Film
James Bond: A View To A Kill
1985, 1986 Video Release
Japan
Near Mint minus – Very Fine plus / Rolled, Flat/Unfolded (as issued)
John Glen
Christopher Walken, Desmond Llewelyn, Dolph Lundgren, Grace Jones, Lois Maxwell, Patrick Bauchau, Patrick Macnee, Robert Brown, Roger Moore, Tanya Roberts, Walter Gotell
Japan B1 / (29" x 41") / Single Sided, Video (VHS) Poster
Roger Moore’s final outing as 007 sees Bond artistic maestro Daniel Goozee produce a truly stunning series of posters for John Glen’s “A View To A Kill”. And it is his advance teaser design featuring Roger Moore as 007 and Grace Jones as Zorin’s henchwoman May Day that has been adapted for this Japanese video release B1 poster – the likenesses of both Moore and Jones are incredible. Very rare in this larger Japanese format with a design unique to Japan as key scenes have been added the left and right borders. These don’t turn up very often especially in this excellent unrestored, originally rolled (as issued) high grade condition. It presents and displays superbly and represents a fine example of a scarce and extremely collectable James Bond vintage movie memorabilia.
Trivia: Maud Adams: As a woman in the crowd at Fisherman’s Wharf. Adams happened to be visiting San Francisco when the film was in production there. Sir Roger Moore got her to appear as an uncredited extra in a crowd scene, making her the only actress to appear in three Bond movies (excluding actresses in recurring roles), after The Man with the Golden Gun (1974) and Octopussy (1983).
…more detailVintage Movie Posters Grading Criteria... read more +
“A View To A Kill“, seriously underrated and lambasted by critics, but in my opinion one of the best James Bond films. Roger Moore bowed out of the series, just in time (well, at least close to it…) and with a serious bang. Christopher Walken is deliciously evil and psychopathic as Max Zorin, the Nazi engineered genius looking to take over the tech industry by destroying Silicon Valley with a major flood disaster and earthquake. He is definitely one of the best movie villains ever. Along with some of the best music scoring of all the films in the series, including the fantastic Duran Duran song which epitomizes the 80’s, the final showdown between Zorin and Bond on top of the golden gate bridge is breathtakingly exciting. Many people hate this entry in the 007 series, calling it cheezy, clichéd, and that Moore is just too hammy and way too old. I disagree. I claim to be a true Bond-phile, having seen every film many times over, and have read every one of the most excellent (and quite different from the films) Ian Fleming novels (the Fleming short story View to a Kill is actually the basis for the films “Live and Let Die” and “For Your Eyes Only”) and find that this is definitely one of my favourites. A great watch with amazing music, villains, and final action sequence.
Trade Address:
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HP7 0HL
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.
LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
