Film
Eagle Has Landed, The
1976
UK Quad (30" x 40") / Printed in England by W.E.Berry Ltd. Bradford
British / UK
Very Fine plus / Originally folded (as issued) – centre horizontal foldline is “soft” almost non-existent & hardly noticable.
John Sturges
Anthony Quayle, Donald Sutherland, Jean Marsh, Jenny Agutter, Larry Hagman, Michael Caine, Robert Duvall
“In 1943 sixteen German paratroopers landed in England. In three days they nearly won the War”
John Sturges’ 1976 World War II adventure “The Eagle Has Landed” is an all-action romp with a star studded cast that is perfectly complemented by Cecil Vieweg’s beautiful artwork for the original UK quad film poster…An elaborately detailed eagle in full flight gripping a bright red swastika with beautiful pen & ink renditions of the all star cast makes for one of the best and most eye catching film posters of the 70’s and it’s easy to see why this was one of the Vieweg’s personal favourite pieces of work. Originally folded (as issued) the example offered here displays and presents very well with minimal age and handling wear and represents a fine piece of rare collectable original movie memorabilia.
…more detailVintage Movie Posters Grading Criteria... read more +
” A simple exercise in logistics, nothing very complicated: he merely wants Winston Churchill brought from London to Berlin”
Based on a best-selling tall story by Jack Higgins, and featuring an all-star cast that must’ve cost half the budget just to get to sign up for the project, The Eagle Has Landed is an enjoyable but wartime actioner.
German soldier Max Radl (Robert Duvall) comes up with an audacious plot to deliver a devastating blow to the Allied forces by kidnapping Winston Churchill from a Norfolk village. A team of deadly German spies, led by Kurt Steiner (Michael Caine), are smuggled into England to carry out this sinister scheme. Aided by an Irish mercenary (Donald Sutherland), the German forces rapidly and ruthlessly close in on their target. Only an inexperienced American garrison, posted in a quiet corner of Norfolk, can stand in the way of a devastating German victory.
The Eagle Has Landed is one of the few films where the all-star cast doesn’t have a detrimental effect. In films like A Bridge Too Far and The Longest Day, the presence of so many stars actually results in a game of “star-spotting”, and this diverts the audience’s attention away from important plot developments. In The Eagle Has Landed, each actor brings depth and charisma to their strongly written roles (especially Sutherland as the devious Irish rogue, and Duvall as an eye-patch wearing Nazi). This film’s faults lie elsewhere. The opening hour and a quarter goes on rather too much and ought to have been trimmed by at least fifteen minutes. Also, the plot rides its luck with increasingly less likely, less plausible developments (especially the unpersuasive “twist” ending). For these reasons, The Eagle Has Landed isn’t quite the excellent film you might be hoping for. What it is, however, is an enjoyable, well-acted and very watchable slice of escapism and a fitting farewell tribute to it’s director John Sturges.
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Mint
A poster that has never been used or displayed and may show the most minor signs of age and wear. The poster should have no holes or tears.
Near Mint
A generally unused poster with fresh, saturated colors. May have minimal tears at folds. Has no significant holes, no paper loss, may have minor tears along edges, may have fine pin holes.
Very Fine
A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.
Fine
A poster with good colors and overall clean appearance. It may have minor tears small paper loss and minor stains. It may have some fold seperation.
Good
An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.
Fair
A poster with faded colors and brittle paper, showing significant signs of use. May have tears and paper loss. May have tape, writing, stains in image area. In need of restoration or had major restoration.
Poor
A poster that is worn, torn, and/or damaged. May have staining, cracking, dry rot, and/or large tears. May be heavily soiled, may have pieces missing. In need of major restoration.
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LOBBY CARD
11 x 14″ printed on heavy stock paper. Used as display in theatre lobbies. Originally made in sets of eight. Some sets have a title card, which contains credits and artwork, essentially a mini-poster. The remaining seven cards are coloured photographic credits and poster artwork showing different scenes from the movie.
WINDOW CARD
14 x 22″ printed on heavy stock paper with the top 4-6 inches usually left blank for the local cinema owner to fill in the cinema and the date it was due to play. Largely discontinued during the 1970’s.
HALF SHEET
22 x 28″ printed on heavy stock paper. The image displayed is normally a smaller version of the main poster, although some do have different artworks and sometimes come in two versions.
INSERT
14 x 36″ printed on heavy stock paper. Inserts usually have the same artwork as a one sheet. Popular with collectors since they are smaller and easier to frame. Normally come tri folded or rolled.
STYLE Y/FORTY BY SIXTY
40 x 60″ printed on heavy stock paper. Rare since they were primarily used for major motion pictures only. Designed to be used outside the theatre, on an easel, normally at a drive-in movie theatre.
ONE-SHEET
27 x 41″ printed on paper. This is the most common size of poster, intended to be displayed in a glass “marquee” case. It is the most sought after size by collectors. Since the 1980’s most posters are sent to the theatre rolled and maybe slightly smaller measuring 27″ by 40″ and with the advent of backlit light boxes a growing number of modern movie posters are available double-sided and the more traditional single-sided.
THREE-SHEET
41 x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad.
BRITISH QUAD
30 x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster.
BRITISH ONE-SHEET
27 X 40″, printed on paper. Very rarely used size.
ITALIAN LOCANDINA
13 x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.
ITALIAN PHOTOBUSTA
18 x 26″ Glossy, high quality, used as lobby cards in Italy. Size may vary, either vertical or horizontal format. There are also double Photobusta or mini Photobusta.
2-FOGLIO (DUE)
(DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.
4-FOGLIO
(QUATTRO) 55 x 79″ Very large Italian poster printed in two pieces, often contains very beautiful artwork.
FRENCH
47 x 63″ (GRANDE) or 24 x 33″ (PETITE) French movie posters normally come with different artwork to either the US or the UK. Like the Italian’s some of the artwork is extrememly beautiful.
