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  Crow, The

  £195.00

  “In a world without justice, one man was chosen to protect the innocent.”

  “The Crow” is an excellent tragic film made even more tragic by the real life tragedies surrounding the film (Brandon Lee’s death during filming, and the fact that the story is a result of James O’Barr’s personal loss of his fiancée). Based on a very dark comic book, the film has the same dark feel and that same dark feel is very much in evidence in this excellent alternative movie poster by Paul Mann. This hand-numbered (#79/150) Saniose variant printing really is superb with Mann perfectly capturing the character – in likeness and tone with the coloured inks, separated by Saniose an incredible finishing touch. This is an impressive screen print that has to be seen in person as the photographs really don’t do it justice. Originally rolled (as issued) this magnificent example represents a hugely collectable item of movie memorabilia from a truly iconic cult movie.

  Trivia: Even though the movie, based on the comic, is called ‘The Crow’, none of the birds used in the film were actually crows. All of them were in fact ravens, which are much larger than crows and have a longer, more impressive beak.

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• 

  Girl on a Motorcycle

  £295.00

  “She’s always naked under leather”

  A marvellous example of sexually suggestive swinging sixties movie posters, a 1968 Japanese B2 film poster for Jack Cardiff’s cult  psychedelic ‘road’  movie “Girl on a Motorcycle”. The style and design of this Japanese B2 example is perfectly suited by the portrait format with a marvellous full length body shot of Marianne Faithfull in leather biker suit. Unrestored and offered in excellent original condition with deep and unfaded colours. Highly collectable and an extremely scarce piece of original cinema movie memorabilia.

  Trivia: Marianne Faithfull‘s gift motorcycle is a Harley Davidson Electra Glide; Alain Delon rides a 750cc Norton Atlas.

   

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• 

  Girl on a Motorcycle

  £2,450.00

  “She’s always naked under leather”

  A fantastic looking and incredibly rare piece of British cinematic history that perfectly embodied the swinging sixties…a 1968 UK quad film poster for Jack Cardiff’s cult  psychedelic ‘road’  movie “Girl on a Motorcycle”. This is an exceptional Style A example designed by John Armstrong where the content and layout is perfectly suited by the landscape format of a UK quad. With this design more commonly found with an ABC snipe running across the top image area this full bleed, all artwork style is incredibly rare and the first time we have ever offered one for sale. Marianne Faithfull really looks the part, clad in leather catsuit astride her Harley Davidson zipping through the forests of France.  As you would expect from such a high grade example, colours are deep and unfaded complemented by unforgettable and sexy imagery of Faithfull. Totally original and unrestored in excellent folded (as issued) condition. Atrue investment grade piece of original highly collectable extremely scarce cinema movie memorabilia.

  Trivia: Marianne Faithfull‘s gift motorcycle is a Harley Davidson Electra Glide; Alain Delon rides a 750cc Norton Atlas.

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• 

  Mad Max 2

  £195.00

  “My life fades. The vision dims. All that remains are memories. I remember a time of chaos… ruined dreams… this wasted land. But most of all, I remember The Road Warrior. The man we called Max”

  In the desolate wastelands of a post apocalyptic world, stands Max (Mel Gibson) – it’s an iconic image as the ‘Road Warrior’ looks to battle the movie’s three villains. All who are featured on the poster – Wes (Vernon Wells), Mohawk Biker (Guy Norris) and The Humungus (Kjell Nilsson). This first year of release, country of origin, original 1981 Australian Daybill is presented in excellent, tri-folded (as issued) condition that displays superbly with deep, vibrant colours and stunning sci-fi action imagery. A very desirable and rare film poster from one of the most genre defining and influential film’s ever made.

  Trivia: According to George Miller, it was Mel Gibson‘s idea to make Max look as rough and ragged as he did. Before filming began, he cut his own hair and eyebrows, cut the sleeve off his leather jacket, and tore up his gloves.

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