Showing 13–24 of 175 results
“This Time It’s War”
An alternative movie poster for James Cameron’s “Aliens”, that is unquestionably one of the best (if not the best) for the title. Adam Stothard’s limited edition (hand-numbered #65/85) art print could be accused of giving away much of the film’s climax but Ripley’s ‘get away from her you bitch’ is cinematic legend. This fine art giclee print is printed on Hahnemühle photo rag metallic paper and screen printed using a gloss enamel varnish Layer (over the Queen Mother & title) is absolutely stunning, focussing on the ferocious battle between Ripley (using the Power Loader) against the Xenomorph Queen. “Aliens” has gone on to become a benchmark for the sci-fi actioner. The alternative movie poster offered here is from 2023 and presents to excellent effect in original unrestored, rolled (as issued) condition that represents a fine piece of movie memorabilia and artwork from a truly influential movie that changed the face of the modern sci-fi action movie forever.
Trivia: Sigourney Weaver‘s Best Actress Academy Award nomination for this movie was the first ever for an actress in a role in an action and sci-fi movie.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“This Time It’s War”
An alternative movie poster for James Cameron’s “Aliens”, that is unquestionably one of the best for the title. Being one of the most popular subjects for alternative movie posters, artist Roger Motzkus has created an incredible looking poster and one of my personal favourites for the movie. His hand-numbered #42/100 giclee screenprint is truly a stunning piece that has captured the alien and the actors’ likenesses with real accuracy and being a giclee print the colours have an amazing, vibrant finish. Originally rolled (as issued) this looks and displays to excellent effect, absolutely beautiful and a desirable item of modern collectable movie memorabilia from a truly exciting film franchise.. “Aliens” has gone on to become a benchmark for the sci-fi actioner. The alternative movie poster offered here is from 2022 and presents to excellent effect in original unrestored, rolled (as issued) condition that represents a fine piece of movie memorabilia and artwork from a truly influential movie that changed the face of the modern sci-fi action movie forever.
Trivia: Sigourney Weaver‘s Best Actress Academy Award nomination for this movie was the first ever for an actress in a role in an action and sci-fi movie.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“This Time It’s War”
An alternative movie poster for James Cameron’s “Aliens”, that is unquestionably one of the highlights for the title. Being one of the most popular subjects for alternative movie posters, artist Paul Mann has created an incredible looking poster (his second for the franchise after his hugely well received Alien in 2021) and one of my personal favourites for the movie. His hand-numbered #52/75 screen print is truly a stunning piece that has captured the alien queen and the actors’ likenesses with real accuracy and colours that have an amazing, vibrancy. “Aliens” has gone on to become a benchmark for the sci-fi actioner. The alternative movie poster offered here is from 2025 and presents to excellent effect in original unrestored, rolled (as issued) condition that represents a fine piece of movie memorabilia and artwork from a truly influential movie that changed the face of the modern sci-fi action movie forever.
Trivia: Sigourney Weaver‘s Best Actress Academy Award nomination for this movie was the first ever for an actress in a role in an action and sci-fi movie.
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Zombies, Nazis, stranded holiday makers and Peter Cushing…if this sounds like your kind of fun then you probably are a fan of Ken Wiederhorn’s enjoyable horror romp “Almost Human” (AKA Shock Waves). Nostalgic 70’s hokum that is complemented by a first rate film poster as the SS ‘Death Corps’ take centre stage in a great example of horror artwork…good use of bold day-glo colours in the title and striking well balanced design. Certainly a rare find and even more so in such excellent high grade condition. Originally rolled (as issued) this 1977 UK quad film poster is offered in superb unrestored condition and presents and displays to excellent effect and represents a rare piece of hugely collectable original 70’s horror movie memorabilia.
Trivia: The zombies weren’t originally supposed to be wearing goggles but when extra Max Trumpton returned from recent glaucoma surgery in protective eyewear the director liked the ‘look’ so much he instructed the wardrobe department to make a pair for each zombie.
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A truly influential genre classic…John Landis’ tongue in cheek werewolf horror romp “An American Werewolf in London”. This original 1982 (first year of release in Japan) Japan B2 film poster is stunning; great horror imagery and often referred to as the “monster montage style” featuring all of creatures from the Film and even a bit of saucy Jenny Agutter nudity . Full on and very in your face and not at all understated and restrained as is the US one sheet version. With unique Japan design this is an extremely desirable, very rare poster from a “golden age” of physical movie special effects. In near faultless original, unrestored condition this rolled example presents in investment grade condition and represents an exciting piece of original horror film movie memorabilia…“Be rational, sure. I’m a fucking werewolf, for Christ’s sake!”
