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“Now comes the part where I relieve you, the little people, of the burden of your failed and useless lives. But, as my plastic surgeon always said: if you gotta go, go with a smile.”
Tim Burton was the perfect choice at the time to re-invent this major screen character & for me this is the definitive Batman movie. Posters for Burton’s “Batman” have always been hugely collectable since it was released in 1989 with the original marketing campaign basically just using the Batman logo. This has left a huge scope for artists since, to re-imagine and re-interpret their own unique take on the movie and character – making it perfect content for the alternative movie poster market. Batman (in all of his guises) is one of the most popular subjects for commissions – admittedly some better than others. Offered here is one of the better examples as Alberto Reyes presents his variant edition. Known as the Joker style or the Jokerized version it sees Jack Nicholson’s Joker in a clever spin from one of the key scenes from the film. Enigmatic and stylish, hand-numbered (#69/89) and signed by the artist, Alberto Reyes is truly impressive. Originally rolled (as issued) this displays to excellent effect and represents a superb Joker image from one of the defining Batman films.
Trivia: Jack Nicholson said of his role, “The thing I like about the Joker is that his sense of humor is completely tasteless.” He later said The Joker was one of his favorite roles he played.
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“Bruce Wayne – Y’see, my life is really… complex.”
Tim Burton was the perfect choice at the time to re-invent this major screen character & for me this is the definitive Batman movie. Posters for Burton’s “Batman” have always been hugely collectable since it was released in 1989 with the original marketing campaign basically just using the Batman logo. This has left a huge scope for artists since, to re-imagine and re-interpret their own unique take on the movie and character – making it perfect content for the alternative movie poster market. Batman (in all of his guises) is one of the most popular subjects for commissions – admittedly some better than others. Offered here is one of the better examples as Alberto Reyes presents his Batman, fully costumed (it’s nice to see an artist present a screen accurate costume for a change) in the Batcave. Enigmatic and stylish, hand-numbered (#69/89) and signed by the artist, Alberto Reyes is truly impressive. Originally rolled (as issued) this displays to excellent effect and represents a memorable image from one of the defining Batman films.
Trivia: Michael Keaton, who calls himself a “logic freak”, was concerned that Batman’s secret identity would, in reality, be fairly easy to uncover, and discussed ideas with Tim Burton to better disguise the character, including the use of contact lenses. Ultimately, Keaton decided to perform Batman’s voice at a lower register than when he was portraying Bruce Wayne. This technique became a staple of future portrayals of Batman in film, television, and video games, especially those of Kevin Conroy and Christian Bale.
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“Movies were his passion Women were his inspiration Angora sweaters were his weakness”
A really great looking black & white poster (the movie was filmed in black & white) with star Johnny Depp bearing a remarkable likeness to the man/woman he was playing
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A beautiful film festival poster from the 1990’s featuring six of the wackiest, poorly made and most bizarre films ever made…“The Bride of the Beast / Night of the Ghouls / Plan 9 From Outer Space / Glen or Glenda / Jail Bait / Bride of the Monster” Each equally ‘bad’ in one way or another yet all had one thing in common, they were by one man; legendary ‘B’ movie making maestro Edward D. Wood Jr. Wood despite a poor reception (and that’s being kind) for his films when originally released during the 50’s & 60’s has gone on to achieve cult status amongst movie fans with paper from any of his films highly sought after and much prized. This collectability has extended to the film festival posters which celebrated his much loved ‘masterpieces’. The original UK quad example offered here is for “Ed Wood Presents The Worst Movies Ever Made” a British festival from the 1990’s and is one of the best looking posters available, featuring classic scenes from six of his movies with images that appear to have hand finished colour touches. A very cool looking, great designed colourful poster that is extremely scarce. Originally rolled (as issued) this near faultless example is a fantastic find and represents a fine and incredibly rare example very collectable original movie memorabilia for one of Hollywood’s greatest character’s.
Trivia: The budget of Tim Burton’s biopic Ed Wood (1994) was “more than one hundred times greater than every Ed Wood budget combined”
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“Edward lived alone where he could hurt no one and no one could hurt him. Until the day the Avon Lady came calling…”
Tim Burton seems like the only being on the planet who could come with characters such as the ones found in “Edward Scissorhands” The film is literally a tale likely to be found in a child’s dreams. It creates a world of its own, inhabiting unforgettable characters, events that should be shared with generations This film is a visual masterpiece; a movie that deserves its reputation as a timeless “Burtonesque” classic. This original 1990 US one-sheet perfectly captures all of Burton’s stylish elements. Outstanding character driven design featuring the scissor-handed Edward and his love – Winona Ryder. This superb rolled (as issued) example looks beautiful and displays to superb effect, representing a a fantastic piece of original cinematic movie memorabilia for an innovative and popular film maker.
Trivia: Edward’s hair is based on Robert Smith of The Cure‘s hair.
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“Twas a long time ago, longer now than it seems in a place perhaps you’ve seen in your dreams. For the story you’re about to be told began with the holiday worlds of auld. Now you’ve probably wondered where holidays come from. If you haven’t I’d say it’s time you begun.”
Tim Burton seems like the only being on the planet who could come with characters such as the ones found in “The Nightmare Before Christmas” The feature is literally a tale likely to be found in a child’s dreams It creates a world of its own, inhabiting unforgettable characters, events that should be shared with generations This film is a visual masterpiece; a movie that deserves its reputation as a timeless “Burtonesque” classic. This original cartoon style 1993 British quad poster perfectly captures all of Burton’s stylish elements. Eye-catching animated imagery and a stunning design for this rather unusual Disney production . This superb rolled (as issued) example looks beautiful and displays to marvellous effect, representing a a fantastic piece of original movie memorabilia for an innovative and popular film maker.
Trivia: Lock, Shock, and Barrel’s names, as a whole, are derived from wordplay of the phrase “Lock, stock, and barrel,” a phrase meaning ‘everything’, which, in turn, was derived from the components of a musket.
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“Heads Will Roll”
A true ‘Burtonesque’ classic. Tim Burton seems like the only film maker on the planet who could come up with characters such as the ones found in “Sleepy Hollow.” With a host of regular Burton collaborators and some familiar new faces (if you are a fan of classic horror you’ll be delighted) his stylish adaptation is based on the story by Washington Irving called “The Legend of Sleepy Hollow”, where he captures the slumbering, creepy village of Sleepy Hollow with vivid details and imaginative description. The way everything is presented, the trees look like something out of a fairy tale and the scenery represents deception in a mysterious wonderland, and makes this production a captivating and magical film experiences which is beautifully represented in this US one-sheet designed by BLT and Associates from first year of release, 1999. Presented rolled (as issued) it displays to excellent effect and represents a fantastic piece of original movie memorabilia for an innovative and popular film maker.
Trivia: Director Tim Burton says the film was inspired by the Gothic horror films of Mario Bava and Hammer Film Productions. Burton brought Hammer veteran Michael Gough out of retirement for a small role, and recruited Sir Christopher Lee, a veteran of both Hammer and Bava’s films, for a cameo.
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