Showing 13–24 of 32 results
“Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”
A absolutely stunning Japanese B2 film poster for one of the best vampire films ever made…Joel Schumacher’s “The Lost Boys”. Featuring country unique artwork by the Japanese artist Akira Yokoyama, this really is one of the best examples created for this cult horror-comedy title. Originally rolled (as issued) this presents to excellent effect. This is THE teenage angst vampire movie with this high grade poster showcasing the teen vampires in all their undead glory…“Something I never could stomach about Santa Carla, all the damn vampires!”
Trivia: In the cave of the Lost Boys, you can see a poster of Jim Morrison, who recorded the original version of “People are Strange” with The Doors. Also, when Star and Laddie are being carried into Sam’s room, you can see a poster of Echo & The Bunnymen, who recorded the version used in the movie.
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“Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”
A country of origin US One Sheet from original year of release, 1987 for Joel Schumacher’s classic 1980s vampire flick – “The Lost Boys”. Designed by Intralink Film Graphic Design and with artwork by John Alvin this is a very striking original movie poster featuring the teen vampires in all their undead glory presented in muted grey stones against a bright, blood red background. Originally rolled (as issued) this example presents to excellent effect and represents a fantastic piece of original cinematic memorabilia for this super popular movie…“Something I never could stomach about Santa Carla, all the damn vampires!”
Trivia: In the cave of the Lost Boys, you can see a poster of Jim Morrison, who recorded the original version of “People are Strange” with The Doors. Also, when Star and Laddie are being carried into Sam’s room, you can see a poster of Echo & The Bunnymen, who recorded the version used in the movie.
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“A battle fought in the stars, now… comes to Earth.”
A beautiful, Dolph Lungren autographed limited edition art print (hand-numbered #14/40) by artist Chris Barnes (also known as Brutal Posters) showing highly detailed depictions of the assortment of characters from Gary Goddard’s fantasy adventure “Masters of the Universe” (1987). The close-up image of Skeletor’s face in the top left corner is particularly striking, finished in soft shades of purple, which contrasts against the rest of the design. This alternative movie print from 2020 has been autographed by He-Man himself – Dolph Lungren, who also added his character name and the annotation – “I Have the Power.” The poster was signed in the USA at Galaxycon, Richmond on 24th-26th March and is accompanied by a full letter of authenticity. A fantastic item of hugely collectable pop-culture memorabilia.
Trivia: Many viewers of the film commented on actress Meg Foster‘s eerily effective contact lenses which gave her character Evil-Lyn a sinister and unearthly air. Actually she wore no contact lenses. Her eyes naturally have blue/grey irises and tiny pupils, giving her a striking appearance. She has often been cast in sci-fi/fantasy roles because of them and jokes that she appeals to casting directors as she brings her own special effect with her for free.
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“A battle fought in the stars, now… comes to Earth.”
Twenty years before Transformers, Iron Man, Captain America and Thor came He-Man, Skeletor and the world of Eternia as the Mattel toys and cartoon series were magically transported to the big screen in Gary Goddard’s fantasy adventure “Masters of the Universe”. Boasting some of the finest fantasy art seen on a movie poster, this original 1987 UK quad by Jean Mascii, certainly impresses with He-Man himself (Dolph Lundgren) taking prominence as Skeletor (Frank Langella) is positioned menacingly over his shoulder. Presented in excellent original rolled (as issued) condition with strong vibrant colours it represents one of the best examples of collectable, cinematic movie memorabilia we have offered from the 1980s.
Trivia: Meg Foster said that she based her character on Shakespeare’s Lady Macbeth. In the film’s beginning, she is a pantomime villainess but obviously deeply in love with Skeletor. As the storyline progresses, she gradually comes to realise that he does not truly care for her. In the end, she abandons him to his fate, her withdrawal of her forces leads to his eventual defeat. In Foster’s opinion, the character progresses from evildoer to scorned woman to tragic heroine
One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare and original UK quad film poster offered here is from first year of release 1987 and was created by a team at the FEREF design agency, including Stephen Laws, Frank Hillary and acclaimed movie poster artist Brian Bysouth. This was one of the first film posters by the artist to have been created with photo composition and not painted, as had been the case with his previous posters. This ‘thermal imaging’ version has a great action image of Dutch (Arnold Schwarzenegger) and is considered a classic amongst collectors of the genre. Originally folded (as issued – the fold lines are soft from being stored flat for a number of years) this beautiful unrestored example displays and presents to excellent effect. Sought after and extremely hard to find in this high grade condition it represents a fine piece of collectable original movie memorabilia.
