Unholy Wife, The – “La Femme et Le Rodeur”



Unholy Wife, The – “La Femme et Le Rodeur”

Additional information




France / Single Sided / (47" x 63")


Very Fine minus; originally folded now conservation linen backed-no further restoration


John Farrow


Arthur Franz, Beulah Bondi, Diana Dors, James Burke, Marie Windsor, Rod Steiger, Tol Avery, Tom Tryon

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“HALF-ANGEL…HALF-DEVIL…She made him HALF-A-MAN !”…Beautiful Roger Soubie artwork of British femme-fatale Diana Dors in John Farrow’s film noir “The Unholy Wife”. This is a rare early 1957 example  for the first French release of the her foray into Hollywood that looks magnificent; the colours and artwork really are quite stunning & made even more striking by the large format of the French Grande affiche.  This original affiche is in very good condition and has been conservation backed in the “European” style (just backed with no restoration) . It presents very well and displays to impressive effect…Any paper from this film noir is particularly scarce making this an extremely desirable item of original film memorabilia.

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Vintage Movie Posters Grading Criteria... read more +

Film Description

“She flaunted his hopes, taunted his dreams, turned his peaceful valley into a volcano of seething passions that even murder could not stem!”“The Unholy Wife” is not quite as sensational as a plot summary might make it sound. The femme fatale lead character does perpetrate a nasty little scheme, but it does not add up to a great deal. John Farrow’s matter-of-fact directing style is partly responsible. A larger problem is in the impersonation by Diana Dors. Not a bad actress, really, sex goddess Dors just never seems as selfishly malevolent as her character is supposed to be. Things seem to happen around her, and she gets ideas from others as well…There is definite camp appeal in watching Dors swivel down the ludicrously shadowy hallways of her husband’s mansion, her impossibly complicated hairdo cascading around a Monroe-esquire facial expression. This is the kind of picture in which the viewer cannot wait for the heroine to do something evil. But, as indicated, Dors never really delivers. Considering her one violent act, she is probably merely stupid…Rod Steiger does an early one of his ‘nearly crazy’ types here, mercurial but volatile. Beulah Bondi is non-stop hysterical. And the unfortunate Tom Tryon serves little purpose than to look good…Yet, the whole thing has a luridly Technicolor, tabloid quality that is not without a certain appeal. It’s interesting as the kind of B movie that–in a rather mild way–reflects an era (1957) of whispered sexuality and sensationalized scandal.

Vintage Movie Posters Grading Criteria

A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.

22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.


30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

27 X 40″, printed on paper. Very rarely used size.


13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.