Durieux and hand-numbered #36/200. Having a very limited release these alternative movie posters are incredibly rare. Unrestored, this rolled (as issued) poster presents and displays to exceptional effect and represents a superb example of genuinely scarce modern film memorabilia featuring one of Hollywood’s greatest romantic comedy’s…classic and very COOL!
Trivia: In the famous promotional still and original poster for this film, Dustin Hoffman is seen in the background framed by Mrs. Robinson’s shapely leg. The leg in that photo didn’t belong to Anne Bancroft, however; it belonged to a then-unknown model, Linda Gray, who later played Mrs. Robinson in a London stage musical of The Graduate & Sue Ellen Ewing in the TV show Dallas.
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Officially licensed by Hammer and released in 2021 as a San Diego Comic Con exclusive, this incredible limited edition alternative movie poster for the classic “Horror of Dracula” features the distinctive artistic style of Francesco Francavilla. The photograph really doesn’t do justice to this art print, the colours are bold, appearing newly painted with Christopher Lee (Count Dracula) prominent with blood stained fangs barred and his face bathed in an eerie green colour tone. Hand-Numbered #155 from a print run of 245 it is presented in excellent condition. This high quality modern art print displays superbly and represents an extremely desirable and collectable item of British Hammer horror movie memorabilia.
Trivia: When Jonathan Harker (John Van Eyssen) meets Dracula (Sir Christopher Lee), there appears to be a statue of “Pazuzu”, the demon from The Exorcist (1973).
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Dig out those flares (anything under 15″ are not acceptable) & platform shoes…Not just responsible for one of the greatest Christmas songs ever but in 1975 Glam Rock band Slade starred in their own imaginatively titled big screen movie…SLADE IN FLAME ! Described as ‘the Citizen Kane of British pop movies’ by critic Mark Kermode, Slade in Flame both confounded and delighted audiences when it was released in 1975, at the height of the legendary glam-rock band’s success, starring the band themselves, this was a music film like no other. Charting the rise and fall of a pop group at the end of the 1960s, this darkly cynical, warts-and-all portrait of a band in freefall amidst the music-industry suits who want a piece of the pie was not what anybody was expecting. And now for the 50th Anniversary, Slade in Flame has been newly remastered by the BFI from the best available 35mm materials and re-released for a very limited cinematic outing. This original 2025 UK quad film poster to accompany the release is presented in excellent original rolled (as issued) condition that displays beautifully; the black background enhances the image of the group, who appear (due to some clever lighting) translucent, giving an almost 3D effect. The extremely limited release means these posters are very scarce and represent a fantastic piece of highly collectable and desirable original movie and music memorabilia.
Trivia: Noddy Holder‘s opinion of his band’s acting: “We got away with it!”
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“It’s coming for YOU from Space to wipe all living things from the face of the Earth! CAN IT BE STOPPED?”
Blending horror and science fiction in the way that only Hammer can, “The Quatermass Xperiment” delivers a haunting vision of the terrifying consequences of unchecked exploration. In this tense, suspenseful tale of scientific ambition gone awry, a space expedition takes a nightmarish turn when an astronaut crash-lands on Earth—only to begin mutating into something horrifyingly inhuman. As his transformation accelerates, his struggle to contain violent urges proves increasingly futile. Scientists and authorities race to understand the catastrophe unfolding before them, in a desperate attempt to prevent a monstrous disaster. Created by the legendary Nigel Kneale and directed by the great Val Guest, “The Quatermass Xperiment” is available for the first time ever in 4K UHD and the poster offered here is from the 4K release in 2024. Released by Hammer for a very limited cinematic run that coincided with the newly remastered Blu Ray, this extremely rare UK quad is from the cinema release and not one of the 10 offered as an incentive on Hammer’s website. It really is an incredible poster with some outstanding horror artwork by Graham Humphreys. It presents to excellent effect and is a must have Hammer Horror collectable.
Trivia: The decision to drop the “e” from the title The Quatermass Xperiment was a deliberate and strategic choice by Hammer Films. When the film was released in 1955, the British Board of Film Censors had recently introduced the ‘X’ certificate, restricting admission to those aged 16 and over. Hammer sought to highlight the film’s mature themes and unsettling content by integrating the letter ‘X’ directly into the title. This subtle yet effective alteration served not only as a marketing tool but also as a signal to audiences that this was a bold and provocative work—one that pushed the boundaries of what was typically shown in British science fiction cinema at the time.
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