Trivia: The mandibles of the Predator were the idea of James Cameron.
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One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare and original Japanese B2 film poster offered here is the ‘Cast’ style from first year of release 1987 with ‘Dutch’ (Schwarzenegger) prominent and a photo montage of the other leading actors in a design that is unique to Japan. Considered a classic by Arnie’s legion of fans & collectors of the action / sci fi genre it is incredibly scarce in this format. Originally rolled (as issued) this beautiful unrestored example displays and presents to excellent effect…Sought after and extremely hard to find in this high grade condition it represents a fine piece of very collectable Arnold Schwarzenegger sci-fi action movie memorabilia.
Trivia: The mandibles of the Predator were the idea of James Cameron.
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One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare and original Japanese B2 film poster offered here is the full ‘Arnie’ style from first year of release 1987 with his character ‘Dutch’ (Schwarzenegger) dominating the imagery. Considered a classic by Arnie’s legion of fans & collectors of the action / sci fi genre it is incredibly scarce in this format. Originally rolled (as issued) this beautiful unrestored example displays and presents to excellent effect…Sought after and extremely hard to find in this high grade condition it represents a fine piece of very collectable Arnold Schwarzenegger sci-fi action movie memorabilia.
Trivia: The mandibles of the Predator were the idea of James Cameron.
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One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare and original UK quad film poster offered here is from first year of release 1987 and was created by a team at the FEREF design agency, including Stephen Laws, Frank Hillary and acclaimed movie poster artist Brian Bysouth. This was one of the first film posters by the artist to have been created with photo composition and not painted, as had been the case with his previous posters. This ‘thermal imaging’ version has a great action image of Dutch (Arnold Schwarzenegger) and is considered a classic amongst collectors of the genre. Originally rolled (as issued – this is the first time we have ever offered a rolled one) this beautiful unrestored example displays and presents to excellent effect. Extremely hard to find in this high grade condition it represents a fine piece of collectable original movie memorabilia.
Trivia: The Predator costume weighed over two hundred pounds, and even though 7’2″ Kevin Peter Hall was a large and powerful man, he had to be connected to a “bungie” rig, to enable him to move more believably.
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One of the best films of the 1980’s and certainly one of Schwarzenegger’s finest roles, “Predator“ is a film I’ve seen more times than I care to remember. Directed by John McTiernan, who would go on to helm “Die Hard” the following year (arguably the greatest action movie ever made), the film is an excellent mix of gung-ho action and sci-fi horror with a truly iconic monster (designed by Stan Winston). The rare alternative movie poster offered here is from the 2025 release and was created as a private commission piece by the talented Thai artist, Wiwat. With a very limited print run of only 40 this has been hand-numbered #32. Showcasing a unique and visually striking design and produced using the screen print technique, the imagery captures the essence of the Predator in a bold and dynamic style. Perfect for fans of the franchise or collectors of art inspired by the Predator. Originally rolled (as issued) this beautiful example displays and presents to excellent effect and represents a fine piece of collectable cinematic movie memorabilia.
Trivia: The Predator costume weighed over two hundred pounds, and even though 7’2″ Kevin Peter Hall was a large and powerful man, he had to be connected to a “bungie” rig, to enable him to move more believably.
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The success of “Predator” when released in 1987 meant a sequel was always inevitable, however the action hero of the first movie wasn’t available – move over Arnie and welcome Danny Glover. Not only was there a new direction for the hero but the jungles of South America were swapped for a crime ridden Los Angeles. A clever follow up in many ways as it really does continue where the first movie finished as the Government, now fully aware of an other worldly being try to turn the tables and trap a predator – bad move. This 2021 Private Commission by Juan Carlos Ruiz Burgos features spectacular artwork, and is actually the first time a licensed print for “Predator 2” has been issued, and frankly it would be a hard to find a better one as Burgos really has created something special. Titled ‘The Concrete Jungle‘ it is printed on Cougar White paper using fifteen (15) coloured inks which includes a glitter varnish used to mimic the wet skin of the Predator and a bright luminous green glow in the dark ink for the title. Hand-numbered #45 from a print run 110 this beautiful example displays and presents to excellent effect and represents an incredible looking piece of modern cinematic memorabilia.
