Showing 97–108 of 245 results
In keeping with the previous four instalments and very much against the norm for modern movie posters, the fifth adventure for everyone’s favourite archaeologist – “Indiana Jones and the Dial of Destiny” sees some incredible imagery by the creative arts agency Ten30 Studios. It’s a delightfully typical ‘Indiana Jones’ film poster – full of action with Ford as the featured point of interest with action scenes and supporting characters making up the background, all offset against the titular ‘Dial of Destint’. A perfect addition to the canon. This is a classic adventure poster from the ultimate adventure movie series that presents to excellent effect and is offered in beautiful rolled, unfolded (as issued) unrestored original condition. A truly fine piece of original country of origin movie memorabilia for a character and franchise that has proved to be one of the best loved and highly successful franchises in film history.
Trivia: Mads Mikkelsen is the second actor to play both a James Bond and Indiana Jones villain, having played Le Chiffre in Casino Royale (2006). The first is Julian Glover, who played Aristotle Kristatos in For Your Eyes Only (1981) and Walter Donovan in Indiana Jones and the Last Crusade (1989).
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In keeping with the previous four instalments, the fifth adventure for everyone’s favourite archaeologist – “Indiana Jones and the Dial of Destiny” sees an immediately recognisable image by the creative arts agency LA. It’s ‘Indiana Jones’, leather jacket, fedora and a grizzled, more mature, Harrison Ford as the familiar various shades of orange and brown dominate the colour palette – do you really need anymore? A perfect addition to the canon. This is a classic character poster from the ultimate adventure movie series that presents to excellent effect and is offered in beautiful rolled, unfolded (as issued) unrestored original condition. A truly fine piece of original country of origin movie memorabilia for a character and franchise that has proved to be one of the best loved and highly successful franchises in film history.
Trivia: Mads Mikkelsen is the second actor to play both a James Bond and Indiana Jones villain, having played Le Chiffre in Casino Royale (2006). The first is Julian Glover, who played Aristotle Kristatos in For Your Eyes Only (1981) and Walter Donovan in Indiana Jones and the Last Crusade (1989).
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A return to fun and adventure for Steven Spielberg’s 1989 sequel “Indiana Jones and the Last Crusade”. This original advance ‘He’s back in an all new adventure. Memorial Day 1989’ US one-sheet movie poster features the artwork of Drew Struzan, who has perfectly captured the likenesses of the lead character – Indiana Jones as played by Harrison Ford. Originally rolled, as issued to the cinema this superb example displays to fine effect being presented in totally unrestored condition and represents a fantastic piece of original movie memorabilia for an incredibly popular and well loved series of films.
Trivia: Sir Sean Connery was always Steven Spielberg‘s first choice to play Indiana Jones’ father, as an inside joke to say that James Bond is the father of Indiana Jones. If that had failed, Gregory Peck and Jon Pertwee were back-up choices for the role. Spielberg had always wanted to do a Bond movie, but did Indiana Jones as a James Bond-type character. In keeping with the James Bond theme, the movie has many Bond movie co-stars: John Rhys-Davies, Alison Doody, Julian Glover, Stefan Kalipha, Pat Roach, Eugene Lipinski, Michael Byrne, and Vernon Dobtcheff.
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Darker and more serious in tone and content than its predecessor. Spiros Angelikas’ cleverly designed ‘Trust Him’ taglined poster certainly reinforces that aspect for Steven Spielberg’s 1984 prequel / sequel “Indiana Jones and the Temple of Doom”. This original country of origin Advance teaser US one-sheet movie poster highlights the titular archaeologist hero bathed in a red (blood red ?) light surrounded by a dark black embossed patterned border. Originally rolled, as issued to the cinema this superb example displays to excellent effect being presented in totally unrestored high grade condition. Often seen as the ‘weakest’ of the franchise (not so in my book) this is considerably rarer than posters from the other films and is genuinely hard to find in this format and represents a fantastic piece of scarce original movie memorabilia for an incredibly popular and well loved series of films.
Trivia: While filming the whipping scene, the crew played a practical joke on Harrison Ford. While he was chained to a large stone, Barbra Streisand appeared, dressed in a leather dominatrix outfit. She proceeded to whip him, saying “That’s for Hanover Street (1979), the worst movie I ever saw.” She continued whipping him for Star Wars: Episode IV – A New Hope (1977), and making all of that money. Carrie Fisher then threw herself in front of Ford to protect him, and Irvin Kershner chided director Steven Spielberg. “Is this how you run your movies ?” This entire sequence was filmed.
