Showing 25–36 of 82 results
“Kiss Your Nerves Good-Bye…The Sequel To The Ultimate Experience In Grueling Terror !”
Incredibly rare and much sought 2015 alternative movie poster for Sam Raimi’s Evil Dead sequel…“Evil Dead II” (Dead By Dawn). What makes this super special is that has been reimagined by the same artist responsible for the original cinema poster from from 1987 – Graham Humphreys. Printed with the approval of Sam Raimi, Bruce Campbell and Rob Tapert it’s a stunning piece of horror artwork, as a much more experienced, Graham Humphreys is given the chance to go back and recreate his original design from twenty-eight years earlier. The composition and subject matter are perfectly suited to this landscape format and the colours just amazing as they pop from the paper. This limited edition is hand-numbered #48/250 and signed by the Humphreys. Immediately selling out when launched, this originally rolled, flat-unfolded (as issued) example displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable horror movie memorabilia with a ‘modern’ twist.
For Eddie Shannon’s superb & informative interview with the artist Graham Humphreys click here.
Trivia: The large demonic head Ash battles in the climax of the film, which the crew nicknamed the “rotten applehead”, was too large and cumbersome for the crew to carry back to California, so it was left in North Carolina and soon disappeared. Its whereabouts were unknown for a number of years until it was found in a Halloween haunted house attraction just outside the original shooting location of Wadesboro, North Carolina.
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“How much can you know about yourself if you’ve never been in a fight ?”
An original country of origin US alternative movie poster from 2022 by the artist Vance Kelly for David Fincher’s cult drama thriller “Fight Club” featuring Brad Pitt, Edward Norton with some amazing artwork and glow in dark pink ink detailing. Rarely has a film been so keyed into its time, in ways that, commercially, will be both advantageous and damaging as “Fight Club” and despite certain hostility from some sectors, especially in the U.S., this bold, inventive, sustained adrenaline rush of a movie about a guru (Pitt) who advocates brutality and mayhem excited and exhilarated audiences everywhere in significant numbers. Presented in excellent rolled (as issued) condition this limited edition print is hand-numbered #30 from a print run of only 65 and was originally made available as an exclusive New York Comic Con print that represents a distinctive and collectable item of movie memorabilia.
Trivia: The visible breath in the cave scene is recycled Leonardo DiCaprio breath from Titanic(1997), which was composited into the shot.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Artist Matthew Peak is no stranger to horror icons as it was his Freddy Krueger artwork that adorned the first Nightmare on Elm Street (1984) US One-Sheet and has now has created an award-winning “Frankenstein Monster” print for the 2018 exhibition Mondo Presents “Universal Studio Monsters”. This limited-edition example has been hand-numbered #6 from a print run of 325. In 2018, the leading and most respected alternative movie poster forum expressobeans.com made this print their “Cinema Poster of the Year”. Incredibly rare and highly collectible, an excellent example of modern cinematic movie memorabilia.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, IT’S ALIVE!”
Issued by Nakatomi Inc in 2013 as a series of high-quality silk-screen prints scanned directly from Berni Wrightson’s original pen and ink drawings used in the 25th-anniversary edition of his ‘Frankenstein’ book. This amazingly detailed and intricate illustration, titled ‘A Filthy Process’ shows Frankenstein working to bring his ‘creature’ to life in his laboratory. Printed onto 130lb Cougar Natural Cover paper, this print has been signed with a full ‘Bernie Wrightson’ signature and hand-numbered #45/100. Presented in excellent condition with minimal handling wear this incredibly rare and highly collectible screen print, is an excellent example of modern cinematic movie memorabilia. Note: A page of Wrightson’s original Frankenstein art for the comics adaptation (same series as this) sold at auction in 2019 for a world record price of $1.2 million.
About Bernie Wrightson: Bernard Albert Wrightson was an American artist, among his career high points were co-creating the Swamp Thing character for DC Comics, his unique illustrated interpretation of the novel Frankenstein and adapting classic horror tales for Warren Publications, which feature his trademark intricate pen and brushwork.
Trivia: Boris Karloff‘s Monster in this film does not physically resemble the character in Mary Shelley‘s novel. It was make-up artist Jack P. Pierce who came up with innovations such as the Monster’s flat head, the bolts through the neck, the droopy eyelids, and the poorly-fitted suit. Any future Frankenstein film that features any of these physical abnormalities is taking its inspiration from Pierce’s make-up work.
