Showing 25–36 of 87 results
Designed by the creative arts agency Feref Associates this colourful and energetic UK quad film poster is a fitting tribute to the over the top 80’s. Like many of this type of ‘art-house’ film the cinematic release was strictly limited, making any paper from the original release extremely scarce and very sought after by memorabilia and Dylan fans with the British UK quad design being particularly desirable. This original 1987 film poster with its stylised artwork and ‘in your face colours’ was originally folded (as issued) and remains in excellent unrestored condition. It displays and presents near flawlessly with amazing rich colour tones and represents a fine example of original and collectable movie and rock ‘n’ roll memorabilia.
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“The most shocking tale of carnage ever seen.”
“House of 1000 Corpses” is a stylish, gore-laden 2003 offering which marks marks the directorial debut of Trash/Industrial Artist Musician Rob Zombie. Largely unheard of outside Zombie’s fiercely loyal fanbase it grew to be a cult horror classic, proving hugely influential for the low budget flicks that followed. Because of a very limited cinema release schedule and a low print run these posters are genuinely rare and hard to find. This originally rolled (as issued) 2003 UK quad displays superbly with great horror imagery from British artist Graham Humphreys and represents a fine example of horror memorabilia.
Trivia: Otis’ and Baby’s bizarre rants during the “home movie” segments are inspired by the Charles Manson family’s supposed home movies.
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“A Story of a mystery…A mystery inside worlds within worlds…Unfolding around a woman…A woman in love and in trouble.”
Designed by graphic designer Mister S. for the advertising agency Empire Design, this original 2006 UK quad poster for David Lynch’s mystery drama thriller “Inland Empire” features striking, colourful imagery of Laura Dern with the night-time Los Angeles skyline a fitting backdrop. With its simple, distinctive, imagery this rolled (as issued) example presents to superb effect, providing a high quality and very rare film poster from one of Cinema’s most revered cult directors.
Trivia: This is the last feature film directed by David Lynch. All of his other film projects since have been short films, music videos, documentaries, or TV episodes. In 2012, Lynch stated in an interview with the Los Angeles Times that he lacked the inspiration to start a new movie project, but “If I got an idea that I fell in love with, I’d go to work tomorrow”. In 2017 while promoting Twin Peaks (2017), Lynch was reported to have retired from directing feature films. But in January 2025, Lynch died despite clarifying years prior to his death that his words were misconstrued by reiterating, “I did not say I quit cinema. Simply that nobody knows what the future holds.”
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Timothy Dalton’s second outing as 007 was a truly gritty tale of revenge and action with a great white shark being an unusual instrument of torture for one scene. Keith Hamshere (who made Dalton the ‘perfect’ Bond in The Living Daylights campaign ) was again retained as the Bond photographer on this 1989 country of origin British UK quad for “Licence to Kill” featuring a moody Timothy Dalton in close up. Genuinely scarce this rolled (as issued) example looks superb and is presented totally unrestored in high grade condition and represents a worthy addition for any poster collector or any collection of James Bond cinematic movie memorabilia.
Trivia: It is widely and incorrectly rumored that this was Timothy Dalton‘s last James Bond film due it being financially disappointing. In reality, Dalton was to star in a third James Bond film after this one, titled “Property of a Lady”, written by Michael G. Wilson and Alfonse Ruggiero Jr. and set to start shooting in 1990, with pre-production work having begun in May of that year. However legal issues with MGM beginning that year created long delays which eventually led Dalton to announce his retirement from the role in 1994, a year after his initial contract expired, paving the way for Pierce Brosnan‘s casting in GoldenEye (1995). Had the film been made, it would have been set in Scotland, Tokyo, and Hong Kong, and would have involved nanotechnology.
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last fully drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. The advance teaser poster preceding this was a mixture of photograph and artwork created by Brian, the advertising agency Feref, Jeffrey Bacon & David Generic and is distinctive for the see-through negligee. However it is not Bond babe Maryam d’Abo in the shot but American model Kathy Stangel in this famous pose & beautifully photographed by Jim McCrary. The original 1987 UK (country of origin) movie poster offered here is presented in exceptional unrestored, rolled (as issued) unfolded condition with bright and unfaded colour tones and white areas that are truly bright. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond movie memorabilia.
Trivia: Kara Milovy (Maryam d’Abo) is the last “main” Bond girl to be blonde until Spectre (2015). All leading Bond girls in the other films since have been brunettes or redheads.
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1987 was the end of a historic movie tradition as Brian Bysouth produced the last artist drawn painted James Bond film poster (Fascinating Brian Bysouth interview with Eddie Shannon of Film on Paper) for Timothy Dalton’s 007 debut as “The most dangerous Bond…Ever” in “The Living Daylights”. Bysouth has used the classic image of Bond viewed through the end of a gun barrel to fine effect and further embellished the finished design with great action scenes and marvellous renditions of the latest Bond-girl, Maryam d’Abo and of course the classic Aston Martin (in this case a V8 Vantage Volante). The original 1987 UK (country of origin) quad movie poster offered here is presented in high grade unrestored, rolled (as issued) condition and perfectly suited to the landscape style for which it was designed for. Colours are bright and unfaded, the black background a deep black and the white areas truly bright. Hugely desirable and very collectable, it would be a worthy addition to any collection of James Bond cinematic movie memorabilia.