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Darker and more serious in tone and content than its predecessor. Bruce Wolfe’s beautifully rendered artwork certainly reinforces that trait for Steven Spielberg’s 1984 prequel / sequel “Indiana Jones and the Temple of Doom”. This original country of origin US one-sheet movie poster highlights the titular archaeologist hero as a beacon of light surrounded by darkness. Originally flat and unfolded as issued to the cinema this superb example displays to excellent effect being presented totally unrestored high grade condition. Often seen as the “weakest” of the franchise (not so in my book) this is considerably rarer than posters from the other films in the series and represents a fantastic piece of scarce original movie memorabilia for an incredibly popular and well love film franchise.
Trivia: While filming the whipping scene, the crew played a practical joke on Harrison Ford. While he was chained to a large stone, Barbra Streisand appeared, dressed in a leather dominatrix outfit. She proceeded to whip him, saying “That’s for Hanover Street (1979), the worst movie I ever saw.” She continued whipping him for Star Wars: Episode IV – A New Hope (1977), and making all of that money. Carrie Fisher then threw herself in front of Ford to protect him, and Irvin Kershner chided director Steven Spielberg. “Is this how you run your movies ?” This entire sequence was filmed.
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A superb and eye-catching alternative movie poster by Enzo Sciotti for the cult dark horror adaptation of the best selling Anne Rice novel “Interview with the Vampire”. Each vampire Lestat (Cruise), Louis (Pitt), Armand (Banderas) and the young Claudia (Kirsten Dunst) is beautifully portrayed by Sciotti on this 2020 Hand-Numbered (# 16/45) Private Commission Screen Print. Printed using eighteen (18) coloured inks onto Neenah Stardream Eris Metallic Paper, the colours truly pop from the paper (the photo doesn’t do this justice) it almost appears to be painted. Presented in rolled (as issued) condition it represents an outstanding, piece of cinematic memorabilia and artwork.
Trivia: Upon learning that Tom Cruise had been cast as Lestat, Rice was livid and stated Cruise could not carry the part, calling the casting “so bizarre; it’s almost impossible to imagine how it’s going to work”. Rice recused herself from the production and did not view the film until a producer sent her a VHS copy. Rice was so impressed by Cruise’s performance that she wrote him a letter of apology and recorded a two-minute video endorsing the film that was included as a pre-feature on mid-1990s VHS releases.
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“I am Iron Man. The suit and I are one. To turn over the Iron Man suit would be to turn over myself, which is tantamount to indentured servitude or prostitution, depending on what state you’re in. You can’t have it.”
If you like your movie posters bold and impressive, then you will love this country of origin 2010 US one-sheet movie poster for Marvel Studios’ super hero sequel romp “Iron Man 2”. Full ‘Cast’ style featuring Iron Man, Tony Stark, War Machine, Don Cheadle, Black Widow & Pepper Potts (Gwyneth Paltrow) plus the inimitable Mickey Rourke as the villain Ivan Danko, ‘Whiplash’. Designed by BLT Communications LLC this originally rolled (as issued) example looks stunning and displays to superb effect, perfectly suited to the portrait format of the one-sheet. Highly collectable as this was the first direct sequel (to the blockbuster “Iron Man”) and privately funded by Marvel Studios. Without the huge success of this movie and its predecessor there not now be a Marvel Universe in our cinemas…NO Avengers, Captain America, Shield, Hulk, Thor. A hugely influential and important modern film that represents a fantastic item of original movie memorabilia. If movie posters follow the trend of the comics, then ‘key’ and first appearances will become equally significant…this features the first appearances of Black Widow and War Machine.
Trivia: Scarlett Johansson dyed her hair red before she even got the part of Natasha Romanov, a.k.a. Black Widow, because she wanted the role so badly.
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“007 The double “O” means he has a license to kill when he chooses…where he chooses…whom he chooses!”
An outstanding limited edition alternative movie poster for Sean Connery’s debut as Ian Fleming’s super spy James Bond in “Dr. No”. A magnificent, James Bond poster with bold vibrant colours and a one of the best images of Connery as 007 you will see by Yvan Quinet. Immediately recognisable as a Bond film. This alternative movie poster printed in 2026 is particularly scarce with a print run of only 20 is hand-numbered #007, yes, 007. Presented unrestored in original unfolded (as issued), rolled condition this superb example has been printed in the giclee style and appears to have a painted finish. It displays to impressive effect and represents a fantastic piece of collectable James Bond cinematic memorabilia from one of the most respected entries in this long running franchise.
