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“Riddle me this, riddle me that, who’s afraid of the big, black bat?“
Riddle me this – how can you get the most colourful Batmobile yet in your living room? Simple, purchase this incredible, hand-numbered (#96/275) screen print from Matt Ferguson for Joel Schumacher’s 1995 comic book caper “Batman Forever”. Ferguson’s ongoing Batman and Batmobile series continues, and this time, he’s got Seal’s Kiss from a Rose blaring out of the Bat-stereo. “Batman Forever” is a visually spectacular movie combining a colourful cast, and a bonkers plot that while divisive, is undoubtedly wildly entertaining and whilst Jim Carrey is no Jack Nicholson, his Riddler steals the show from one-time Batman – Val KIlmer. Ferguson’s Batmobile series focuses on Bruce Wayne’s incredible rides from throughout Batman’s history, and he’s added a ton of fun details and Easter eggs from both the film and general Ferguson lore. Originally rolled (as issued) this displays to excellent effect with the day glo, neon coloured inks adding a real kinetic energy to the imagery and represents a truly eye-catching alternative movie poster from one of the most memorable Batman movies.
Trivia: This is the first movie to refer to Batman as “The Dark Knight”.
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Any paper for Keanu Reeves’ John Wick franchise is extremely desirable, even when it features the newest assassin on the block – Ana de Armas is perfectly cast as the revenge seeking Eve in Len Wiseman’s “From the World of John Wick: Ballerina”. This incredibly popular film series is always complemented by an equally incredible series of movie posters and for this release, the creative arts agency BOND have produced a teaser poster that’s pretty spectacular, with a close-up dark and moody image of de Armas. Offered here is the advance US one-sheet, eye-catching and distinctive with its bold use of purples, blues with a touch of neon. Originally rolled (as issued) this displays to excellent effect with only very minimal handling wear. A fantastic item of cinematic movie memorabilia from one of the best action franchises in recent memory that looks very very cool !
Trivia: In John Wick: Ch 3 – Parabellum, the ballerina’s back tattoo text, as portrayed by Unity Phelan, “Si Vis Pacem Para Bellum” means “If you want peace, prepare for war” is seen when John returns to the Ruska Roma, but in Ballerina, Eve’s back tattoo text, portrayed by Ana de Armas, changes to “Lux In Tenebris”, meaning “Light in Darkness”.
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Steven Spielberg’s ‘Jaws’ is probably the most important film of ‘modern’ cinema, launching a movie trend that is now commonly referred to as the ‘Summer Blockbuster’. It also caused a surge in cases of aqua phobia (fear of water) and that’s largely attributable to Roger Kastel’s original marketing campaign who created one of the best and most memorable movie poster images ever ! So why reinvent it ? Well, it’s just so popular and one of the most licensed of all titles when it comes to the growing market for alternative movie posters. This artist signed and hand-numbered (#19/25) limited edition Artist Proof print by Graham Humphreys is a real eye-catcher and is considered one of the best and most desirable currently produced; incredible character driven imagery of Chief Brody, Quint, Hooper and of course the 25ft great white shark. A very limited private commission that was sold out prior to release. This originally rolled unfolded (as issued) example displays to exceptional effect. Perfect in every way, print quality and colours are truly outstanding. An extremely scarce art poster print that represents a key item of highly sought after modern cinematic memorabilia…“You’re gonna need a bigger boat !”
Trivia: Several decades after the film’s release, Lee Fierro, who played Mrs. Kintner, walked into a seafood restaurant and noticed that the menu had an “Alex Kintner Sandwich.” She commented that she had played his mother so many years ago; the owner of the restaurant ran out to meet her, and he was none other than Jeffrey Voorhees, who had played her son. They had not seen each other since the original movie shoot.
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Original British UK quad film poster for Bernard MacMahon’s Led Zeppelin rockumentary “Becoming Led-Zeppelin”. Produced with the full co-operation of the remaining members of the band and includes some incredible previously unreleased and unseen footage as their meteoric rise from West Midlands’ session players to fully fledged rockstars is given a fresh new take. Featuring band imagery from an early live performance, set against over-sized text (in the familiar Led Zeppelin style) it is a poster design that’s perfectly suited to the landscape format go the British quad. From 2025, this originally rolled (as issued), example is presented in excellent high grade condition. Fantastic Led Zeppelin and cinema collectable and a marvellous piece of music and film memorabilia.
Trivia: One of the bands mentioned on the flyers seen in the film is “The Aynsley Dunbar Retaliation.” Dunbar would later be famed for playing with artists like David Bowie, Journey, Jefferson Starship, Frank Zappa, and Whitesnake. Early in his career, Dunbar drummed for John Mayall’s Bluesbreakers, a band that featured some of the earliest work from artists like Mick Fleetwood and Eric Clapton. When Dunbar was fired from the band, he called his next band “Retaliation” as a way of chiding Mayall.
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Silents Synced have stylishly and cleverly paired, a classic silent horror movie with epic rock music to bring audiences a unique big screen experience with “Radiohead X Nosferatu: A Symphony of Horror”. Directed and remixed by Josh Frank this reimagining of the iconic Nosferatu (1922) features Radiohead’s Kid A (2000) and Amnesiac (2001) albums. An unauthorized adaptation of Bram Stoker’s Dracula, Nosferatu (1922) is the quintessential silent vampire film, crafted by legendary German director F. W. Murnau. Rather than depicting Dracula as a shape-shifting monster or debonair gentleman, Murnau’s Graf Orlok (as portrayed by Max Shreck) is a nightmarish, spidery creature of bulbous head and taloned claws – perhaps the most genuinely disturbing incarnation of vampirism yet envisioned. This imaginative new take on an iconic horror classic is accompanied by an equally striking poster. Designed by EMEK it resembles a vintage black and white engraving with colour (it had to be RED) used sparingly for maximum effect. With a very limited release & showing in only a handful of independent art-house cinemas and drive-ins the advertising posters for the screenings are truly scarce. Originally rolled (as issued) this eye-catching example displays and presents to excellent effect and represents a fine piece of horror movie cinematic memorabilia with a slice of Radiohead thrown in for the music fan.
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