Trivia: This was the last James Bond film to use an original Ian Fleming title until Casino Royale (2006), a gap of almost twenty years.
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The blood red background silhouetting the infamous T-rex skeleton makes for the most iconic and instantly recognisable logo in cinema history. It can only be Steven Spielberg’s 1993 blockbuster “Jurassic Park”. Ground breaking and game changing are phrases banded around far to easily in this day of modern cinema but “Jurassic Park” truly deserves these accolades. A massive worldwide success on its release with merchandising and memorabilia hugely sought after with the logo style design being the most desirable. From first year of release 1993 this rolled (as issued) Advance ‘Summer 1993’ original, unrestored UK quad film poster displays and presents to excellent effect. The bright red logo and title which is printed , slightly embossed, using a spot varnish finish, truly pops against the matt black background. From an aesthetic point of view I have always preferred the landscape format of the quad, as feel it suits the design (and is much more impressive) than the portrait style of a one-sheet. A fine piece of original movie memorabilia that is hard to find in such high grade condition from the film that kickstarted the CGI phenomenon and made millions fall in love with a T-Rex.
Trivia: The novel was published in 1990. However, pre-production of the film began in 1989, using only Michael Crichton‘s manuscript. It was widely believed that the book would be such a hit that it would make an outstanding movie. It turns out that assumption was correct
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Directed by the acclaimed filmmaker Ken Loach, “KES” is based on the 1968 novel “A Kestrel for a Knave”, written by Barry Hines. It is part of the kitchen sink realism movement that developed in Britain in the late 50s and early 60s. This movement focussed on those that were disillusioned with modern society, and on the domestic lives of working-class Britain. When re-released by the BFI in 1999 for the 30th Anniversary, graphic design agency The Farm was commissioned to create a new poster, and it’s fair to say it what he has produced surpasses the original. Exclusive to this British release it’s a stunning imagery sums up the feeling of isolation. The borrowed shorts typify the “done unto” theme for the young lad while attempting to add a touch of welcome understated humour to the poster – made more poignant by the fact that for David Bradley’s role in life humour was usually at his own expense or not at all. An incredibly scarce example of modern poster design, perfectly suited to the landscape format of the UK quad. Originally rolled (as issued) this superb example presents extremely well and represents a beautiful example of cinematic movie memorabilia from a film that remains a powerful study of school, family, strife and dreams ever made.
Trivia: KES (1969) has a 100% rating based on 32 critic reviews on Rotten Tomatoes.
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“Now, if you’re sitting comfortably, I shall tell you why you must not be afraid to die. To die so that the god may live is a privilege, Kevin, and if you know anything at all about history, you will know that human sacrifice is as old as Dionin himself, whose every death is a rebirth into a god ever mightier !”
A terrifying eye-catching film poster for Ken Russell’s “Lair of the White Worm”. This original 1988 UK quad film poster is stunning; truly memorable horror imagery as we see a close up of snarling fanged snake-creature about to attack. Very in your face and not at all as understated and restrained (much like the legendary Director). With unique British, country of origin artwork this is an extremely desirable and very scarce poster. In excellent original, unrestored condition this folded (as issued) example displays to superb effect and represents an impressive item of original horror movie memorabilia from a cult British horror classic.
Trivia: The D’Ampton worm is an obvious reference to the Lambton worm, which is a real English legend, dating back at least to the mediaeval period.
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“You know, it’s kinda like… Success is subjective, you know. It could be an opinion.”
“Last Days”, Gus Van Sant’s experimental film loosely inspired by Kurt Cobain’s, err, last days and the rock star that indie darling Michael Pitt satisfyingly embodies here. The original UK quad film poster to accompany the 2005 release was designed by the creative arts agency Shoolery Design and features a ‘grungey’ close up of Pitt. Like many ‘art-house’ and independent releases the advertising campaign was very low key and the UK film poster that accompanied the extremely limited cinema release is truly scarce. Originally rolled this incredibly rare example displays to excellent effect and represents a highly sought after piece of collectible music/film/ memorabilia presented in superb condition.
Trivia: Gus Van Sant had originally intended to make a direct bio-pic of Kurt Cobain in the mid-1990’s but ran into legal obstruction from Cobain’s widow, Courtney Love. Undeterred, Van Sant met with Love to discuss some ideas for the film, as well as her possible involvement. Though the two actually became friends and discussed the film for years, Van Sant eventually realized that Love was too devastated by Cobain’s death to ever collaborate on the film or even allow a bio-pic to ever be made and adapted his ideas into this fictionalized story.
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“Evil Beyond Exorcism”…A great horror poster from the late 1970’s for the much under rated occult thriller “The Legacy” This original UK quad film poster Richard Marquand’s 1978 release and really is a striking example of horror poster design and artwork that certainly remains in the memory. Very rare to find in such excellent original unrestored condition; the black background is a deep unfaded black whilst the imagery and lettering is bright and truly stands out. This scarce, folded (as issued) example displays and presents superbly and represents an extremely collectable piece of 1970’s British horror cinema memorabilia.
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