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“On Friday The 13th, They Began To Die Horribly, One……By One”
Distinctive Alex Ebel artwork makes this original 1980 country of original US one sheet movie poster for Sean S. Cunningham’s slasher masterpiece “Friday the 13th” extremely sought after by collector’s of the horror genre. Introducing Jason Voorhees as one of the triumvirate of 80’s slasher horror icons that includes Wes Craven’s Freddy Kruger & John Carpenter’s Michael Myers. A multitude of sequels, match ups and remakes have been released since this premiered but none match this genre defining classic. Originally folded (as issued) this unrestored example displays and presents to excellent effect with only minimal age and handling wear with bright & unfaded colours. It represents a fine piece of sought after cinema memorabilia from one of the defining ‘slasher’ flick Film’s.
Trivia: The filmmakers never intended to make this the launching pad for the franchise that followed. According to Victor Miller, Jason Voorhees was only meant as a plot device, and not intended to continue on his mother’s grisly work.
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“One night is all that stands between them and freedom. But it’s going to be a hell of a night.”
A personal favourite movie and alternative movie poster - Robert Rodriguez' "From Dusk till Dawn" combines vicious violence, Cheech Marin, vampires, and some funny dark humour from the cast into one big collective film. More than a basic horror movie, it shows Rodriquez as a fine director and Quentin Tarantino as a tight screenwriter who bring to the screen shoot em up vampire fun for the Pulp Fiction/Evil Dead devotees. A fantastic interpretation by Frank Frazetta for this grindhouse, horror-heist collaboration that perfectly captures the feel, look and attitude of the movie. Visual impact and artistic design are key aspects of any Tarantino/Rodriguez production and this beautiful example perfectly illustrates that fact, as a super-sexy Santanico Pandemonium (Salma Hayek) dominates the imagery. Legendary artist Frank Frazetta originally painted this art as a poster concept in 1996 after being personally (Rodriguez is a huge Frazetta fan) commissioned by Robert Rodriguez himself. Absolutely stunning, the photograph really doesn't do this example justice - being a giclee print (see below) with colour separations by Jason Edmiston the vibrant colours pop from the paper as this 2022 hand-numbered (#16/70) art print displays and presents to excellent effect and represents an amazing piece of cult cinematic movie memorabilia.
Watch the Trailer HERE
Trivia: Originally, Quentin Tarantino pitched this to John Travolta the same time as he was preparing to film Pulp Fiction (1994). Travolta was not interested in working on a vampire movie, and wanted to work on Pulp Fiction instead.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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Martin Scorsese’s “Goodfellas” is an iconic motion picture and a giant of the crime genre that will stand the test of time for years and years to come. An absolutely beautiful complete set of all eight (8) US front of house lobby cards for one of the best gangster films ever made…Martin Scorsese’s “Goodfellas”. Featuring a series of eight fantastic full colour images with our highlight card – Robert De Niro, Joe Pesci and RayLiotta from the famous card playing scene where Tommy (Pesci) shoots Spider (Michael Imperioli). Originally flat and unfolded (as issued) all eight (8) appear unused and present to excellent effect. Hugely desirable and a must have title for the serious poster collector or Goodfellas fan it represents a premium piece of quality collectable movie memorabilia.
Trivia: The “How am I funny?” scene is based on something that actually happened to Joe Pesci. While working in a restaurant, a young Pesci apparently told a mobster that he was funny, a compliment that was met with a less-than-enthusiastic response. Pesci relayed the anecdote to Martin Scorsese, who decided to include it in the film. Scorsese didn’t include the scene in the shooting script, so that Pesci and Ray Liotta‘s interactions would elicit genuinely surprised reactions from the supporting cast.
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Martin Scorsese’s “Goodfellas” is an iconic motion picture and a giant of the gangster genre that will stand the test of time for years and years to come. Designed by Territory Studios advertising agency the movie poster imagery that accompanied the 2016 BFI release was equally as memorable. The imagery of the three stars (De Niro, Pesci & Liotta) accompanied by one of their key scenes makes for a stylish design with the red filter particularly effective. The BFI are renowned for producing excellent and ‘fresh’ poster designs for their limited run releases and this is considered one of the best. As with all BFI screenings they are very limited (sometimes only a single showing) with an incredibly small print run. making the posters very hard to come by. This originally rolled (as issued) example displays & presents to fine effect. Hugely desirable and a must have title for the serious poster collector or Goodfellas fan it represents a premium piece of quality collectable movie memorabilia.
