Showing 13–15 of 15 results

  • The Godfather Movie Poster

    The Godfather

    £325.00

    “If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”

    Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition art print by the artist Paul Mann, the best ever poster produced for this crime classic. Mann’s artwork and use of colour is breath taking, and this needs to be seen in person to fully appreciate the quality. Printed onto Platinum Etching Paper with a giclee finish it appears painted. A private commission with a print run of only 150 this has been hand-numbered #23. This example displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.

    Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martinos confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”

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  • The Godfather Alternative Movie Poster

    The Godfather

    £395.00

    “…when Johnny was first starting out, he was signed to a personal services contract with this big-band leader. And as his career got better and better, he wanted to get out of it. But the band leader wouldn’t let him. Now, Johnny is my father’s godson. So my father went to see this bandleader and offered him $10,000 to let Johnny go, but the bandleader said no. So the next day, my father went back, only this time with Luca Brasi. Within an hour, he had a signed release for a certified check of $1000.”

    Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition art print by the artist Paul Mann, one of the best ever poster produced for this crime classic. Mann’s artwork and use of colour is breath taking, and this needs to be seen in person to fully appreciate the quality. Described as the Italian variant it was printed using “Il Padrino” as the title with gold ink detailing against a black background. Printed onto Fotospeed Platinum Etching Paper with a giclee finish it appears painted. A private commission with a print run of only 50 this has been hand-numbered #12. This example displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.

    Trivia: Marlon Brando wanted to make Don Corleone “look like a bulldog,” so he stuffed his cheeks with cotton wool for the audition. For the actual filming, he wore a mouthpiece made by Dick Smith. This appliance is on display in the American Museum of the Academy Museum of Motion Pictures in Los Angeles in a special Godfather exhibition

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  • The Great Escape Alternative Movie Poster

    The Great Escape

    £245.00

    “From a barbed-wire camp to a barbed-wire country, they made…THE GREAT ESCAPE !”

    A very rare find, an original 2022 alternative movie poster by Steve Chorney for John Sturges’ wartime adventure “The Great Escape”. One of the biggest films of all times certainly deserves a striking poster and Chorney’s limited edition offering certainly impresses. As a homage to posters of the 60s and 70s the great ensemble cast have their headshots in a row towards the bottom of the design, Hendley -“The Scrounger” (James Garner), Danny – “The Tunnel King” (Charles Bronson), Danny – “The Tunnel King” (Charles Bronson), Ashley-Pitt “Dispersal” (David McCallum), Blythe – The Forger” (Donald Pleasence), Bartlett “Big X” (Richard Attenbrough), Sedgwick “Manufacturer” (James Coburn) and of course dominating the imagery Hilts-“Cooler King” (Steve McQueen), not just an incredible headshot, but McQueen in action (from the finale of the movie) attempting his legendary motorbike jump escape. Although the most memorable scene from the film it doesn’t feature on any of the original 1963 paper and only on a handful or later release posters, making this artwork, super desirable. A nice touch is the inclusion of Hannes Messemer who played the Kamp Kommandant Von Luger. Released as a limited edition, hand-numbered (#88/90) fine art print, the giclee finish gives a freshly painted effect. The portrait format makes for a truly stunning piece that presents to excellent effect and represents a superb example of very rare collectable film memorabilia from one of the greatest film’s ever made and featuring a character and final scene that has become synonymous with screen legend Steve McQueen and is regarded as a much loved classic and one of McQueen’s signature roles.

    Trivia: During the climactic motorcycle chase, director John Sturges allowed Steve McQueen to ride (in disguise) as one of the pursuing German soldiers, so that in the final sequence, through the magic of editing, he’s actually chasing himself. McQueen played the German motorcyclist who hits the wire.

    What is Giclee ?

    Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.

    The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.

    Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.

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