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FIREFOX

Name: FIREFOX
SKU: 10150
Price: 50.00 GBP
Availability: OutOfStock

£50.00

“…the most devastating killing machine ever built… his job… steal it!”

Film Description

FIREFOX Movie Poster

“When the first rumors began to filter out of the Soviet Union some three years ago, our theoretical weapons strategists stood before NATO command to explain – with much confidence – that it would take the Soviets a minimum of ten years to develop a Mach Five aircraft with thought-controlled weapons systems. I stand before you today to explain – with much regret – that we were wrong.”

I’m not sure whether Firefox is really a guilty pleasure or simply a film I remember as being one. It’s certainly overlong and overfamiliar despite its neat Maguffin – Clint Eastwood‘s flashback-plagued Vietnam vet fighter ace has to steal a state-of-the-art warplane with a thought-controlled weapons system (as long as you remember to think in Russian) from the heart of the Evil Empire – but it has a sort of undemanding Cold War charm that the constant stream of clichés only reinforces. Even the old school model effects in the final chase-and-dogfight section are more fun in their way than modern CGI effects, especially when the Firefox is leaving a wall of water in its wake as it races across the sea or causing fallen snow to fill the air as it passes over the mountains, so it’s a shame that much of the last third is played in darkened control rooms rather than the skies.

The Russians, naturally, are mostly played by British actors, albeit in this case actors best known for their sitcoms, which adds a different dimension to their scenes as comically humourless KGB types or lemming-like dissidents only too happy to die for the cause, or incorrigible hams like Freddie Jones who simply look like they should be in a sitcom. There’s even an almost admirable perversity into giving most of the explanatory dialogue in the last half-hour to Klaus Löwitsch, an actor with a shaky grasp of spoken English who sounds like a bumblebee caught in a vacuum cleaner pipe. Not good by any means, but strangely watchable, and Maurice Jarre contributes an enjoyable score from the days before he disappeared entirely into atonal electronics.

Vintage Movie Posters Grading Criteria

Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.

Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.

Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.

Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.

Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.

Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.

All photographs and images used on our site are photographs of the actual poster/item you are buying, we do not use stock photographs.

Most Popular Poster Types

US Posters

LOBBY CARD
11 x 14" printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.

WINDOW CARD
14 x 22" printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970's.

HALF SHEET
22 x 28" printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.

INSERT
14 x 36" printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.

STYLE Y/FORTY BY SIXTY
40 x 60" printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.

ONE-SHEET
27 x 41" printed on paper. This is the most common size of poster, intended to be displayed in a glass "marquee" case. It is the most sought after size by collectors. Since the 1980's most posters are sent to the theatre rolled and maybe slightly smaller measuring 27" by 40" and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.

THREE-SHEET
41 x 81" printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970's on, three-sheets were sometimes printed in one piece and issued as "international" versions to be used abroad.

BRITISH Posters

BRITISH QUAD
30 x 40" Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.

BRITISH ONE-SHEET
27 X 40", printed on paper. Very rarely used size.

ITALIAN Posters

ITALIAN LOCANDINA
13 x 28" six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

ITALIAN PHOTOBUSTA
18 x 26" Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.

2-FOGLIO (DUE)
(DUE): 39 x 55" This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

4-FOGLIO
(QUATTRO) 55 x 79" Very large Italian poster printed in two pieces, often contains very beautiful artwork.

FRENCH Posters

FRENCH
47 x 63" (GRANDE) or 24 x 33" (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian's some of the artwork is extrememly beautiful.

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Film Description

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