Showing 193–204 of 245 results
”That’s a walk-in bank. You don’t have to be Dillinger for this one”
An original 1972 black and white promotional still for Sam Peckinpah’s “The Getaway”, a movie that delivers the three “S’s” – Style, Substance & Steve McQueen. When originally released in 1972 it set the template for gritty, realistic crime thrillers and redefined McQueen’s stylish look for the 1970s. A great looking image as McQueen is featured in a stairwell, full shotgun action, shoot out mode on this eye catching example. Originally flat and folded (as issued) it displays and presents superbly with the movie details printed on the reverse. This is an excellent, original, unrestored example for a rare & sought after Steve McQueen title.
Trivia: Colin Farrell, Kevin Costner, Pierce Brosnan and Bruce Willis have all listed McQueen as their hero and inspiration for being an actor.
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition art print by the artist Paul Mann, the best ever poster produced for this crime classic. Mann’s artwork and use of colour is breath taking, and this needs to be seen in person to fully appreciate the quality. Printed onto Platinum Etching Paper with a giclee finish it appears painted. A private commission with a print run of only 150 this has been hand-numbered #23. This example displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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“If by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition alternative movie poster by the artist Jeff Kleinsmith, a truly memorable and eye-catching design for this crime classic. Kleinsmith’s artwork and use of bold colour is very clever with more than a nod to the Eastern European school of poster design. Full of classic Godfather symbolism – the severed horse’s head, oranges from the Don’s garden and a blood splatter that features all of the Corleone Family – subtly stating that the Family has blood in its history. Commissioned for a limited screening at the Alamo Drafthouse theatre in 2009, this fine example has been hand-numbered #253 from a print run of only 285. It displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: The smack that Vito gives Johnny Fontane was not in the script. Marlon Brando improvised the smack and Al Martino‘s confused reaction was real. According to James Caan, “Martino didn’t know whether to laugh or cry.”
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“…when Johnny was first starting out, he was signed to a personal services contract with this big-band leader. And as his career got better and better, he wanted to get out of it. But the band leader wouldn’t let him. Now, Johnny is my father’s godson. So my father went to see this bandleader and offered him $10,000 to let Johnny go, but the bandleader said no. So the next day, my father went back, only this time with Luca Brasi. Within an hour, he had a signed release for a certified check of $1000.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition art print by the artist Paul Mann, one of the best ever poster produced for this crime classic. Mann’s artwork and use of colour is breath taking, and this needs to be seen in person to fully appreciate the quality. Described as the Italian variant it was printed using “Il Padrino” as the title with gold ink detailing against a black background. Printed onto Fotospeed Platinum Etching Paper with a giclee finish it appears painted. A private commission with a print run of only 50 this has been hand-numbered #12. This example displays to excellent effect and is an outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: Marlon Brando wanted to make Don Corleone “look like a bulldog,” so he stuffed his cheeks with cotton wool for the audition. For the actual filming, he wore a mouthpiece made by Dick Smith. This appliance is on display in the American Museum of the Academy Museum of Motion Pictures in Los Angeles in a special Godfather exhibition
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“…when Johnny was first starting out, he was signed to a personal services contract with this big-band leader. And as his career got better and better, he wanted to get out of it. But the band leader wouldn’t let him. Now, Johnny is my father’s godson. So my father went to see this bandleader and offered him $10,000 to let Johnny go, but the bandleader said no. So the next day, my father went back, only this time with Luca Brasi. Within an hour, he had a signed release for a certified check of $1000.”
Francis Ford Coppola’s multi Oscar winning masterpiece “The Godfather” is THE GREATEST FILM EVER MADE with this limited edition art print by the artist Yvan Quinet, one of the best ever produced for this crime classic. Quinet’s portrait of Marlon Brando wearing a tuxedo adorned with a single red rose is breath taking, and needs to be seen in person to fully appreciate the quality of the artwork and the print. The title border with gold ink detailing against a black background is a very nice finishing touch. This Artist Proof screen print has been signed by Yvan Quinet and hand-numbered #8 from an edition of only 8 and displays to excellent effect. A truly outstanding example of an alternative movie poster for a film, that is a phenomenon. An exquisite Mafia epic with outstanding performances, Coppola got everything right, creating a cinematic event with an immeasurable influence on everyday culture and life.
