rich Davies

Showing all 3 results

• 

  A Nightmare on Elm Street

  £175.00

  “If Nancy doesn’t wake up screaming…She won’t wake up at all !”

  With artwork by Rich Davies, this 2020 alternative movie poster for Wes Craven’s 1984 horror classic “A Nightmare on Elm Street” is an impressive example of horror art. Titled ‘Sleep Kills’ Davies’ imagery features Freddy’s distinctive shadow moving menacingly above a sleeping Nancy (Heather Langenkamp). Printed on to textured art paper using giclee inks the colours pop from the paper, giving a real quality finish which has been hand-numbered #181 from a print run of 250. Originally rolled (as issued) this looks stunning and displays to excellent effect. A great looking horror poster that represents a fine piece of collectable modern cinema movie memorabilia.

  Trivia: Freddy Krueger was designed by Wes Craven to be the typical “silent” serial killer, such as Jason Voorhees or Michael Myers. However, in the sequels, Freddy developed a cheeky persona that enabled him to be the black-humored villain.

  What is Giclee ?

  Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.

  The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.

  Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.

   …more detail
  Add to basket
• 

  Captain America: The First Avenger

  £175.00

  “Whatever happens tomorrow you must promise me one thing. That you will stay who you are. Not a perfect soldier, but a good man.”

  Rich Davies’ alternative movie poster for one of the corner stone characters of the Marvel Cinematic Universe “Captain America: The First Avenger” is an incredible, retro looking piece with an amazing 1940s vibe heavily influenced by the Flash Gordon/Buster Crabbe pulp serials of the period, from the dynamic content to the striking typography. Printed on to textured art paper using giclee inks the colours pop from the paper that when combined with the faux foldlines have a dramatic effect. Originally rolled (as issued) this looks stunning and displays to excellent effect. One of the best looking posters for any of the Marvel Studios’ releases it represents a fine piece of collectable modern cinema movie memorabilia.

  Trivia: Originally cameo appearances were planned in the film for James “Logan” Howlett (Wolverine) and Erik Lehnsherr (Magneto), who were present during World War II (Logan was a soldier and Lehnsherr was in an internment camp). These cameos were scrapped due to rights issues.

  What is Giclee ?

  Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.

  The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.

  Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.

   …more detail
  Add to basket
• 

  Halloween

  £275.00

  “The Trick Was To Stay Alive”

  John Carpenter’s masterpiece of modern horror “Halloween” was the first and by far the best of this enduring film franchise which acted as the definitive slasher flick. The artwork for any of the film poster produced are all extremely collectable and strikingly individual in design; from the ‘Jack O’Lantern’ US one sheet to the UK quad film poster featuring a screaming Jamie Lee Curtis as Michael Myers’ hand appears at the car window; all seen through an icy blue haze. Offered here is one of the best of the more modern alternative movie poster designs by the artist Rich Davies that has been signed by Michael Myers himself – NICK CASTLE with character name of The Shape (as he was credited at the time of release) in a blue pen to match the colours in the imagery. Davies’ stunning imagery and use of dark blue colour tones makes for a truly eye-catching piece. Released in 2018 for the 40th anniversary as a limited edition giclee print of 250, this originally rolled, flat-unfolded (as issued) example displays to exceptional effect and represents a truly outstanding and extremely desirable item of collectable John Carpenter horror movie memorabilia signed by The Shape – Nick castle.

  Trivia: John Carpenter considered the hiring of Jamie Lee Curtis as the ultimate tribute to Sir Alfred Hitchcock who had given her mother, Janet Leigh, legendary status in Psycho (1960) (for the same reason, Dr. Sam Loomis was named after Sam Loomis from Psycho). During the same period, Universal studio producers and director Richard Franklin were trying to enroll Jamie Lee in the new production of Psycho II (1983).

  What is Giclee ?

  Derived from the French term gicler – meaning ‘to squirt or spray’, the term describes a printing process whereby microscopic dots of pigment-based ink are sprayed onto archival-quality paper to ensure the fidelity of a limited edition print to an original artwork.

  The richness, accuracy and depth of colour is thanks to the method’s potential to achieve a huge colour gamut (the spectrum of colours distinguishable by the human eye). Unlike the four tones used in lithography, giclées often use five: light cyan, cyan, light magenta, yellow and black.

  Fantastic for reproductions which require maximum detail, giclées are most commonly found on watercolour paper or canvas, but can also be created on glass. Different types of paper will produce different effects. Matte paper works well behind glass due its lack of reflectivity, whilst the shine of a glossy finish can give an artwork a brighter appearance.

   …more detail
  Add to basket