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“There are some places in the universe you don’t go alone!”
A poster design that works just perfectly with a bold and simple design; it just draws you in and keeps the anticipation high for although “Aliens” has gone on to become a benchmark for the sci-fi actioner at the time people knew it only as a sequel to the horror classic “Alien”. Signed (with character name) by the android ‘Bishop’ – Lance Henriksen at Horrorfied April 2025. Lovely clear signature in silver, which really pops against the the black background. The original British video film poster offered here is from first year of release on video, 1986 and is the same imagery as used for the cinema release earlier in 1986. It presents very well, with handling wear from signing and offered in original unrestored, rolled (as issued) condition. A very rare iconic British poster that represents a fine piece of movie memorabilia from a truly influential movie that changed the face of the modern sci-fi action movie forever and benefits from being autographed by one of the major cast members.
Trivia: Sigourney Weaver‘s Best Actress Academy Award nomination for this movie was the first ever for an actress in a role in an action and sci-fi movie.
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“While the rest of us were just thinking about it…Ferris borrowed a Ferrari and did it…all in a day”
“Ferris Bueller’s Day Off” was a so so hit for John Hughes when released in 1986 launching many of it’s cast on the road to Hollywood glory; Matthew Broderick, Charlie Sheen, Jennifer Grey etc. But it’s the car that Ferris and his pals steal that has kept the movie firmly in the spotlight, especially in more recent years as movie poster art & automobilia have become very, very collectable – it’s one of the most famous and coveted cars that a certain Italian named Enzo ever produced – a Ferrari (RED of course) 250 GT California. Although it was featured on the original cinema marketing campaign it was heavily stylised by the artist Adrian Perkis. So, it’s no surprise that when it was released on video in 1986, the Ferrari figured prominently with a beautiful photograph of the car – don’t worry Ferrari fans, Ferris has been photo-shopped lounging on the car – no Ferrari was harmed in the taking of the photograph. Rolled (as issued) this excellent original 1986 British video poster presents very well and represents a scarce item of collectable cinematic and motoring memorabilia…“Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it”
Trivia: John Hughes personally selected the songs for the film. He wanted them to be somewhat obscure to the typical moviegoing audience, feeling that he wanted everything about the film to feel new. For example, the song heard when the Ferrari is revealed for the first time (and during the final scene) is “Oh Yeah” by Swiss band Yello. The song was not a hit after its first release, but its inclusion in this movie rapidly popularized it, prompting a re-release. It has since been used in dozens of other movies and series, often in scenes featuring a desirable object or person.
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An impressive, 1984 video movie poster for George Lucas’ action packed sci-fi sequel “Star Wars: The Empire Strikes Back”. A rare VHS poster issued by CBS/Fox o promote the first release on video for Irvin Kershner’s masterpiece. A country-unique, British design that features imagery of the iconic Imperial Walkers on the ice planet Hoth. With no titles or credits this pure artwork poster really stands out with the Walkers almost as symbolic to the franchise as Darth Vader. Being originally rolled (as issued) and totally unrestored this example displays and presents to a very high standard and represents a fine addition for any collector of original movie posters or Star Wars fan memorabilia.
Trivia: In order to avoid sharing creative rights, George Lucas decided to avoid using a major studio to finance this movie. Instead, he bankrolled the $18 million production himself, using a combination of his profits from Star Wars: Episode IV – A New Hope (1977) and a bank loan. Although the move was risky, it paid off several times over. Lucas recovered his investment within three months of the movie’s release.
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“Meet Mowgli, the man cub. Baloo thinks he’ll make a darn good bear. Shere Khan thinks he’ll make a darn good meal”
Walt Disney’s animated take on the “Mowgli Stories” of Rudyard Kipling “The Jungle Book”. Re-released many times after its 1967 premiere but it is the artwork from the posters produced since that are probably the best, and that’s certainly true of this 1993 video poster. Offered here is an original British one-sheet poster from 1993 – this was the first time this Disney classic was made available on a video release and to celebrate a totally new design was created. A magnificent, visual masterpiece of a poster as all the key characters make the perfect transfer from screen to paper. Beautiful design and artwork, bright bold colours that because of the high gloss finish, absolutely pop from the paper. Stunning animated action imagery featuring Mowgli, Baloo, Bagheera, King Louie, Shere Khan, Kaa make for an impressive poster on every level. Originally rolled (as issued) this unrestored film poster presents superbly and is a fine example of rare and collectable original Disney memorabilia for a much loved classic. Undoubtedly one the best looking posters produced for a movie that is an integral part of modern pop culture.
Trivia: The Vultures were originally going to be voiced by The Beatles. The band’s manager, Brian Epstein, approached the Disney studios about having The Beatles appear in the film, and Disney had his animators create the Vultures specifically to be voiced by the band. But when Epstein took the idea to the Beatles, John Lennon vetoed the idea, and told Epstein to tell Disney he should hire Elvis Presley instead. The look of The Vultures, with their mop-top haircuts and Liverpool voices, are a homage to The Beatles; one bird’s voice and features are clearly based on George Harrison‘s. That’s What Friends Are For was originally to be done as a rock and roll song. When the Beatles departed the project, the song was rewritten as a barbershop quartet, to make it timeless.
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