Trivia: Marlon Brando wanted to make Don Corleone “look like a bulldog,” so he stuffed his cheeks with cotton wool for the audition. For the actual filming, he wore a mouthpiece made by Dick Smith. This appliance is on display in the American Museum of the Academy Museum of Motion Pictures in Los Angeles in a special Godfather exhibition
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Designed by creative arts agency GHAH Studios the 2020 US one-sheet film poster for Francis Ford Coppola’s “The Godfather (Part III) Coda – The Death of Michael Corleone” is a dramatic, atmospheric poster image featuring the remaining members of the Corleone dynasty – the aged Don Michael Corleone (Al Pacino), Vincent (Adam Garcia) the illegitimate son of Michael’s brother Sonny, Connie (Talia Shire) and Michael’s daughter Mary (Sofia Coppola). With dark, rich colour tones it is a perfect choice of design for Coppola’s final instalment of his hugely influential & Oscar winning trilogy. The double sided US one sheet offered here is presented in excellent unrestored, rolled (as issued) condition). It displays superbly and represents a fine piece of collectable original movie memorabilia for a much admired and hugely respected film franchise.
Trivia: Because of the popularity of the two earlier Godfather movies, Frank Sinatra reversed his anti-Godfather stance and expressed interest in playing Don Altobello. He lost interest because of the size of the paycheck for the role, and it went to Eli Wallach. Coincidentally, Sinatra got his role in From Here to Eternity (1953) when Wallach backed out due to scheduling conflicts with a Broadway play. Legend has it that Sinatra used mob ties to get Wallach’s part, which inspired the Johnny Fontane subplot in The Godfather (1972).
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“The bounty hunter. The Hangman. The Confederate. The Sheriff. The Mexican. The little man. The cow puncher. The prisoner…Eight strangers. One deadly connection.”
Quentin Tarantino’s 8th Film…“The Hateful Eight” is a bloody, brutal, who dun-it epic. Released in 2015 it proved a huge commercial & critical success and in keeping with previous Tarantino movie merchandising offerings the film posters have became very collectible. Officially licensed by Tarantino who worked closely with artist, Jason Edmiston and Mondo’s team to create an image that represented the films iconic and titular “eight,” while also wanting to pay special attention to the lush, vast snowy landscapes captured in glorious 70mm. Edmiston has truly achieved what I feel to be among his best and certainly most technically proficient screen prints ever. The artist had this to say about the project…”Quentin Tarantino is my favorite contemporary director, and Mondo thrilled me with the offer to attack an official poster for his latest movie, THE HATEFUL EIGHT. Enthralled by the film, I accepted the challenge. The eight titular characters are as equally important to the plot of the movie as the super wide, glorious 70 millimeter Panavision presentation. I wanted to feature both the diverse personalities and the beautiful, expansive landscape during a raging snow storm that reflects the energy inside the Haberdashery. Stylistically, Italian western posters of the 60s and 70s influenced my approach since this production shares many of those films’ typical characters and plot cues. I also wanted to maintain as much of my painted style as possible within the limitations of screen printing. I maximized the three-dimensional quality by purposefully layering my background, middle-ground and foreground elements to tell a story. Starting with a full value, black and white traditional painting, I then finalized it digitally. Comprised of 10 layers, created one at a time, the completed work combines a mix of opaque and transparent inks to emulate a full color watercolor painting. The entire process from concept to final poster took nearly 6 weeks. It was a labor of love and perhaps my proudest accomplishment to date”…Totally unrestored this originally rolled unfolded (as issued) example (#424/2975) displays to excellent effect with only minimal handling wear. Perfect, bright colours this is a truly outstanding and extremely rare film poster that represents a key item of highly sought after modern Quentin Tarantino movie memorabilia.
Trivia: Takes place in the same universe as Quentin Tarantino‘s previous film, Django Unchained(2012), even though it is not a sequel. Ironically, Samuel L. Jackson and Walton Goggins play villains in that movie, and are the good guys in this one.
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“They called him “Fast Eddie”… He was a winner… He was a loser… He was a hustler.”
Rarely is a reissue poster more highly treasured than the original release, but this is – “The Hustler” one-sheet is one such title. When this movie was first released, the studio seemed to want to hide that it was about “pool hustling”, and it was sold as being a romance, and there was little to no mention (or images) of pool on any of the first release 1961 posters. But when the movie was quickly re-released three years later in 1964, it had become an Academy Award winning classic, and learning from their mistakes, the new marketing campaign featured a striking stylised design – a pool cue with images of the actors within billiard balls set against a green baize background. An absolute must-have example with an iconic design and use of bold colours which literally do ‘pop’ out from the paper of this stunning original country of origin American poster. Originally folded (as issued) the example offered here has been professionally conservation linen backed to a very high standard and appears rolled. It represents a hugely collectable and desirable example of cinema movie memorabilia for one of the defining sports based movies ever made. A truly classic movie and poster.
