Film
Friday the 13th Part VII: The New Blood (Signed)
2026 Release
36″ x 24″ (91 x 61 cm) Single Sided, Limited Edition, Hand-Numbered #44/75 Fine Art Screen Print by Juan Ramos
United States (USA)
Near Mint – Flat and Unfolded – Rolled (as issued), Signed by Kane Hodder with character name ‘Jason’ and annotated ‘7, 8, 9, X’
John Carl Buechler
Jennifer Banko, John Otrin, Kane Hodder, Lar Park-Lincoln, Susan Blu, Terry Kiser, William Butler
“On Friday the 13th, Jason is back. But this time, someone’s waiting.”
Firelight cuts through the woodland darkness in Juan Ramos’ atmospheric alternative movie poster for “Friday the 13th Part VII: The New Blood”. Jason Voorhees towers beside a campsite, swinging a victim in a sleeping bag towards a tree in a depiction of one of the film’s most notorious moments. The orange glow of the campfire contrasts with the cold blue-green forest, emphasising Jason’s decaying appearance and unmistakable hockey mask.
Directed by John Carl Buechler and released in 1988, “The New Blood” pits Jason against Tina Shepard, played by Lar Park Lincoln, whose telekinetic abilities give her an unusual means of fighting back. The film also marked Kane Hodder’s first appearance as Jason, beginning an association with the character that continued through four films.
Signed prominently by Kane Hodder, this example includes the character name “Jason” and the annotation “7, 8, 9, X”, referencing his four appearances in the role. Presented flat and unfolded in excellent condition, it combines striking artwork with a direct connection to one of the franchise’s most celebrated performers—an impressive display piece for collectors of “Friday the 13th”, Jason Voorhees and signed horror memorabilia.
Trivia: The first of 4 films in a row in which Kane Hodder plays Jason Voorhees. He would reprise the role in Friday The 13th Part VIII: Jason Takes Manhattan (1989), Jason Goes To Hell: The Final Friday (1993) and Jason X (2002)
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Vintage Movie Posters Grading Criteria... read more +
“Part VII: The New Blood” of the bloody “Friday the 13th” franchise might stand as one of the most important movies in the entire series as it brought the massive hulking actor Kane Hodder into the role of Jason Voorhees.
As much as I love all the movies in the franchise, then the telekinesis element was a bitter pill to swallow. Sure it was entertaining enough, and it was as supernatural as the Jason character himself, but still there just was something silly about it.
The story takes place after Jason ends up at the bottom of the lake in part VI. A telekinetic-gifted girl accidentally frees the Crystal Lake slasher from his watery grave, unleashing the murdering madman to do what he does best.
As for the acting, then they had some nice talents on the cast list, including Lar Park-Lincoln as Tina, Terry Kiser as Dr. Crews and, of course, Kane Hodder as Jason.
“Friday the 13th Part VII: The New Blood” takes the physical decay of Jason further and the effects and make-up department really did fantastic jobs, especially when Jason is unmasked. That moment is priceless.
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HP7 0HL
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