Trivia: John Landis wrote the screenplay for this film following an incident while shooting Kelly’s Heroes (1970) (while he was a go-fer) in the countryside of Yugoslavia. While driving along a country road with a colleague, Landis encountered a gypsy funeral. The body was being buried in a massively deep grave, feet first, while wrapped in garlic, so he would not rise from the dead.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This ‘International’ style one-sheet, features totally different art than the ‘regular’ version, with imagery of a blood-red wolf against a black background – it is far more scarce and distinctive than the regular poster, and is far more desired by collectors. Presented in excellent condition this folded (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable piece of cinematic movie memorabilia.
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2021 alternative movie poster by the American graphic artist Todd Alcott shows a very understated and restrained design for a horror poster as David (David Naughton), Jack (Griffin Dunne), Nurse Alex Price (Jenny Agutter) plus a number of London landmarks are represented as characters on what appears to be a beaten up paperback book cover. Presented in excellent condition this rolled (as issued) example displays superbly and has been printed too look distressed. Alcott’s impressive piece of poster artwork represents a great twist on traditional horror movie memorabilia and is a great example in the rapidly expanding area of alternative movie posters. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2019 hand-numbered (#102/300) alternative movie poster by Vance Kelly is a proper horror poster as David (David Naughton) and Jack (Griffin Dunne) are bathed in the blood dripping from the werewolf’s fanged mouth with a number of Rick Baker’s other monstrous creations blended into the background. Kelly has even included a pentagram (a staple symbol of werewolf folklore) in the title design. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This 2011 hand-numbered (#31/380) and signed by the artist – Olly Moss alternative movie poster is a very clever design as the werewolf’s head is incorporated into a silhouette map of the British Isles. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster by one of the leading artists working in the medium. “I vote we go back to the Slaughtered Lamb”
Trivia: John Landis wrote the screenplay for this film following an incident while shooting Kelly’s Heroes (1970) (while he was a go-fer) in the countryside of Yugoslavia. While driving along a country road with a colleague, Landis encountered a gypsy funeral. The body was being buried in a massively deep grave, feet first, while wrapped in garlic so he would not rise from the dead.
…more detail
“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Academy Award and that’s perfectly illustrated here on this Australian one-sheet as the said transformation of David (David Naughton) is fully featured. It appears the Australian poster designers weren’t worried about spoilers. Presented in unrestored condition this folded (as issued) example displays to very good effect and represents a fantastic item of original horror movie memorabilia from a classic of the genre with some truly eye-catching imagery. “I vote we go back to the Slaughtered Lamb”
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
…more detail
“Stay on the road…Keep clear of the moors…Beware the moon, lads.”
John Landis’ “An American Werewolf in London” is one of the best werewolf movies ever made, full of dark humour and gory thrills. As most people know, this has one of the best human/werewolf transformation scenes in cinematic history. Unlike modern monster/horror movies of today, this film has no CGI or computer-aided special effects; what you see on the screen is a physical production made piece for which Rick Baker won the Oscar. This signed Artist Proof (AP) alternative movie poster by Graham Humphreys is a proper horror poster. Humphreys has cleverly included all the main characters, David (Naughton) becoming the werewolf and the suitably named ‘Slaughtered Lamb’. Presented in excellent condition this rolled (as issued) example displays superbly and is an impressive piece of horror poster artwork and is a hugely desirable alternative movie poster.
For Graham’s thoughts and inspiration for the poster design checkout this superb interview with Dread Central.
Trivia: Rick Baker claimed to have been disappointed by the amount of time spent shooting the face changing shot for the transformation after having spent months working on the mechanism. John Landis only required one take lasting about seven seconds. Baker felt he had wasted his time until seeing the film with an audience that applauded during that one seven second shot.
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“When You Can’t Breathe You Can’t Scream”e
“Anaconda” is listed among the 100 Most Enjoyably Bad Movies Ever Made in Golden Raspberry Award founder John Wilson‘s book The Official Razzie Movie Guide and is reported to be one of Dame Helen Mirren’s favourite movies. A huge cult following and a guilty pleasure for many with a cinema poster that promises a lot more than the film delivers – it’s an eye catching ‘eyes without a face’ (EWAF) design featuring the titular Anaconda. This rolled (as issued) UK quad, from first year of release 1997 presents to superb effect with a deep black background and yellow eyes that pop from the paper. It’s a very rare scarce original poster from a true cult movie of the genre.
Trivia: Within the movie you can really see two scenes with real anacondas: the first scene is when they blow up the barrier that obstructs the river, after the explosion several of the snakes that fall into the boat are Green Anacondas you can also see a boa constrictor (another of the largest snakes in the Amazon rainforest); The second scene is when Terri enters the anaconda’s nest where the snakes they show are real green anacondas.
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