Trivia: Sir Sean Connery‘s suits for this film were made by Saville Row tailor Anthony Sinclair. Sinclair stated that a truly great bespoke suit would be able to stand up to a good deal of abuse – such as grabbing by the lapels – and still look great afterwards. To prove his point, Connery was asked to sleep in his suit. When he woke up the next morning he was stunned to see that it looked fantastic.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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“Robert McGinnis is an acclaimed American illustrator whose elegant, dynamic artwork helped define the visual culture of post-war popular entertainment. Renowned for his sophisticated figure work and glamorous compositions, he created imagery for numerous paperback covers, magazines and major film campaigns. McGinnis is particularly celebrated for his James Bond posters. His distinctive combination of romance, danger and cinematic style has made him one of the most recognisable and collectable illustrators of the twentieth century.”
The unmistakable glamour and danger of James Bond are brought together in Fit to Kill, a limited-edition print by legendary American illustrator Robert McGinnis. Measuring approximately 23.5 × 17 inches, the artwork depicts a Sean Connery-era Bond reclining with his pistol while receiving the attentions of a glamorous companion. The richly textured red background creates a characteristically stylish combination of sophistication, sensuality and concealed menace.
McGinnis helped define the visual identity of 1960s and 1970s Bond through his celebrated artwork for films including Thunderball,You Only Live Twice, On Her Majesty’s Secret Service and Diamonds Are Forever. His elegant figures, assured draughtsmanship and dynamic compositions remain inseparable from the golden age of illustrated cinema advertising.
Published as part of the Robert McGinnis Hollywood Edition, this example is personally signed by the artist and hand-numbered #17 from a limited edition of 500 and is accompanied by its Robert McGinnis Hollywood Edition Certificate of Authenticity. With tremendous visual impact and distinguished Bond provenance, it makes a superb display piece for collectors of 007, Robert McGinnis and classic cinematic illustration.
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After the ‘Star Wars’ style excesses of the previous movie “Moonraker” this is more of a return to a realistic spy thriller in John Glen’s “For Your Eyes Only” and it is director John Glen who has personally signed this poster – a lovely clear signature in black pen on the red background above the title. This original US one sheet is from first year of release 1981 featuring iconic artwork that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s finished artwork. There is no doubting that this originally folded (as issued) example displays very well and is probably the most recognisable of all the Roger Moore, Bond posters and represents an impressive example of original collectable James Bond movie memorabilia.
Trivia; after much debate the infamous “legs” belong to New York model Joyce Bartle.
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“Mr. Bond. I’m so glad I caught you. Your office called. They’re sending a helicopter to pick you up. Some sort of emergency.”
A rare find in investment grade flat and unfolded condition for Roger Moore’s fifth outing as Agent 007. After the excesses of the previous movie “Moonraker” this is more of return to a realistic spy thriller in John Glen’s “For Your Eyes Only”. Featuring the same landscape format as a country of origin British quad this 1981 US Half Sheet also uses the stunning artwork (only with a slightly different colour palette) that incorporates the “legs” aspect of Bill Gold’s design and Brian Bysouth’s beautifully detailed all-action artwork. The original poster offered here is presented in exceptional unrestored, flat/unfolded (as issued) condition with . bright, vibrant colours. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia and is a truly impressive 007 poster.
Trivia #1: after much debate the infamous “legs” belong to New York model Joyce Bartle.
Trivia #2: singer Sheena Easton here is the only performer of a James Bond theme song who also appears in the iconographic opening credits.
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A magnificent private commission alternative movie poster for John Glen’s 1989 James Bond extravaganza…“Licence to Kill”. The action-packed artwork (the second in his Bond series) by artist Alfons Kiefer features all the classic imagery you’d expect to see in a Bond film, Dalton – sans tuxedo, emphasising this Bond is independent and his own man, exotic location, action, psychotic villains – Robert Davi and Benicio Del Toro and beautiful, glamorous women – Carey Lowell and Talisa Soto. This fourteen-colour screenprint is presented on Fedrigoni Materica Gesso paper and is hand-numbered #22/75. This amazing limited edition art print represents a fine piece of very collectable James Bond movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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