Trivia: Keyes (Gary Busey) is the first character to ever use the word “predator” to refer to the creature on-screen when he says “we’ve prepared a trap for this predator”. The word “predators” is also used by Isabelle in Predators (2010), but she uses it to refer to the human characters in the film, not the Predator creatures. It wasn’t until The Predator (2018) that the creature itself is referred to as ‘predator’ again, with someone adding that the term ‘hunter’ would be more appropriate.
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“Before man walked the earth…it slept for centuries. It is evil. It is real. It is awakening.”
“Prince of Darkness” sees John Carpenter not just in the director’s chair, he wrote the soundtrack and also the screenplay under the pseudonym Martin Quatermass, which is a direct homage to Bernard Quatermass, the lead character in Hammer’s film and TV series that started with The Quatermass Experiment and that features several elements in common with Carpenter’s story. The film is the second in what the director calls his ‘Apocalypse Trilogy’ that started with The Thing (1982) and ended with In the Mouth of Madness (1994) and is the result of Carpenter’s interest in theoretical physics and atomic theory as well as the idea of an ultimate evil or ‘anti-god’ combined with the physics-based concept of matter and anti-matter. Carpenter always a well regarded and popular film maker has enjoyed a huge renaissance in more recent years so it was no surprise that this title was one of four seminal movies by the director re-released by Studio Canal in 2018, remastered in 4K, with the others being “They Live”, “Escape From New York” and “The Fog”. All four movies had a strictly limited cinematic release and were accompanied a newly designed poster campaign (quads and one-sheets) by leading artist Matt Ferguson. Ferguson’s unique artistic style is evident throughout the four, each with its very own unique colour palette. A number of these full-size 30″ x 40″ UK quad styles were also released as a limited edition art print by Vice Press. Identical to the cinematic quad, in fact exactly the same – same paper, printer etc these were issued as timed releases each signed and hand-numbered by Matt Ferguson. Offered here is one of these signed art prints numbered #48 from a print run of only 184. Originally rolled (as issued) it presents in excellent condition. A cool, cult poster that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s who is still actively working in the film industry.
Trivia: John Carpenter claims to have been fascinated with religion ever since watching the old Hammer horror films and how Holy Water would destroy vampires.
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“Before man walked the earth…it slept for centuries. It is evil. It is real. It is awakening.”
This is the British quad for the release of John Carpenter’s 1987 horror “Prince of Darkness”. As well as being in the director’s chair, Carpenter wrote the soundtrack and also the screenplay under the pseudonym Martin Quatermass, which is a direct homage to Bernard Quatermass, the lead character in Hammer’s film and TV series that started with The Quatermass Experiment and that features several elements in common with Carpenter’s story. The film is the second in what the director calls his ‘Apocalypse Trilogy’ that started with The Thing (1982) and ended with In the Mouth of Madness (1994) and is the result of Carpenter’s interest in theoretical physics and atomic theory as well as the idea of an ultimate evil or ‘anti-god’ combined with the physics-based concept of matter and anti-matter. The original 1987 UK quad film poster for John Carpenter’s “Prince of Darkness” offered here was originally rolled (as issued) & presents in original unrestored condition with great horror imagery, strong colours and deep unfaded black background. This imagery of the screaming, disfigured face with the bug in its mouth, as well as the church and the oozing green liquid was used in the worldwide marketing campaign. A scarce poster in this high grade condition, that represents very collectable & desirable original film memorabilia from one of the greatest and most influential director’s ever working in the sci-fi / horror / action genre.
Trivia: Screenwriter John Carpenter is credited as “Martin Quatermass”. The pseudonym is a homage to Professor Bernard Quatermass, the lead character of The Quatermass Experiment (1953) and several subsequent TV series and film versions. In the original press notes he was described as ‘the brother of Professor Bernard Quatermass, head of the British rocket programme.’ In a further nod to Carpenter’s influences, the character Wyndham is named after science-fiction author John Wyndham and Anne Howard‘s character is named after the star of The Wasp Woman (1959), Susan Cabot.
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