Film
Two-Lane Blacktop
1971
UK Quad (30" x 40")
UK
Very Fine plus – Near Mint minus; Originally folded
Monte Hellman
Bill Keller and Harry Dean Stanton, David Drake, Dennis Wilson, Jaclyn Hellman, James Taylor, Laurie Bird, Richard Ruth, Rudy Wurlitzer, Warren Oates
“You can never go fast enough”…Very rare original UK Quad film poster for Monte Hellman’s 1971 drag racing cult classic “Two-Lane Blacktop”. Universally acclaimed as one of the greatest US “road” movies ever made any paper from this film is incredibly hard to find & is rarely offered for sale. Originally folded this looks and displays superbly with haunting black & white grainy imagery. All the main characters are featured on this beautiful example with striking simple design in true INVESTMENT GRADE CONDITION….”James Taylor is the driver…Warren Oates is the GTO…Laurie Bird is the girl…Dennis Wilson is the mechanic…Two-Lane Blacktop is the picture.”
…more detailVintage Movie Posters Grading Criteria... read more +
“Last great film of the sixties even though filmed in 1971″…First off Monte Hellman is a genius. Secondly Two Lane Blacktop is one of the greatest “road” films of all time. In the film, like most road movies, the land becomes a character within itself, and Hellman creates that here. Like that of Rio Bravo with Dean Martin and Ricky Nelson, Hellman chooses two individuals out of there element in selecting Dennis Wilson and James Taylor. One might say that the two men don’t say much, but when they do it is to the point, and in fact it is what they don’t say that matters. Not to leave out Warren Oates, quite possibly the real lead in the film. Oates gives a top notch performance in all the films he graces, but here as GTO he really out does himself. Those who love films such as Easy Rider, and later Vanishing Point, will chalk this up, not only as one of the greatest “road” movies of all time, but as one of the lasts attempts at true”American” freedom.
Trade Address:
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Old Amersham
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
