Film
OASIS: Don’t Look Back in Anger
2026
UK One Sheet / Double Sided / (27″ x 40″)
British / UK
Near mint minus; originally rolled (as issued)
Dylan Southern, Steven Knight, Will Lovelace
Alan White, Andy Bell, Gem Archer, Ian Brown, Liam Gallagher, Mani, Noel Gallagher, Paul ‘Bonehead’ Arthurs, Paul McGuigan, Zak Starkey
“If you went to Live ’25 it’s the best way to relive it, and if you didn’t it’s the best way to feel like you were.”
Seen from behind with their joined hands raised, Liam and Noel Gallagher face a packed stadium on this cinema one-sheet for “Oasis: Don’t Look Back in Anger”. The blue-toned photograph puts the viewer onstage with the brothers, looking out over the crowd. Above them, the line “The great wait is over” captures the anticipation surrounding the band’s Live ’25 reunion tour.
Written by Steven Knight and directed by Dylan Southern and Will Lovelace, the film documents Oasis’ return to the stage together. The poster takes its title from one of the band’s best-known songs – “Don’t Look Back in Anger”, with the familiar boxed Oasis logo above it and the British cinema release date, 9 September 2026, printed below.
Measuring 27 x 40 inches, this one-sheet is presented rolled, as issued, in excellent condition. For music fans and Oasis collectors, it’s a striking record of the reunion and the moment the Gallagher brothers shared a stage again.
Trivia: Will Lovelace and Dylan Southern also directed Blur: No Distance Left to Run (2010), which is a documentary about the band Blur. That band and Oasis were previously rivals.
…more detailVintage Movie Posters Grading Criteria... read more +
OASIS: Don’t Look Back in Anger Movie Poster
“Experience the meteoric rise of Oasis through rare footage and untold stories as the band reunites for Oasis Live ’25, chronicling their journey from Manchester streets to global rock stardom.”
Being an Oasis fan, I was always going to enjoy this film, “Don’t Look Back in Anger” didn’t disappoint. Plenty of people will leave reviews, and they’ll be far more in depth, but I want to use mine to address some of the other reviews on here, and what they feel the film omitted.
Yes, there’s no detailed story of how the band got going. That’s been done to death already. There’s no mention of the money involved in the reunion. Possibly this was seen by the directors as being rather gauche, and not becoming of the message of the film: be positive, love one another, we’re in this together.
Some have suggested that Noel Gallagher and Liam Gallagher are hypocrites and that they’re putting on an act of brotherly love. Maybe it’s just me, but that didn’t come across at all. The two seemed absolutely genuine in the fact that they have built bridges, buried hatchets, and rediscovered what it’s like to be in a band with your sibling, and enjoy being in that band and the music they made.
What I will say about the film is this: the whole thing focuses as much on us the people, the crowd, the fans, as it does on the band. Perhaps more so. And that fits on with what Noel, Liam, and other musicians have always said: when all is said and done, the main thing is the music and the fans. Without those two things, the people on stage who we idolise so much wouldn’t be there.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
