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“You don’t talk to Colonel Kurtz…You listen to him.”
A personal favourite and quite simply a stunning film poster for Francis Ford Coppola’s multi award winning Vietnam war epic “Apocalypse Now”. There is no doubting the influence and impact of Coppola’s 1979 masterpiece with any paper hugely desirable and the German A1 film poster offered here is no exception. This design was created by Bob Peak featuring an outstanding close up image of a shaven headed Colonel Kurtz (Marlon Brando) offset against a dark black background…truly memorable imagery for Coppola’s voyage into the ‘Heart of Darkness’. Peak’s campaign artwork for Francis Ford Coppola’s Apocalypse Now is widely regarded as one of the great and most iconic poster designs, winning an Award of Excellence from The Society of Illustrators in 1980. So it was no surprise that in 2021 when Mondo issued a remastered screenprint licensed by Zoetrope Productions with production and colour separations handled by Jason Edmiston, Jon Smith, Shane Mahn and Peak’s son Alex, it sold out immediately. From a hand-numbered edition of 425, this is #335. Originally rolled (as issued) with an amazing colour palette this outstanding example presents and displays to excellent effect and represents a beautiful alternative movie poster from one of the finest film’s ever made…“Napalm, son. Nothing else in the world smells like that”
Trivia: Filming, originally scheduled for six weeks, took 16 months.
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“Why would a nice guy like you want to kill a genius? Why? Because they told you he was crazy? The Colonel is not crazy. The man is clear in his mind, but his soul is mad.”
An outstanding alternative movie poster for Francis Ford Coppola’s multi award winning Vietnam war epic “Apocalypse Now”. There is no doubting the influence and impact of Coppola’s 1979 masterpiece with any paper hugely desirable and the German A1 film poster offered here is no exception. This design was one of several created by Bob Peak with this style featuring stylised images of Brando as Colonel Kurtz and Sheen, remarkable artwork for Coppola’s voyage into the ‘Heart of Darkness’. Peak’s designs for “Apocalypse Now” is widely regarded as one of the great and most iconic movie poster campaigns, winning an Award of Excellence from The Society of Illustrators in 1980. So it was no surprise that in 2021 when Mondo issued a remastered screenprint licensed by Zoetrope Productions with production and colour separations handled by Jason Edmiston, Jon Smith, Shane Mahn and Peak’s son Alex, it sold out immediately. From a hand-numbered edition of 425, this is #72. Originally rolled (as issued) with a amazing detail and depth of colour, this outstanding example presents and displays to excellent effect and represents a beautiful alternative movie poster from one of the finest film’s ever made…“Napalm, son. Nothing else in the world smells like that”
Trivia: John Milius explained how he had come up with the title “Apocalypse Now”. Apparently, this was derived from a very popular tattoo among the hippie community of a peace sign that said “Nirvana Now”. Milius, by adding just a couple of extra lines, edited the peace symbol to make it look like a circle with a B52 bomber in the middle, and changed the slogan to “Apocalypse Now”.
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“I’ve seen horrors… horrors that you’ve seen. But you have no right to call me a murderer. You have a right to kill me. You have a right to do that… but you have no right to judge me. It’s impossible for words to describe what is necessary to those who do not know what horror means. Horror… Horror has a face… and you must make a friend of horror. Horror and moral terror are your friends. If they are not, then they are enemies to be feared.”
There is no doubting the influence and impact of Francis Ford Coppola’s 1979 masterpiece “Apocalypse Now” with any paper hugely desirable and the original US lobby card offered here is no exception. This lobby card (#3) is the only one from the set of eight to feature Marlon Brando, and it is a fantastic close up image of him as a shaven headed Colonel Kurtz. A truly memorable image from Coppola’s voyage into the ‘Heart of Darkness’. Originally flat/unfolded (as issued) this impressive example presents and displays to excellent effect and represents a fine piece of cinematic memorabilia from one of the finest film’s ever made…“You don’t talk to Colonel Kurtz…You listen to him.”
Trivia: Marlon Brando improvised the line “You’re an errand boy, sent by grocery clerks, to collect a bill.”
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“You don’t talk to Colonel Kurtz…You listen to him.”
A personal favourite and quite simply a stunning alternative movie poster for Francis Ford Coppola’s multi award winning Vietnam war epic “Apocalypse Now” by Jock. Like something out of a widescreen images handbook, the grandiose and all-consuming art within this limited edition giclee art print for Apocalypse Now is as visually masterful as the film it depicts. Truly an impressive piece; the range of red colour tones for the sky is incredible (the photo does not do it justice). This print is both Hand-Signed and Hand-Numbered #110/150 in the bottom right corner in pencil. Originally rolled (as issued) with an amazing colour palette this outstanding example presents and displays to excellent effect and represents a beautiful alternative movie poster from one of the best artist’s currently working and the finest film’s ever made. When launched in 2015 this was a sold out, fully subscribed private commission and is rarely offered for sale on the secondary market. “Napalm, son. Nothing else in the world smells like that”
Trivia: Filming, originally scheduled for six weeks, took 16 months.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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