Trivia: All the pool shots in the movie are performed by the actors themselves (Paul Newman and Jackie Gleason) except one: the massé shot (cue ball sends two object balls into the same pocket), performed by Willie Mosconi.
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“Dave Skylark and his producer Aaron Rapaport run the celebrity tabloid show “Skylark Tonight”. When they land an interview with a surprise fan, North Korean dictator Jong-Un Kim, they are recruited by the CIA to assassinate him.”
Few modern film campaigns have generated as much controversy as “The Interview”, represented here by its unmistakable propaganda-style US one-sheet poster. Designed by Ignition, the bold artwork places Aaron Rapaport (Seth Rogen) and Dave Skylark (James Franco) amid missiles, soldiers, tanks and radiating communist imagery, with Korean lettering completing its deliberately provocative appearance.
Directed by Rogen and Evan Goldberg, the action comedy follows a television presenter and his producer whose planned interview with North Korean leader Kim Jong-un becomes an unlikely CIA assassination mission. The film attracted worldwide attention after a major cyberattack on Sony Pictures and threats against cinemas disrupted its planned theatrical release. It ultimately opened in a limited number of independent venues on Christmas Day 2014 alongside a digital release.
Measuring 27 × 40 inches, the poster is presented rolled (as issued) and remains in excellent condition. Although the artwork appears distressed and weathered around the edges, this is an intentional element of the printed design rather than actual wear. With tremendous visual impact, this highly desirable piece of rare cinematic memorabilia makes a superb display piece for collectors of controversial films, distinctive poster artwork and modern cinema history.
Trivia: With all the support from politicans and celebrities such as George Clooney, Sean Penn, Michael Moore, and even President Barack Obama, Sony Pictures Entertainment decided to release the film on the original release date of December 25, 2014 in select theaters and Video-On-Demand.
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“Some Secrets Are Too Huge To Hide”
An amazing, colourful, full of fun film poster from first year of release 1999 for Brad Bird’s giant alien robot animated adventure “The Iron Giant”. This really is stunning, retro styling and beautiful rich blue/green colour tones, this country of origin US one sheet is the incredibly scarce International version. Originally rolled (as issued) it presents and displays to excellent effect. Perfectly designed to suit the portrait layout of a one sheet it certainly impresses and represents a great looking, cleverly imagined piece of original movie memorabilia…“For the child in all of us ?”
Trivia: The Iron Giant and Groot in Guardians of the Galaxy are both voiced by Vin Diesel and, in both times, the sound technician that worked on it was Doc Kane. Both characters end up sacrificing themselves, but are ultimately resurrected.
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“The Life Aquatic with Steve Zissou” was a cult success on its release with Wes Anderson’s loyal fanbase hailing another solid cinematic offering, it is most certainly an unusual film. It’s something of a collage of colorful imagery, fragmented shots, quirky music, strange characters, bizarre situations, and amusing montages – it perfectly suits the artistic style of one of my favourite alternative movie poster artists – Ise Ananphada, with this limited edition (a print run of only 175), hand-numbered screen print for “The Life Aquatic with Steve Zissou” one of the best (if not the best) for the title and has been created using fifteen (15) different coloured inks. Originally rolled (as issued) this art print from 2020 is a real eye-catcher that looks and displays to excellent effect and represents an extremely hard to find, modern original collectable movie memorabilia from a truly exceptional writer/director and a supremely talented artist.
Trivia: The red woollen caps worn by the characters are a reference to Jacques-Yves Cousteau, famed underwater film-maker and co-inventor of the modern aqualung.
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“Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.”
Artist Casey Booth is back from a trip to Santa Carla with a stunning giclee print that bites for Joel Schumacher’s “The Lost Boys”. This 2026 hand-numbered (#25/75) limited edition release is a proper horror poster as leader of The Lost Boys – David (Kiefer Sutherland) is the main focus with the would be vampire hunters blended into the background and printed using an incredible colour palette of blood reds inks. Presented in excellent condition this rolled, flat and unfolded (as issued) example displays superbly and is an impressive piece of artwork and a hugely desirable alternative movie poster. This is THE teenage angst vampire movie with this high grade poster showcasing the teen vampires in all their undead glory…“Something I never could stomach about Santa Carla, all the damn vampires!”
Trivia: In the cave of the Lost Boys, you can see a poster of Jim Morrison, who recorded the original version of “People are Strange” with The Doors. Also, when Star and Laddie are being carried into Sam’s room, you can see a poster of Echo & The Bunnymen, who recorded the version used in the movie.
What is Giclee ?
Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.
The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.
Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.
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