Trivia: The “How am I funny?” scene is based on something that actually happened to Joe Pesci. While working in a restaurant, a young Pesci apparently told a mobster that he was funny, a compliment that was met with a less-than-enthusiastic response. Pesci relayed the anecdote to Martin Scorsese, who decided to include it in the film. Scorsese didn’t include the scene in the shooting script, so that Pesci and Ray Liotta‘s interactions would elicit genuinely surprised reactions from the supporting cast.
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Nautilus Art Prints released this Laurent Durieux variant as a limited run of 200 in 2017. In this poster, Durieux creates a bright and colourful retro summer aesthetic as he illustrates the memorable scuba-suit pool scene from Mark Nichols’ 1967 comedy-drama-romance “The Graduate”. This scene was very symbolic in displaying Ben’s (Dustin Hoffman) lack of control over his future whilst he was still trapped under hs parents control. The 12-colour screen print is signed by Durieux and hand-numbered #36/200. Having a very limited release these alternative movie posters are incredibly rare. Unrestored, this rolled (as issued) poster presents and displays to exceptional effect and represents a superb example of genuinely scarce modern film memorabilia featuring one of Hollywood’s greatest romantic comedy’s…classic and very COOL!
Trivia: In the famous promotional still and original poster for this film, Dustin Hoffman is seen in the background framed by Mrs. Robinson’s shapely leg. The leg in that photo didn’t belong to Anne Bancroft, however; it belonged to a then-unknown model, Linda Gray, who later played Mrs. Robinson in a London stage musical of The Graduate & Sue Ellen Ewing in the TV show Dallas.
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“The Trick Was To Stay Alive”
John Carpenter’s masterpiece of modern horror “Halloween” was the first and by far the best of this enduring film franchise which acted as the definitive slasher flick. The artwork for any of the film poster produced are all extremely collectable and strikingly individual in design; from the ‘Jack O’Lantern’ US one sheet to the UK quad film poster featuring a screaming Jamie Lee Curtis as Michael Myers’ hand appears at the car window; all seen through an icy blue haze. Offered here is one of the best of the more modern alternative movie poster designs by the artist Paul Mann. Mann’s stunning imagery and use of bold colour tones makes for a truly eye-catching piece as a menacing Michael Myers takes centre stage against a backdrop of a flaming halloween pumpkin. Released in 2024 as a limited edition of only 70 (this is hand-numbered #12). Originally rolled, flat-unfolded (as issued) the example offered displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia.
Trivia: John Carpenter considered the hiring of Jamie Lee Curtis as the ultimate tribute to Sir Alfred Hitchcock who had given her mother, Janet Leigh, legendary status in Psycho (1960) (for the same reason, Dr. Sam Loomis was named after Sam Loomis from Psycho). During the same period, Universal studio producers and director Richard Franklin were trying to enroll Jamie Lee in the new production of Psycho II (1983).
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“The Trick Was To Stay Alive”
John Carpenter’s masterpiece of modern horror “Halloween” was the first and by far the best of this enduring film franchise which acted as the definitive slasher flick. The artwork for any of the film poster produced are all extremely collectable and strikingly individual in design; from the ‘Jack O’Lantern’ US one sheet to the UK quad film poster featuring a screaming Jamie Lee Curtis as Michael Myers’ hand appears at the car window; all seen through an icy blue haze. Offered here is one of the best of the more modern alternative movie poster designs by the artist Tyler Stout. Stout’s unique linear style and use of autumnal colour tones makes for a truly distinctive piece. Released in 2021 as a timed limited edition of only 2,170 (this is hand-numbered #1073) it immediately became a huge fan favourite. Originally rolled, flat-unfolded (as issued) the example offered displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia.
Trivia: John Carpenter considered the hiring of Jamie Lee Curtis as the ultimate tribute to Sir Alfred Hitchcock who had given her mother, Janet Leigh, legendary status in Psycho (1960) (for the same reason, Dr. Sam Loomis was named after Sam Loomis from Psycho). During the same period, Universal studio producers and director Richard Franklin were trying to enroll Jamie Lee in the new production of Psycho II (1983).
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